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211.
This article examines content homogeneity, understood as the degree to which different media focus on the same stories during a particular news cycle, in Argentina's leading print and online newspapers. It focuses on the role of technical practices across media and over time—during a decade for print and during 24 hours for online. The analysis shows three main patterns of homogenization: (a) an increase in the level of homogeneity in print newspapers tied to their online counterparts' practice of publishing breaking and developing stories during the day, (b) an increase in the level of homogeneity in online newspapers as the day unfolds, and (c) a densely interconnected web of homogeneity across print and online newspapers in 2005. We draw from these findings to make contributions to research on online news and media sociology and to reflect upon the direction and meaning of changes in journalistic form in the current media environment. 相似文献
212.
Elizabeth Callaghan 《Contemporary Justice Review》2013,16(4):347-355
Growing up in the 1960s and 1970s meant living in a time of turbulence and change. The music, literature, and films, combined with the passionate activism of the era, profoundly influenced people in my generation. My working class family struggled to raise a family and make a decent living, instilling values of social justice along the way. I knew from an early age that I wanted to make a difference, but had many internal conflicts to resolve before I could effect change. An education in sociology taught me what was wrong in the world and law school gave me the tools I needed to effect change. Working in the court system and with students has made a difference, one person at a time. 相似文献
213.
Joaquim Rius Ulldemolins 《Journal of Arts Management, Law & Society》2013,43(2):48-62
This article focuses on Barcelona's art market to explore the underlying factors behind the clustering of art dealers in several of the city's districts. Drawing upon quantitative and qualitative data, the article analyzes how such clustering reveals a strategic action in the sense attributed to it by Crozier and Friedberg (1981). Gallery districts are not a reflection of structural factors (economic, urban development-related, or social) but are the result of a combination of strategic choices—either individual or collective—which explain the permanence of leading gallery districts or the emergence of new ones. 相似文献