"美丽"的可能与"纯洁"的必要——中国当代文学中女性形象的话语变迁及其文化意义

通过对显示女性外在身体特征的"美丽"或"丑陋"与代表女性内在思想境界的"纯洁"或"淫荡"四个元素及其内涵外延的变异体认,可以清晰地考察出建国后半个多世纪以来中国当代文学中的女性形象所经历的巨大话语变迁.1976年之前女性的"美丽"与"纯洁"有着政治一体化年代特有的鲜明意识形态色彩,改革开放之后"美丽"的突围与在暧昧境地中挣扎的"纯洁"则越来越表现出了消费时代女性话语的新症候.女性话语五十多年来的沧桑流变既是时代观念变动的结果,也有女性主义思潮崛起后的文化原因,更是在不同流通机制运行下文学艺术的不同"叙述"方式使然.     

寻找精神家园--沈从文对人性美的诠释和追求

对人性美的诠释和追求是沈从文生命结构的主要组成部分。以边城的秀丽风景、纯朴的民情风俗而构成的“湘西世界”,呼唤着美的人情人性,这正是他所寻找到的理想的精神家园。本文主要从人性美的角度切入,来探讨沈从文小说中透露出的人性美,以及人性美的具体表现方式。     

浅议德育美学观在大学生思想政治教育工作中的积极意义

德育工作是高校思想政治教育的重要组成部分,但是在高校德育工作中普遍存在着功利化的倾向,这是导致德育工作实效性低下的主要原因。因此,树立德育美学观,在德育工作中开展美学德育对大学生思想政治教育工作具有积极意义。     

Ink Blossoms Renowned painter Guo Shifu soars to new heights in the traditional arts

正Guo Shifu was born in 1945 in Beijing.A member of the China Artists Association and an art commissioner with the Beijing Fine Art Academy,Guo is also the founder of Beijing’s first painters’association,which has since been renamed the Beijing Society for Bird-and-Flower Paintings.Guo is proficient in traditional painting,calligraphy,seal cutting,poetry and Western artistic techniques.The Ministry of Culture has listed Guo as one of the masters of contemporary Chinese art.     

刑事审判程序的戏剧美探讨

刑事审判作为一种正义的实现过程,蕴涵丰富多姿的美,其中的戏剧美最为显著,戏剧艺术表现的综合性与刑事审判蕴涵的多种美的表现形态相通,戏剧集中反映矛盾冲突与刑事审判的对抗性暗合,戏剧表现形式的多样性与刑事裁判类型的多元化对照。发掘刑事审判的戏剧美旨在通过直观的认识来发现刑事审判美的秩序,探求这种秩序形成的审美动因,并为刑事审判构建提供某种可以参照的美学标准和原则。     

关于公文美学的思考

公文因实用而产生,又为实用而写作,具有实用美的审美价值.公文体式要求的规范化、内容的规范化和语言的规范化是公文的审美特征所在.     

美与生态健康在语境性审美体验中的整合——以伊顿的审美理论为讨论中心

借鉴生态学知识与原理来重新解释审美活动及其一系列关键词是生态美学建构的重要组成部分,针对生态危机这个时代语境来重释"美"的要点则是解释它与"生态健康"的内在关联,其理论难点是将认识性的、不可感知的"生态健康"内容有机地融合到审美体验之中,从而建构出有别于传统之"美"的"生态健康之美",进而将传统的审美体验转化为生态审美...     

Shaping the online fat acceptance movement: talking about body image and beauty standards

Over the past decade, in Canada and the United States, blogs have become a popular and important space for fat women and their allies to create and further develop discursive strategies to contest the gendered anti-fat discourses perpetuated by the media, governments and the field of medicine and institutions of public health (e.g., Elliot, C. (2007). Journal of Canadian Studies, 41, 134–149. Gimlin, D. (2002). Body work: Beauty and self-image in American culture. Berkeley: University of California Press; Herdon, A. M. (2006). Social Semiotics, 15, 127–141. Rice, C. (2007). Women's Studies International Forum, 30, 158–174. Currently, popular discourses pertaining to fat people, particularly women, tend to range from larger bodies implicating a ‘moral deficit’ to a ‘risky behaviour’ to ‘political discrimination’ where elements from each discourse shape how fat women's bodies are read within the broader culture (Fikkan, J. L., & Rothblum, E. D. (2011). Sex Roles, 66, 575–592. Kwan, S. (2009). Sociological Inquiry, 79, 25–50. These messages in positioning the thin body as the ideal body are embedded in neoliberal discourses around citizenship that, in emphasizing personal responsibility, encourage (sometimes) punishing regimens of strict diets and exercise, and perpetuate an image of responsible citizenship as an extension of modern interpretations (Herdon, 2006). Using content and thematic analysis, we systematically analyze how four female self-identified fat acceptance (FA) bloggers discuss beauty standards and body image as a means to challenge these discourses. Findings suggest bloggers import elements from LBGTQ movements to extend dominant discursive strategies, model alternative forms of fat embodiment, and address the economic marginalization of fat women in industry. Moreover, through discussions on beauty and body image, bloggers use online spaces to contest anti-fat discourses and to develop discursive strategies that move beyond the binary of fat as a lifestyle choice, and body size as biologically or genetically determined that dominate the fat acceptance movement.     

Walter Benjamin’s Variations of Imagelessness

Abstract

Strongly positive uses of terms that designate an absence, a cognitive or ontological impossibility or a sensory privation are among the persistent conceptual figures of Benjamin’s thought. This article analyses the moves by which Benjamin gave his concept of ‘the expressionless’ (das Ausdruckslose) its intriguing semantic meaning and moral value. Drawing on the poetics and philosophy of the sublime from Greek antiquity through modern times, the article reveals key historical reference points of Benjamin’s concept and, furthermore, his strategy of advocating a novel theory of the sublime as an antithesis to, or an interruption of, the beautiful by selectively integrating older traditions (such as the topos of god’s “imagelessness”) with theorems previously unrelated to these traditions (such as phenomenological reflections on body perception and colour and the twentieth-century discourse on “decision”).     

浅谈影视广告中传统文化的魅力

中国传统文化对中国广告业乃至世界广告业的影响是显而易见的,其对广告创意的影响更是巨大的,使广告烙上了东方文化的显著标记,使其散发着深厚的内涵和永久的魅力。