大学语文教学中的审美教育

在语文教学中进行审美教育是由大学语文的学科性质及其本身所具有的审美价值决定的。我们要想在大学语文的教学过程中有效贯穿审美教育,就必须采取行之有效的措施：一要创设审美情境,激活审美心理;二要激活审美情感,引导学生体验美。     

倦怠社会劳动美的精神政治学审视

韩炳哲将过度化生产、超负荷劳作和数字信息大爆炸所造成的个体疲乏与困倦的当代社会称为“倦怠社会”。倦怠社会是一个功绩社会、积极社会而非懒惰社会、消极社会,工作积极主义成为个人的精神政治学,自我加速和自我施暴成为倦怠社会成功的关键。在倦怠社会,自我精神暴力疾病日益突出,积极消费、娱乐主义成为化解倦怠的至上之选。然而,倦怠社会的劳动美学却表现出三种困境：作为整体存在论的劳动美学与作为个体生存论的劳动倦怠之困,作为技术决定论的劳动美学与作为自我生成论的劳动观念之困,神圣时间下的倦怠社会的时间辩证法之困。只有通过树立马克思主义的生活观和劳动观,弱化自我加速和功绩主体的定位,防止数字劳动的畸形,主动建构抵消数字资本、技术平台牵制的生活模式,回归美好生活的实质,才能构建劳动美和生活美。     

社会法的范畴及体系的展开--兼论社会保障法体系之构造

社会法作为一个新兴的法域,突破了传统法律部门之间旧有的疆界,以"生存权的保障"为轴心,将不同的法律规范、尤其是从古典乃至近代的私法规范中引中出来的各种原理重新整合,不仅顾及权利人(部分社会)的利益,而且强调与义务人(全体社会--国家)的关联.随着生存权保障的范围日益扩张,以及实定法建构的日益完善,社会法之边缘亦日见扩充.     

宪法失序与对行政权剩余的规制——以执行权的变迁为视角

我国现行宪法认为行政权是一种执行法律的权力,没有政治功能派分。但在宪政实践中,行政权既有执行功能,又有政治功能,其政治功能缺乏合法性。行政权的扩张使宪法失序,主要原因是现有宪法没有一套规制行政权非正式来源的有效方案。宪法沉默之处就是宪法危机之所。行政权的非正式来源有其必然性,外在的、事前或事后的、间断的宪法制约机制不足以规制行政权,必须有内在的、事中的、连续的宪法制约机制予以配合。规范主义宪法的有效性必须向生活领域开放;功能主义宪法观的合法性必须获得法治化建构。行政法治模式宜以规范主义宪法为基础,以功能主义为补充。行政的开放性、公民参与、法律程序是内在宪法制约机制的要素。     

Retracing the contours of her figure … slippages begin to appear: Reckoning the limits of the archive with Senam Okudzeto’s Large Reclining Nude

Large Reclining Nude (2004) by transnational artist and scholar Senam Okudzeto is an 86-inch by 63-inch acrylic drawing of a nude, black female body released into a bare milieu. At first glance, the figure is grounded as shadows cast across her body hint at the presence of a foundation. However, outside the bounds of the body, Okudzeto resists three-dimensional perspective, calling into question the necessity of mediational signifiers for the orientation of the figure. How are we to read this solitary body after Scenes of Subjection, after Saidiya Hartman recontextualizes black corporeality as social relationality, throwing the “autonomous individual?…?into crisis?” For this article, the author reads the lone, floating body of Okudzeto’s 2004 Large Reclining Nude for new openings into Hartman’s archival reckoning in Scenes of Subjection. She offers a meditation on the aesthetic techniques evident through the visual aporia of the drawing – irresolvable contradictions in the field of the visible – suggesting Okudzeto offers alternative reading practices that afford reengagement with Hartman’s work.     

中国公民审美价值观与闲暇价值观比较分析

本项研究对中国大陆31个省市不同社会群体(共计32504人)的审美价值观和闲暇价值观的数据进行了统计分析,结果表明:(1)公民的审美价值观在整体上存在一致性,但在审美情趣和审美理想方面的部分项目上存在显著差异。(2)公民的闲暇价值观存在一致性,在闲暇时都比较注重自身素质、能力的提高,但有一定比例的公民有赌钱、喝酒行令的不良习惯。(3)公民的审美价值观和闲暇价值观间存在显著相关性,闲暇价值观是审美价值观的真实反映,也是人生价值观的真实写照。     

"那"文化神话景观与大地伦理的建构

“那”文化中的神话,依照其生长于其上生产方式所赋予意义,它能够表现出壮族等民族的空间展演与时间隐喻的交汇特质,形成了科技理解与生态选择相统一的大地伦理模式,为后现代社会解决生态危机提供了较为现实而又不乏形上指向的文化参考语境。     

Aesthetic Vertigo and the Jurisprudence of Disgust

This article engages with the intersection of law, legitimation and aesthetics by examining the controversies surrounding the exhibition in 1997 of two artworks: Piss Christ by Andres Serrano, andMyra by Marcus Harvey. The article is less concerned with issues such as freedom of expression or the rights of display, which by now are well-known in debates on censorship and the arts; rather, its focus is on the consequences for an artwork's exhibition when it is deemed to be `disgusting'. The judgment of the two selected artworks as disgusting is traced in public discourse, through newspaper reports, public protest, and in socio-legal responses to the artwork such as a civil suit for possible obscenity, in decency or blasphemy. The argument suggests that the jurisprudence of disgust in its response to a sensation of ‘aesthetic vertigo’ can provide a key means of understanding aesthetic controversies, and their legal regulation. This revised version was published online in July 2006 with corrections to the Cover Date.     

忧郁的诗魂--戴望舒诗歌的美学特征

戴望舒诗歌中的忧郁具有浓厚的形而上色彩.其忧郁表现为以下三个方面不可捉摸性、普遍性和深沉性,它们共同组成了戴望舒诗歌艺术的美学特征.     

警务模拟实战训练探讨

警务技能战术训练中的模拟实战训练应从提高民警实战能力、制定与实战同步的训练、按照各警种的岗位职责进行训练、制定与本地实际相结合的模拟实战训练模式、综合实战演练等五个方面入手。为了使训练策略得以更好地实施,还应从教学手段、教师素质、学科研究以及资金投入等方面进行培养和扶持。