程序设计教学中递归调用问题研讨

递归调用问题是程序设计教学过程中的一个重点与难点内容。为了解决在学习递归过程中存在的问题,达到良好的教学效果,应从以下三方面入手：（1）理解介绍递归的概念及内部实现机制;（2）掌握递归需符合的条件和应遵守的规则;（3）掌握递归程序的编写过程。     

Banking on Folk Art: Banamex‐Citigroup and Transnational Cultural Citizenship

This article offers two readings of The Great Masters of Mexican Folk Art, a travelling exhibition of the Fomento Cultural Banamex, AC's folk art collection that coincided with Citigroup's buyout of Banamex, Mexico's second largest bank. The first, a political economic critique, situates the exhibition within the neoliberal economic reform of the Mexican banking system and the designs of US‐based transnational banks on migrant remittances. The second, a material culture approach, focuses on the exhibitionary strategies employed to incentivise folk art consumption as a mode of cosmopolitan citizenship.     

外观设计的许诺销售侵权研究

修订后的《专利法》对外观设计提供了许诺销售保护。本文在法学理论分析基础上探讨了许诺销售侵权构成,根据外观设计创造性成果地位论证了保护设计要点的必要性,为外观设计划定了适当的保护范围。并对两类许诺销售侵权提出了判断标准。     

贵安新区经济发展路径设计

贵安新区是黔中经济区的核心区,未来经济发展路径设计应该是：走产业结构优化和产业结构高级化之路;推进工业化、城镇化、农业现代化“三化”同步发展,走产业集群发展之路;转变经济发展方式,走“集约化”发展之路;推进经济由封闭型向开放型转变,走向开放型经济发展之路。     

初次分配的顶层设计与工资协商共决——关于推动党政主导的维护职工权益机制建设发展社会主义和谐劳动关系的研究

近两年来,改革顶层设计正成为中国政治领域中的新概念。全面推进,重点突破,已成为改革顶层设计的基本要义。其中,初次分配中的工资协商共决,更成为政府和劳资双方致力和谐企业建设的重要平台。     

论《讲话》的历史地位和现实价值——纪念延安文艺座谈会召开70周年

《在延安文艺座谈会上的讲话》是马克思主义的杰出文献,在马克思主义文艺思想史上占有特殊的地位。它创造性地阐释了许多文艺基本问题,对美学理论有多方面的贡献。说《讲话》是＂庸俗社会学＂或＂文艺政治学＂是不妥当的。《讲话》思想和精神＂一要坚持,二要发展＂,它对当今的文艺建设仍有巨大的指导作用。     

正交试验法优选复方白芍颗粒提取工艺

目的 优选复方白芍颗粒的最佳提取工艺。方法 以干膏得率和白芍活性成分芍药苷的提取率为评价指标,采用正交设计法考察溶剂用量、提取时间以及提取次数对提取结果的影响,确定最佳提取工艺。结果 最佳提取工艺参数为：加10倍量水,提取2次,每次提取1 h。结论 优选的提取工艺切实可行,为复方白芍颗粒制剂的研究奠定基础。     

Art,Cold War Diplomacy and Commonwealth: Australian and Canadian Art at the Tate Gallery 1962–1964

This article analyses the formation, presentation and reception of two seminal exhibitions: Australian Painting: Colonial, Impressionist, Contemporary (1962–1963) and Canadian Painting 1939–1963 (1964). The presentation of these exhibitions at London’s Tate Gallery reflected the institution’s support for “old dominion” Commonwealth members. The exhibitions also highlight the differing visions of the Canadian and Australian governments concerning the relationship between art, diplomacy and politics during the Cold War. In Canada, Vincent Massey (Governor General 1952–1959) played a key role in ensuring that all forms of Canadian art were promoted internationally. Massey wanted to connect with the European and American avant-garde and to be part of a multiracial Commonwealth. This contrasted with the rather “old-fashioned” views of the Australian prime minister, Robert Menzies, and the Commonwealth Art Advisory Board. They supported a Commonwealth dominated by the “white dominions” and the initial exhibition plan for Australian Painting recalled previous British Empire art shows. The British response to the Canadian and Australian exhibitions is also discussed. British critics preferred the nationally identifiable “exotic” art found in Australian art to the transnational forms of international abstraction in Canadian art. Eventually, Australia “caught up” with Canadian cultural policy following the establishment of the Australia Council.     

试论采访中职责与伦理的冲突

记者在采访中经常面临职责与伦理“二律背反”的冲突。职责与伦理的涵义分歧,以及公众对记者的角色误读是形成冲突的两个主要原因。应对冲突,记者取舍的首要尺度是“公共利益”,制度设计也有助于化解冲突。     

以人为本:艺术设计的本质所在

从中国设计历史发展的背景看 ,无论是作为自然经济下的手工艺设计 ,还是工业化时期的工艺美术设计、工业设计 ,或者是知识经济、信息时代的现代设计 ,都是以人的需要的满足为目的的 ,最终是为人的设计而不是为物的设计 ,满足人的精神和生理两方面需要是艺术设计价值所在。