论张九龄应制、酬赠诗的因变特征与启示意义

张九龄是盛唐前期的一位重要诗人.占其诗歌半数以上的应制和酬赠之作,在言事叙咏、运思取象等诸多方面,都已形成了自家体式,表现出或雅正俊爽、昭切畅达,或率真坦诚、性情毕现等特点.其创作为文质兼胜、情景交融的盛唐诗歌艺术风貌的形成,作出了应有的贡献.     

女词人吕碧城思想解析(下)

吕碧城是清末民初一位值得关注的女词人,其词作甚丰,思想丰富。吕碧城受到儒、道、佛三家思想的影响．这使其词作折射出明显的宗教色彩。     

浙江新诗人：在现实主义新诗的旅程中

在中国新诗发展史上,浙江新诗人显示出尤为显著的“引领性”与“群体性”特征。而在现实主义新诗的旅程中,浙江新诗人同样功不可没。他们在复杂变换的历史条件下不断拓展了现实主义诗歌,并为现实主义诗歌创作提供了新经验,与现代中国庞大的现实主义诗人群一起终将现实主义诗艺推向了成熟。     

Photographic Image Comparison of Vegetation

Images and videos are common types of evidence in crime scene investigations and laboratory analysis. Images may be taken by the suspect and/or by crime scene investigators and may serve as crucial elements in forensic laboratory analysis. Forensic photographic image comparison is the process of comparing one or more objects or persons in photographs/images when at least one image is known to be related to a crime. The forensic examiner usually compares the images in order to determine whether or not an association between the exhibits in the images can be made. This paper proposes an extension to the currently prevalent photographic image examination method. The extension introduces comparison of landscape and vegetation over time. It is revealed that similarities between images may still be found between the period of time the suspect photograph was taken and the period the crime scene investigator took the photograph from the same area. In this case report, two suspects to be involved in growing a marijuana field were arrested by the police. The forensic experts were asked to examine images taken by the crime scene investigators and to compare them to the images found in the suspects’ phones. They then tried to determine whether the suspects could be linked to the specific locations. While applying techniques derived from morphological comparison methodologies, the plants at the scene provided significant additional information. A tree trunk, branches, and twigs on a hedge in the photographs revealed specific individual characteristics that led the examiner to reach a conclusive decision.     

"我生自有面目存":余家驹与王维山水田园诗的比较

余家驹作为彝族的一位重要的诗人,其诗作的艺术价值是值得肯定的。他的山水田园诗中的情境、意境和思维等等方面都可以与王维的山水田园诗相比较,显示出某些相似之处。     

论周作人的日本诗歌翻译

周作人曾翻译介绍过许多日本诗歌,他调动了现代口语丰富的表现功能,有力地传达出了日本小诗的神韵。周作人翻译日本诗歌的用意是希望中国的诗歌能借鉴日本诗歌的精华,希望中国的新诗坛能够摆脱创作的困境。遗憾的是,这种含蓄而意境悠远的诗歌却始终没能在中国诗坛上出现。日本诗歌给予中国诗坛的影响更多的只是形式上的借鉴。     

Official Language Policies in Multilingual Societies: Evidence from the United States,South Africa,and Canada

This paper explores the resonance between Coetzee’s first novel Dusklands and McCarthy’s fifth novel Blood Meridian through a discussion of how scenes of violence are represented and rationalised in these two texts. Where Coetzee is impatient of realism and preoccupied with history as a discourse, McCarthy’s narrative seems photorealistic in its evocation of the real, but this effect is destabilised by stylised formal features and the trickster figure of Judge Holden. It is shown that in Coetzee’s egocentric protagonists the desire for detached power over others is expressed in the fantasy of an unchallenged gaze that conveys a broader anxiety about authorship and the writing of history, while in McCarthy’s text the narrator’s contextualisation of the characters’ violence against a harsh and indifferent desert environment limits psychological insight and underscores the impernanence of any historical record. Holden and Jacobus Coetzee, finally, are shown to be akin in enabling the metafictional reflections of these two novels.     

Language visibility and language removal: A South African case study in linguistic landscape change

Abstract

Some changes of an evolving language regime are moderate in nature as they do not necessarily entail the removal of a language from the linguistic landscape. They can be deemed less moderate when a former prestigious language is removed, as is the case in post-Soviet countries where former bilingual signs are physically replaced by new, predominantly monolingual signs, no longer displaying Russian. South Africa's constitutional language requirements do imply the re-profiling of public signs in order to feature an African language; changes that seem compatible with a moderate approach to linguistic landscaping. Do the different policies that regulate the linguistic landscape – and the resulting changes themselves – actually reflect this moderate approach? This article analyses two aspects of linguistic landscape change: language visibility policy and linguistic landscape data collected in three towns in the Kopanong Municipality, Free State Province. A central finding is that it is left to provinces and municipalities to promote bi- or multilingual language visibility and that the Kopanong Municipality plays a conservative role in this. Significant changes in the linguistic landscape are being introduced by external role-players such as national government agencies. The removal of Afrikaans from the linguistic landscape may be linked to the latter.     

唐代李渤桂林题刻与桂林山水

唐代是桂林石刻发展的初兴期,其中山水纪游石刻占有相当比例。李渤是唐代桂林石刻作品最多的人,其题刻集中于隐山和南溪山,均为山水纪游石刻,生动描绘和讴歌了桂林的山水风光。桂林山水之殊胜,使歌咏之题刻文化兴盛;桂林山水题刻的兴起,使桂林山水更加闻名遐迩。     

Backjumps: writing,watching, erasing train graffiti

This article deals with mobile semiotics. First and foremost, it discusses mobility as a semiotic device. The analysis engages with backjumps, a genre of train graffiti that draws inventively on various forms of movement. The term backjump refers to any fairly elaborate graffiti piece painted on trains in traffic, notably during the trains’ extended stops at terminal stations. The examples focus on the Stockholm metro, where a rigorous anti-graffiti policy has been firmly in place: graffiti is quickly cleaned off trains and a range of strategies is implemented to keep graffiti writing under wraps. By slyly inserting graffiti into the metro system, the mobility-driven backjump practice allows graffiti writers to temporarily subvert this semiotic regime. Furthermore, the forms of semiotic mobility at play are not limited to the movement of the trains. As the present study shows, mobile backjumps are entangled in other patterns of mobility, which jointly underwrite a number of interlinked semiotic processes.