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881.
在历代帝王巡游中,清代乾隆皇帝的六次南巡最为世瞩目,其频率之高、规模之大、影响之重及后世传闻之广,堪称旷古未有.南巡期间,乾隆命画师相随,将江南名园、景致摹绘成图,大量仿建于北方御苑行宫.这种历史上最大规模的“移植”效法行为,为皇家园林体系注入了新的生机,成就了清中期皇家园林的空前鼎盛.同时,它更促进了江南形象的塑造与传播.这种移植仿制行为,是出于“视听享受”还是为“吏治民生”?对此,皇帝本人也在不断地寻求冠冕堂皇的悖论诠释.  相似文献   
882.
本文用社会网络和统计分析方法对浙江省144家上市公司2009年的连锁董事网络进行了研究分析,发现浙江省连锁董事网络具有幂律分布的特征.在此基础上,通过NLS回归分析发现,浙江上市公司连锁董事网络的“质”中心度与企业绩效正相关,“量”中心度与企业绩效负相关,连锁董事网络的行业趋同度和地域趋同度也与企业绩效负相关,利用OLS回归分析进行稳健性检验,发现这些实证结论依然稳健.基于这些实证结果,本文在理论上的贡献在于:证明了连锁董事网络具有异质性特征;连锁董事网络中心度,在“质”和“量”上对企业的绩效贡献迥异;上市公司要发挥连锁董事网络实质性的绩效贡献,宜强化“质”的耕耘、而非“量”的拓展,力求构建异质网络、避免过度嵌入与趋同.  相似文献   
883.
《Labor History》2012,53(4):448-464
The 1985–1987 dispute at Silentnight bed factories in the north of England was an exceptionally long and bitter strike, lasting for 20 months from June 1985 until February 1987. A total of 346 workers were sacked for taking part in the strike, which gained a high profile with remarkable levels of support and solidarity action, largely due to its emblematic status as an extreme example of punitive treatment of workers taking industrial action in the period immediately following the defeat of the miners in 1984/1985. Workers took lawful strike action in 1985 over the non-implementation of agreed pay rises and compulsory redundancies counter to an existing agreement between the firm and the union, with the company responding to the dispute with mass dismissals. Pickets were maintained at the two factories in question for nearly two years, with the strikers gaining wide-ranging support from across the labour movement, but the company stood firm against the dismissed strikers who were ultimately defeated. Based on archival research and interviews with participants in the strike, the article analyses in detail how the dispute was sustained for so long, the legal context and the weakness of legal protections for strikers in the period, and the widespread political mobilisation and networks of support and solidarity that arose around the strike and in opposition to the policies of the Conservative government of the day.  相似文献   
884.
论公共需求与供给:公共行政研究的基本主题   总被引:7,自引:0,他引:7  
社会公共需求与政府公共供给的关系,是公共行政学研究的基本主题.公共需求与供给的关系发展史,就是一部公共行政发展史,也是一部公共行政学的发展史.公共需求与供给作为公共行政的基本关系,决定着公共行政学研究的基本框架,是我们构建公共行政学科学体系的基础.  相似文献   
885.
十九大报告提出\"以人民为中心\"的发展思想,要求各地政府积极转变政府职能,通过更加平衡、更为充分的发展来不断满足人民在新时代的新需求,提升政府的回应性。但现实中存在大量推诿性回应、模糊性回应等\"政府形式回应\"行为。研究发现,公众的不合理期望与政府权力和能力有限的矛盾催生出超越政府职责范围与能力边界的诉求,构成政府形式回应的触发因素;制度环境、抗争性利益表达以及官僚理性知识与个人感性知识冲突是政府形式回应发生的重要外部推力;与此同时,基层公务员胜任力不足和公众身份特征则发挥着调节变量的作用。  相似文献   
886.
    
In March 2009 a group of Anglican Pentecostal women took over the Association of Women for Action and Research, a secular women's rights group in Singapore. This sparked an intense month-long public debate over a variety of issues which included the increasing aggression of the “Christian Right,” the secular nature of public space in Singapore, sex education and tolerance for gay communities, culminating in state intervention. While conventional sociological studies have suggested a variety of explanations for the growing presence of Pentecostal Christians in the public sphere, such as religious stratification or their links to party politics, few have examined it within the framework of nation-building. This paper seeks to understand the recent emergence of the “Christian Right” and its exposition on various moral issues within a historical context – a context from which the People's Action Party government successfully arose, in part, due to its self-construction as a moral state, and argues that the post-industrial challenges of globalisation have forced the government to be less morally conservative, resulting in a perceived moral vacuum which certain segments of Pentecostal Christians have felt compelled to fill.  相似文献   
887.
    
I.A.A. Thompson: Crown and Cortes. Government, Institutions and Representation in Early‐Modern Castile (Variorum, Collected Studies Series CS 427, Ashgate Publishing, Aldershot, 1993, pp. 352; ISBN 0–86078–393–6; £49.50)

Janusz Mallek: Preußen und Polen: Politik, Stände, Kirche und Kultur vom 16. bis zum 18. Jahrhundert (Stuttgart: Franz Steiner Verlag, 1992. Schriften der Mainzer Philosophischen Fakultätsgesellschaft Nr. 12, pp. 207; ISBN 3–515–05943–1; DM 58)

Cristiana Senigaglia: Il gioco delle assonanze: a proposito degli influssi hobbesiani sul pensiero filosofico‐politico di Hegel (Florence, La Nuova Italia, 1992, pp. 235)  相似文献   
888.
    
This article presents some of the key findings from a comparative, qualitative research study carried out in the United Kingdom, Greece, and Cyprus. The main goal of the study was to investigate single-parent children's experiences and understandings of poverty and social exclusion in their everyday lives and to make relevant policy recommendations. The article highlights children's voices and illustrates the utility of integrating them in efforts to develop sensitive policies which meet their needs as these stem from their own experiences of poverty and social exclusion while also making the case for the utility of comparative, qualitative, cross-national research.  相似文献   
889.
    
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890.
    
In 2015, pioneering Saudi vlogger Juju Sajer revealed her face on YouTube after three years of performing in relative invisibility. She used her beauty vlog for small family dramas as well as beauty advice, translating the global genre to stage Saudi womanhood in modest and modern ways. This article analyses Juju’s use of digital frames as material for building a representational apparatus for young Saudi women. It takes a posthumanist approach to media roles as materially entangled with apparatuses of production, attending to the performer’s construction of networks and her onscreen performances. Juju’s evolving role from beauty vlogger to proto-talk show host, accompanied her increasing control over means of digital production after she gained corporate sponsorship and put her face on her brand. In contrast to theorists of communicative capitalism, I examine Juju’s self-branding as a networked performance of self, which enlivened and extended representational repertoires for young Saudi women. As a niche YouTube channel, it shows the potential of digital performance repertoires to develop within a framework of gendered modesty.  相似文献   
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