试论景观规划设计在我国的发展趋向

景观规划设计在我国还处于初级发展阶段。随着我国城市化进程的加速发展，景观规划设计教育制度的不断完善，景观规划设计在这一系列有利因素促动下，必将朝一个更专业、更规范、更国际化的方向前进。     

孔子删《诗》论争平议

古今学者对孔子删诗说的论争，其分歧可以分为三个层面。一是孔子删《诗》说的源起与生成，二是最早否定孔子删《诗》说的是何人，三是孔子删《诗》说可信与否的具体辨析。根据现存文献资料，此说的最早提出者是司马迁，最早的否定者是孔颖达。从古诗三千之数、孔子编选取舍的标准、季札观乐等角度考查，孔子删《诗》说可信。     

台湾外省第二代家族书写研究

近年,台湾的认同问题越发引起关注。面对父辈的衰弱与消亡,外省第二代作家张大春、骆以军、陈玉慧等纷纷介入家族小说的创作,企图以文字为"我族"保存记忆与建构认同。他们有着相似的关怀与焦虑,但外省族群内部并非铁板一块。本文旨在厘清外省第二代作家近期小说中的家国想象与族群建构,同时论述空间地景与文化记忆所彰显的多音交叠的差异性认同取向。     

台湾地景书写与文化认同研究

不同时期的文人对台湾地理环境与人文环境的描写,呈现出不同的台湾形象。地景书写是文学作品书写的重要面向。本文主要选取那些与文化认同密切相关的地景书写,以不同历史时段的文学作品为基础,阐述地景的变迁对叙事者书写文字符码的影响,叙事者的文化认同所影响的台湾地景书写变化的复杂路径,近20年来地景书写与台湾人的集体记忆和认同变迁存在的关系等问题,并经由对地景书写的美学符号分析,展演出文化关怀与认同的复杂变貌。     

读"上博简"札记

<上海博物馆藏战国楚竹书>(一)出版以后,引起了学者的广泛注意,"竹书"命名问题、"孔子诗论"的作者问题、"留白"问题是大家关注的热点.笔者对这些问题的研究进行了全面的梳理,并提出自己的观点.另外,该文还讨论了利用古音学考释古文字应该注意的问题.     

From sacrum to profanum: reinterpretation of communist places of power in Baltic cities

Places always represent the social and cultural dimensions of societies, seen through relationships between ideas, beliefs, and hopes. Places and their social practices are interwoven into the urban fabric and have become vital components of urban and ideological identities. Ideological systems create unique arrangements and classifications of those special places, which can be called “hallowed” or “profaned.” This project focuses on the recent transformation of the communist system of “sacral” spaces and their recent “profanation.” The transformation of meaning, together with the use and attitude toward landscape, has become visible due to spatial and functional manifestations of post-socialist cities.     

Blow Flies from Forest Fragments Embedded in Different Land Uses: Implications for Selecting Indicators in Forensic Entomology

Given the general expectation that forest loss can alter biodiversity patterns, we hypothesize that blow fly species abundances differ in a gradient of native vegetation cover. This study was conducted in 17 fragments across different landscapes in central Brazil. Different land cover type proportions were used to represent landscape structure. In total, 2334 specimens of nine species of Calliphoridae were collected. We used principal component analysis (PCA) to reduce dimensionality and multicollinearity of the landscape data. The first component explained 70%, and it represented a gradient of forest‐pasture land uses. Alien species showed a wide distribution in different fragments with no clear relationship between the abundance values and the scores of PCA axes, whereas native species occurred only in areas with a predominance of forest cover. Our study revealed that certain native species may be sensitive to forest loss at the landscape scale, and they represent a bioindicator in forensic entomology.     

女性主义：七夕诗阐释的现代维度

现代人将七夕诗单一地理解为“情诗”,我们有必要对七夕诗进行多维度的阐释。如果从女性主义的视角将七夕诗加以解读,可以发现,七夕的重要仪礼——“乞巧”,是当时少女们生活希冀中对爱情的价值认同;七夕诗中表达得最丰富的爱情,其实是妇女求得身份平等的情感承诺;而男女不同诗人所作的七夕诗,在视角转换中可以明显看出男人和女人眼中的“女性”有别而情有所同。     

日本的杜甫诗研究——以五山、江户时期为例

杜甫是我国唐代著名的现实主义诗人。他的诗具有丰富的社会内容、强烈的时代色彩和鲜明的政治倾向,真实深刻地反映了安史之乱前后一个历史时代政治时事和广阔的社会生活画面,因而被称为一代＂诗史＂。本文以汉籍东渐为发端,借助史料梳理了杜诗研究在五山时期和江户时期发生、发展的历程。其中包括杜诗研究的代表人物、著作以及对这一时期文学史的宽泛影响。     

“Don’t Frack with Our Karoo”: Water,Landscape, and Congregational Song in Kroonvale,South Africa

There is a new environmental threat to the South African Karoo region in the form of hydraulic fracturing (or “fracking”) for natural gas reserves buried deep underground. In this article, I use the issue of fracking in the Karoo to investigate the power of this landscape over its people and focus particularly on the question of how the cultural traditions of the Karoo would be affected. In contrast, W.J.T. Mitchell argues that landscape exerts a relatively weak power over its residents. My work serves as a critique of theories that see landscape as exerting only marginal influence over people. I argue that not only does landscape exert a palpable power over its inhabitants, but also that landscape affects the musical traditions of these residents and, ultimately, the configuration of the Karoo soundscape. To investigate this, I draw on my research of music in three churches with coloured people’s membership in the town of Graaff-Reinet and examine this tradition in the context of its surrounding landscape.