法律视角下的水资源有偿使用制度

在水资源日益紧缺的客观形势下,我国需要建立市场机制的水资源有偿使用制度。水权制度是水资源有偿使用制度的前提和基础,而《水法》从法律上确立了水资源的有偿使用制度。在完善水资源费征收管理制度中,水资源价格是水资源配置市场化的基础和条件。水资源的开发利用要与生态环境保护相结合,做到节约用水和生态用水。     

考察北欧供暖系统后的启示

结合北欧供暖系统分析我国现阶段集中供热的利弊,以及集中供热发展前景。     

臭氧及其联合氧化工艺在饮用水处理中的应用

对饮用水处理中化学氧化3方面的效果进行了讨论。文中详细论述了水中天然腐殖质和微量污染物的降解去除。在臭氧氧化处理过程中,有机物很难被完全矿化,需要进一步的处理。     

Dominance in the Tetra Pak Case: An Empirical Approach

The 1991 decision of the European Commission on the Tetra Pak case was based on information which seemed to prove the firm's anti-competitive behavior. The Tetra Pak case is investigated here focusing on the meaning of multimarket dominance, using empirical techniques. We find that a more rigorous analysis of the data available would not confirm the Commission's assertions. That is, it cannot be concluded with certainty that the Commission was right to relate Tetra Pak's dominance in the aseptic sector to its market power in the non-aseptic sector. Our results suggest a general framework for the analysis of abusive transfer of market power across vertically or/and horizontally related markets.     

治水之本体制创新

如何解决水危机是大连经济和社会发展的当务之急,除了抓好引水、节水工程,更重要的是抓源治本,深化水务管理体制改革,建立一体化的、高效有序的城市水资源管理体制;并进行体制创新,实现水务建设、运营、管理市场化、企业化、集约化.     

The Liquefaction of Desire: Music,Water and Femininity in Victorian Aestheticism

This article reconsiders Victorian images of mermaids and sirens through a detailed examination of two images: Frederic Leighton's Lieder ohne Worte (1861, oil on canvas, Tate Britain) and Edward Burne-Jones's The Depths of the Sea (1886, oil on canvas, private collection). It demonstrates that the themes of water, music and femininity were entwined in the Victorian imagination, by setting these two paintings within the context of Victorian artistic, literary and cultural production. It shows that musical images were prevalent in the emerging Aesthetic movement. Musical subjects freed artists and audiences from the conventions of narrative interpretation, and allowed them instead to concentrate on exploring mood and colour.

Pictures of mermaids add a further twist to the Aesthetic preoccupation with music. This article reveals that mermaids made explicit the underlying connection between musical performance and sensuality. It also suggests that the idiosyncratic depiction of the mermaid by Burne-Jones and the ambiguous sexuality of Leighton's figures could be read as symptomatic of changing conceptions of desire. It argues that these images embodied the shift from ardour to libido. In other words, love was no longer described as burning and fixed, but as fluid and shifting. This transformation in the way desire was theorised was most urgently presented in Freud's Three Essays on Sexuality (1905). However, this article suggests that the same ideas were being made visible in Aesthetic art and writing from the mid-nineteenth century.     

我国水污染犯罪刑法适用的困境及其解决途径——以盐城水污染案为视角

盐城水污染一案,弃重大环境污染事故罪而适用投放危险物质罪实属无奈之举,但适用投放危险物质罪仍存在着诸多问题,案件的判决折射出我国水污染犯罪刑法适用的诸多困境,而修改和完善刑法第338条是解决这一问题的有效途径。     

水权及其交易

狭义的水权指水资源使用权 ,是一种特殊的物权。我国水资源分布的地区不公平导致水权交易的必然出现 ,水权交易实质上是经济手段在水资源开发利用及保护中的运用 ,水权交易将在南水北调工程中及西部大开发中扮演重要的角色 ,水权交易不应威胁生态安全 ,不应忽视国家的利益。     

论他物权的母权

所有权是渔业权等他物权的母权,是所有权与其权能分离的属性和理论、所有权的弹力性的变形表现。所有权与他物权分类的目的及意义可以因时代的要求及研究者拟解决问题的需要而发生变化。水资源所有权在我国现行法上为一个同一的、抽象的所有权,实务上至今没有提出数个水资源所有权的要求。     

GIS环境下供水管网事故关阀分析的研究与实现

基于对供水管网事故关阀机制的分析,研究了GIS环境下供水管网数据的存储管理,在此基础上提出了事故关阀的优化方案和算法设计,并将该方法成功应用于实践。