可信质量理论与公安高等教育质量评价

质量信息的模糊性、专业人才培养目标的可实现性,以及高等教育质量评价的可信性是高等教育质量理论与实践研究的关键。本文采用系统属性协同对比方法,提出了高等教育可信质量的概念,并建立了高等教育可信质量评价体系。研究表明,高等教育人才培养的一般质量是一种有用性质量;专门人才培养质量是一种性能质量;专门合格人才培养质量是一种效能质量。可信质量的意义在于将教育质量的性能转换为教育质量的效能,从而实现了高等教育人才培养多目标协同目的。通过对公安高等教育的实际应用分析,得出我国公安高等教育可信质量为一般水平,必须改进教育模式、进行专业结构的优化设计,才能从根本上提高公安高等教育的可信质量,从而加快公安高等教育的发展。     

Lavascape: legal spectacle at Kīlauea

ABSTRACT

In considering the theme “Exploring Legal Discourse: A Sociosemiotic (Re)Construction,” this paper examines the symbolic relationship between law and chaos in the changing landscape of Kīlauea Volcano on Hawai’i Island. The socio-legal dimensions of this relationship provide insight into law’s project of governance in the dynamic natural environment. Most recently, in the summer of 2018, lava spouted and then flowed from Kīlauea in over twenty-four fissures which opened up within two heavily populated residential subdivisions. Law's response to the ensuing chaos provides keen insight into the epistemological positionality of law toward nature. In an attempt to tame this enlivened lavascape of persons and lava, law asserts authority over the spectacle in the areas of sightseeing, access, and mapping. In other words, the legal spectacle of lava eruption is an attempt to jurisdictionally frame the legal imagination of human risk in this dynamic landscape through legal semiotics, legal materiality, and legal topology. However, as this paper will explore, the source of chaos is actually law itself. Attempts to manage chaos are actually attempts to manage human nature as visitation to the erupting volcanic environment is ultimately beyond law's complete control. In a larger sense, this study of Kīlauea's lavascape as a constructed legal spectacle illustrates the phenomenological framing of law's incomplete jurisdiction over kinetic environments.     

An Internet 'Davos'

正The first World Internet Conference,held in the small town of Wuzhen,hopes to bring the movers and shakers of the online world closer Wuzhen Town of Zhejiang Province is a typical southern waterfront town with rows and rows of whitewal ed houses reflected in the rivers running right through its center.The landscape is like a tranquil scene portrayed in traditional Chinese ink painting.     

“Your Wilderness:” The White Possession of Detroit in Jim Jarmusch’s Only Lovers Left Alive*

After a decade of accelerated disinvestment and depopulation, Detroit (re)appeared in the national imaginary as an “urban frontier” open for (re)settlement by (mostly white) creative entrepreneurs. Recently, scholars have addressed the ways in which this frontier rhetoric arouses settler colonial desire for land based not just on a notion of black criminality or ineptitude, but also more fundamentally on an assumption of deferred white possession. Though this work has productively described the settler colonial conditions of racialized (re)development in the Motor City, it ignores white possession as a process that mythologizes Indigenous history and delegitimizes Indigenous people. In this paper I read Jim Jarmusch’s 2014 vampire film Only Lovers Left Alive as a “landscape of monstrosity” that inadvertently and momentarily recovers Indigenous and African American presence in moments of erasure and absence, as werewolves and ghosts to the white vampire elite and zombie working class. More broadly, I argue that Only Lovers Left Alive actively participates in an ideological process of (re)settlement that disguises land speculation (and its inherently disruptive cycles of uneven development) in a renewed frontier mythology. I read the film’s central characters, the vampires Adam and Eve, as disaster tourists whose nostalgia for Detroit’s lost civilization heralds in its renewed form.     

通感——象征主义的风格标志——中西文论中通感现象比较研究

西方象征主义诗人们提出的通感理论极大地推动了诗歌艺术的创作发展,而数千年以来的中国文论却不乏与通感理论相符的实例。文章试图就此对中西方文艺创作的通感现象作进一步的比较研究。     

杜甫陇右行迹及诗作

乾元二年(759年)是流浪诗人杜甫生活最为动荡的一年,这一年的初秋,诗人弃官度陇流寓秦州;冬十月,还是因生活所迫,由秦州到同谷;冬十二月,又是生活所迫,由同谷南下成都。诗人不幸陇右幸,诗人没有因为陇右的奇山异水而改变处境,陇右却因为诗人的到来而留下了110多首情景交融的上乘诗作,怨而不谤,哀而不伤,使诗人的人格诗艺都达到了至善至美的境界。     

大伴旅人《赞酒歌》的文化解读——兼与李白酒诗的比较

通过解读日本奈良时期著名和歌人大伴旅人的代表作《赞酒歌》十三首的构造、诗语、主题思想,认为《赞酒歌》并非单纯停留在对汉文典籍个别词句的借用,组歌的主题不仅反映了大伴旅人对《世说新语》任诞篇中"竹林七贤"的推崇和向往,还折射出佛教无常观、儒教道德伦理、老庄道家思想等思维浓厚的中国传统文化思想。通过将《赞酒歌》与李白的酒诗进行对比,发现二者之间既有思想文化上的同源性,又有情感抒发上的相异性,产生这一差异的原因正在于二者社会身份地位和时代背景的不同。     

日据末期《风月报》作者群笔下的大陆地景研究

《风月报》是日据末期殖民政府废禁汉文栏后得以生存并影响力颇大的汉文刊物。本文分析《风月报》存在的时代背景及其意义，以作者群中徐坤泉、吴漫沙、鸡笼生的大陆经验及其作品中的大陆形象为论述中心，探讨日据末期海峡两岸文化交流的实际状况。     

论《诗经》战争诗的情感特征与军事战略思想倾向

战争是文学作品的重要题材之一。《诗经》作为我们民族的文化宝典 ,其有关战争内容的诗篇所透露的情感特征与体现的军事战略思想倾向 ,有助于人们认识我国古代军事文化的深刻内涵及其特色 ,正确理解我国古代丰富的军事战略思想。     

提高北京城市夜景照明工作的整体水平

为进一步提高北京城市夜景照明工作的整体水平 ,探索夜景照明工作的发展道路 ,本文尝试性地对城市夜景照明的概念及其作用和意义进行了概括。面对北京城市夜景照明工作的现状及存在的问题 ,提出了科学化、规范化、系统化、产业化的工作对策