文化对话:全球化时代的生存智慧

从文化角度看,全球化是一个矛盾体系,是整合与碎裂、一体化与分离化、世界化与本土化的张力场。全球化时代文化多元化是必要的,但推到极端刻意强调文化本土化、文化民族主义及发展为文化沙文主义、文化原教旨主义,将导致文化的矛盾、对立与冲突,影响人类社会的和平与发展,甚至将脆弱的地球村推向崩溃的边缘。因此,在全球化时代,展开不同文化间的沟通与对话,消除偏见与冲突.是21世纪地球村公民生存发展的智慧选择。     

宗教妇女观对妇女现代化的影响

宗教关于妇女的地位、权利和义务、婚姻、品行等问题,均有许多看法,具有二重性,既有尊重妇女、符合主流社会规范的观念,也有贬低妇女、妨碍妇女发展的思想。在现代社会,宗教的妇女观对妇女的现代化依然有较大的影响。宗教的妇女观对妇女现代化有许多有益的启示和借鉴,有助于妇女实现观念、行为、人格的现代化。     

大力发展文化创意产业打造山西经济增长新引擎

在全球新一轮的产业结构调整中,文化创意产业正日益显示出其重要性,极大地影响着世界范围的产业空间转移和重新布局,并由此形成新的国际分工体系。因此,抓住机遇,加快文化创意产业的发展,对于促进山西产业结构调整,增强自主创新能力,培育新的经济增长点,具有十分重要的现实意义。     

以文化生命体的观点审视文化遗产地的可持续发展--以云南丽江古城为例

在一个具有生命力的文化遗产地,文化不是以独立的形态存在的,每种文化都有其依附的载体。自然生境、历史意境和创造该文化的人构成了三位一体的文化生命体,其中文化是其灵魂,人是其创造者,自然生境、历史意境及人是文化的载体。通过不断发挥人的主观能动性和创造性,文化生命体便得以持续发展。     

Linkages Methodology: No Man is an Island

The paper argues that given the diversity of the field of forcedmigration, research requires a multi-disciplinary approach andan awareness of the multiplicity of interacting factors whichcome into play. It examines two key texts published 20 yearsapart which exemplify the linkages approach. Imposing Aid (1986)studied the developing situation in Sudan as refugees arrivedfrom Uganda in the early 1980s, and showed the unproductivenature of interactions between officials and refugees. Landscapeof Hope and Despair (2005) examined the situation of Palestiniansin refugee camps, where the refugees’ own agency comesup against the structural constraints of camp administrationand the political actions of local and international power holders.     

试论西安城市文化特点及其建设

城市文化决定着一个城市市民的行为方式与城市特色。西安城市文化有汉唐文化的显著特点。文化特点是西安发展得天独厚的一大优势,是西安发展的一块基石。     

Disciplining Society through the City: The Genesis of City Planning in Brazil and Argentina (1894–1945)

This paper looks at the genesis of a discourse on urbanismo (city planning) in Brazil and Argentina between 1894 and 1945 using the ideas of Michel Foucault on discipline and his concept of bio–power. The demographic pattern of the major cities in both countries from 1890 onwards and the renewals of the centres of these cities are also discussed. Other sections are dedicated to the plans proposed for the same cities in the 1920s and to urban representations, such as ideas about social reform, the role of hygiene as a point of departure for planning, and the relationship of ideas on Taylorism (scientific management) and the city. The paper also discusses the planners opposition to elections, when they claimed that they were the only ones qualified to deal with urban problems and therefore they should be employed in the state apparatus.
Other concerns of the paper are the use of planning as an element of nation building and ideas defining eugenics (race 'betterment') as an important aspect of city planning. I conclude by arguing that, if implemented, city planning was a way of creating an industrial culture, disciplining society through the city, although the industrial proletariat has never made up the majority of the population in Brazil or Argentina. Even if many aspects of the plans proposed for both countries were not implemented, the discourse of planners can be seen as a will to discipline society through the city. This discipline would affect the freedom of movement of human bodies, and is therefore approached through Foucault's concepts of bio–power and discipline     

反腐倡廉建设的传统文化瓶颈及应对措施

传统文化作为政治体制背后的因素影响着政治行为。官本位思想、送礼文化、关系文化、人治思想等一些传统文化中的消极观念严重阻碍着反腐倡廉建设的深入推进，成为反腐倡廉建设亟待突破的“瓶颈”。我们要从影响反腐倡廉建设的传统文化观念着手，营造有利于反腐倡廉建设深入推进的廉政文化环境。     

法国法中海底文化财产的法律地位

法国传统法律制度对海底文物没有提供足够的保护,随着非法采掘海底文物的活动日益猖獗,法国于1989年出台了《关于海底文化财产的法律》。该法确立了“海底文化财产”这一新的法律概念,突出了对海底文化财产的保护。此外,该法还对文化财产发现者的权利和义务作了修改,并将文物的所有权归于国家,从而突出了海洋文化财产的国家财产特征。     

Economics and Law of Works of Art in the Single European Market

This paper is concerned with the economic analysis of the European rules on the circulation of works of art. After reviewing the relevant literature, an economic framework of the international circulation of works of art is provided (social goals, efficiency and distributive aspects, an economic rationale for a general free trade rule integrated by selective protectionism). Using this framework the European system of circulation of works of art—resulting from the combination of the Maastricht Treaty with Regulation 3911/92 and Directive 93/7—is analysed. The main results of the analysis are: 1) the general free trade principle ruling the Single European Market is strongly limited by rules protecting national artistic heritages of member states; 2) this protectionism—working towards countries both outside and inside the European Union—is applied according to the national laws of each member state, while, contrary to what the Maastricht Treaty would call for, an artistic heritage of European significance is not defined and no autonomous role is recognized in this field to European Institutions; 3) this system shows some inconsistencies with economic theory, as strict limits to trade are not provided when they should be required by the preservation of the physical or artistic integrity of works of art, while in other cases an unduly restrained trade may derive from highly protectionist national laws and export-licencing policies of member states. Enforcement provisions are also analysed and some proposals to improve the system are advanced.