中国"舞"台原创与市场的突破点

中国舞蹈舞台演出的现代发展与突破需有三个条件 :社会环境、原创性作品和市场经营。当前 ,三个条件中仅具备社会大环境 ,而就更重要的两个条件来说 ,原创还缺乏现代作品的个性思维色彩与深度 ;市场运作缺少小而灵活的演出组合 ,以及稍小的演出场所。因而中国“舞”台的真正繁荣 ,还有待编导和舞者们、管理者和艺术经纪人的奋力突破。     

从国家战略的角度解读中国——东盟博览会

从国家利益和国家战略的角度看,中国-东盟博览会对广西和南宁具有重大经济意义和政治意义,广西将从相对封闭走向更加开放,并在中国-东盟自由贸易区建设过程中发挥重要作用.广西只有抓住机遇,将比较优势变成竞争优势,实施开放促发展战略,才能实现跨越式发展.     

简论广告扩展性功能

广告活动作为一种经济活动 ,是以赢利为目的。但经济功能只是广告的主体性功能 ,而不是它的唯一功能。除了经济功能之外 ,广告还具有一些非主体性功能。文章着重阐述了广告的扩展性功能———文化功能、社会功能和艺术功能。     

推进民族地区文化体制改革

文化体制改革是民族文化发展的一项紧迫任务。民族地区文化体制改革要抓住机遇 ,理顺关系 ,发挥政府宏观调控作用 ,深化文化企事业单位内部改革 ,推进文化创新     

广西中心城市流动人口特征及若干对策

流动人口作为一种特定的社会经济现象 ,近年来已引起学术理论界及政府管理部门的高度重视。进入20世纪90年代以来 ,广西中心城市流动人口大幅增加。文章分析了广西中心城市流动人口的基本特征并提出了若干对策建议     

改革和完善党的领导方式和执政方式探析

改革和完善党的领导方式和执政方式,是时代、国情、党情的发展变化对党的建设提出的客观要求。必须按照“实现社会主义民主政治的制度化、规范化和程序化”要求,积极推进党的领导制度、组织制度、领导体制、机构设置、工作制度、工作机制和工作方式等方面的改革。     

Art,Cold War Diplomacy and Commonwealth: Australian and Canadian Art at the Tate Gallery 1962–1964

This article analyses the formation, presentation and reception of two seminal exhibitions: Australian Painting: Colonial, Impressionist, Contemporary (1962–1963) and Canadian Painting 1939–1963 (1964). The presentation of these exhibitions at London’s Tate Gallery reflected the institution’s support for “old dominion” Commonwealth members. The exhibitions also highlight the differing visions of the Canadian and Australian governments concerning the relationship between art, diplomacy and politics during the Cold War. In Canada, Vincent Massey (Governor General 1952–1959) played a key role in ensuring that all forms of Canadian art were promoted internationally. Massey wanted to connect with the European and American avant-garde and to be part of a multiracial Commonwealth. This contrasted with the rather “old-fashioned” views of the Australian prime minister, Robert Menzies, and the Commonwealth Art Advisory Board. They supported a Commonwealth dominated by the “white dominions” and the initial exhibition plan for Australian Painting recalled previous British Empire art shows. The British response to the Canadian and Australian exhibitions is also discussed. British critics preferred the nationally identifiable “exotic” art found in Australian art to the transnational forms of international abstraction in Canadian art. Eventually, Australia “caught up” with Canadian cultural policy following the establishment of the Australia Council.     

Hearing the voice of Donbas: art and literature as forms of cultural protest during war

This paper analyzes literary, visual, and street art works of writers and artists from Eastern Ukraine produced during 2014. Two Donetsk artists, Serhii Zakharov and Anzhela Dzherikh, and two Luhansk writers, Serhii Zhadan and Olena Stepova, play with the myth of the proletarian Donbas, on the one hand, and debunk the popular perception of Donbas people as being in consent with the politics of the self-proclaimed Donetsk and Luhansk People’s Republics, on the other. They explore familiar tropes and images of Donbas and use guerrilla tactics (shock effects, provocativeness, and deception) to initiate public reaction to the war. Their works are united by their search for a shared communication space and direct access to the audience on occupied territories. These artists challenge the accepted perception of Donbas as a free but uncivilized space and participate in the creation of a new Donbas text. The interaction between politics, art, and activism makes their voices and vision powerful and infectious and can help achieve civic consolidation in Donbas.     

辛亥百年,沅澧群英——《辛亥沅澧人物史话》课程建设随笔

在波澜壮阔的辛亥革命中,地处湘西北的常德诞生了一批品质优秀的民主革命志士,他们在辛亥革命的不同时期扮演了重要的角色,对近代中国历史的进程作出了较大的贡献。为了缅怀革命先烈,继承革命传统,湖南文理学院历史专业增开了《辛亥沅澧人物史话》。就该课程的开设动因、基本原则、主要内容、学习方法和建设意义作个简单汇报,以期对高校特色课程建设和改革进行探讨。     

艺术设计协同育人平台的建设与实践:以广东省外语艺术职业学院为例

针对广东省高职教育发展战略和珠三角文化创意产业需求,广东省外语艺术职业学院围绕提高创新能力这一核心目标,在艺术设计专业群进行试点,创建了艺术设计协同育人平台,经过探索与实践,提出了协同育人平台建设的路径与策略。