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61.
孙敏 《四川警官高等专科学校学报》2001,13(2):70-73
本文三个部份,分别论述了公安文学作品中的丑陋形象也具有审美意义;对"审丑"与"审美"的好恶在很大程度上反映了不同传统文化、不同的民族和不同地域背景下的人们的集体无意识审美心理;在公安文学中丑美相生相克的原理.表明在公安文学中存在着相当的丑陋形象本属正常,符合公安文学的审美特点. 相似文献
62.
张虹 《辽宁公安司法管理干部学院学报》2002,(2):68-69
物体作用于人的视觉,主要取决于物体的形状和色彩。文学家要再现生活,就离不开色彩词的运用。色彩词具有丰富的文学描写功能,其产生的视觉色彩美,增强了文学作品的审美价值,使文学作品充满撼人心魄的艺术魅力。 相似文献
63.
陈清 《山西青年管理干部学院学报》2004,17(2):55-57
设计文化是人们提高自身生活品质、改善生存环境的重要手段。对当代艺术设计的文化观念、审美倾向的精神状态影响最大的,应首推后现代主义设计观念的革命性主张及其设计语言的多元化逻辑。它更强调生存状态的自我保留和风格特点的个性化,力主人文情感的主体性,注重文化的共生观念,强调形态的重构与创新,对当代中国艺术设计的文化观念、审美倾向具有广泛社会影响和深刻的历史作用。 相似文献
64.
Thereisapotentialaestheticrelevancebetweenpsychologicalcomplexandliteraturecreation.QuYuanhasthepsychologicalcomplexsofloneliness,loveforbeauty,insanenessanddeath.ThereistemporalhistoricalassociationandlogicalprogressionamongthemandtheyinfluenceQuYuan’saestheticawarenessandpoetrycreationtoacertainextent.Inotherwords,ChuCiisthedemonstrationoftheinteractionofQuYuan’spsychologicalcomplexandaestheticcreation. 相似文献
65.
Kath Kenny 《澳大利亚女权主义者研究》2018,33(98):548-562
ABSTRACTThis article discusses Martha Ansara and Elaine Welteroth, two US born feminists who came to Australia during two key moments in feminist history, as a way of thinking about the relationship between feminists and fashion. Ansara arrived in Sydney in 1969 carrying women’s liberation literature in her suitcase; she became an important generative figure in the Australia’s women’s liberation movement, particularly as an independent filmmaker and proponent of consciousness raising. Welteroth arrived in 2017 to speak at the Sydney Writers’ Festival during a period of international resurgence of feminist activism. She brought with her images of women of colour she had featured in Teen Vogue and she invoked second wave consciousness raising, albeit in a remodelled, corporate-led form when she talked about the title’s plans to bring young girls around kitchen tables to ‘solve’ political problems. The article uses comments both women have made in relation to fashion and beauty, close readings of their works, and a discussion of their respective feminist milieus to suggest a trajectory of feminism’s relationship to the fashion industry that appears to have changed from a position of opposition to one of open embrace. It also complicates this reading by pointing to the resonances between these women of different feminist eras. 相似文献
66.
Yuan Yuan 《北京周报(英文版)》2014,(10):28-29
正China launched a nationwide crackdown on prostitution A crackdown on prostitution swept over China in February.The operation,which began in Dongguan,a city in south China’s Guangdong Province known for its rampant sex service industry,came following an exposéby state broadcaster China Central Television(CCTV)that aired on February 9.An undercover journalist videotaped"beauty pageants"in Dongguan with a hidden-camera,featuring prostitutes and strippers in some of the city’s hotels and karaoke clubs. 相似文献
67.
Poetry and legal rhetoric are both forms of what the ancient Greeks called poēsis: the art of the word. Tradition nonetheless assigns poetry to the realm of art and beauty, and legal rhetoric to the different
realm of law and truth. The late William Matthews' poem ``Negligence' transgresses the boundaries that we have erected between
art and law, and beauty and truth. The poem presents a well-crafted piece of legal rhetoric in the form of art. This essay
draws out the implications of Matthews' transgression, and suggests that in the end poetry and law have a lot in common: both
are forms of manipulation by means of words. The essay develops this connection in order to join with Emmanuel Levinas in
calling for a ``breakup in the omnipotence of the logos.'
This revised version was published online in August 2006 with corrections to the Cover Date. 相似文献
68.
Agnes Heller 《Critical Horizons》2018,19(3):187-197
At least during his critical period, all of Kant’s philosophical works have a secret political dimension. Among other things, following the analysis of Hannah Arendt, the Critique of Judgment – paragraph 40 in particular – became a main text of political philosophy. In looking at the Critique of Judgement from a political perspective, I shall refer not to paragraph 40 but to the Kantian discussion of pure aesthetic judgement. In my opinion, one can understand Kant’s remarks on aesthetic judgement, and especially transcendental anthropology, as meaning that Kant philosophically attributes the three political ideas of the French Revolution (liberty, fraternity and equality) to the whole human being as such, and not just to the intelligible man. 相似文献
69.
张昀霓 《长沙民政职业技术学院学报》2007,14(2):112-114
叠音词作为汉语的一种特殊词汇现象,集中体现了汉语文学的音美、形美和意美.但大多数情况下汉译英只能舍其形式译其意义.文中以《红楼梦》及Hawkers的英译本The Story of the Stone为例,探讨汉译英过程中叠音词的音美、形美以及意美的缺损. 相似文献
70.
李红霞 《河北青年管理干部学院学报》2006,(2):37-39
通过美学理论和审美活动来培养青年审美能力和审美理想,利用美学理论和审美实践来培养和提高青年对自然美、社会美和艺术美的感受能力、鉴别能力、欣赏能力和创造能力。帮助青年树立崇高的理想、正确的审美观念和健康的审美趣味,陶冶情操并促进人格全面发展。学校可通过教学、课外活动、优美的环境、教师的示范等综合作用对青年进行审美教育。 相似文献