Are You Ready to Perform？

正HEARING the keyword"performance,"you might think about your favorite drama show,TV series,or key performance index.But our topic today is a different type of performance.Here,what I mean is how you perform in interviews with Chinese HR professionals.Having advised you how to prepare for the pre-interviews in the last article,this time I will go through the interview process to give you more practical tips.Hopefully,you will find them useful when you take to the interview"stage."     

Activity

正Monologues Revel’s World of Shakespeare Date:September 5-6,2014Place:Wuhan Zhongnan Theater Price:RMB 80/120/180/260The six-year-old boy Graves is introduced to Shakespeare at the demand of his brilliant,though drunkard teacher Mr.Revel,the principal of a school for boys in England.After a period of confusion,Graves began to understand Shakespeare and the world of Mr.Revel.The monologue is written,directed and played by American drama director and expert on Shakespeare Joseph Graves.He is currently the artistic director of Peking University’s Institute of World Theatre and Film.     

卑贱者人格意识的觉醒--元杂剧奴婢和妓女形象之特点

元代的爱情婚姻剧塑造了许多卑贱者的典型形象.本文所谓卑贱者,是指那些被剥夺了做人权利的奴婢和妓女.她们身处社会最低层,命运极其悲惨.可贵的是,她们并没有屈服于不公平的命运,而是表现出了极强的抗争意识.本文通过对作品中这些卑贱者形象性格的分析,来表现她们身上所蕴涵的人格意识的觉醒,从而更好地理解元杂剧的思想内涵及其历史价值.     

格拉斯佩尔笔下悲怆的女性世界

女剧作家格拉斯佩尔活跃在20世纪初的美国文坛。作为一名女性剧作家,格拉斯佩尔在自己的作品中刻画了众多生活在困境中的女性形象,探讨女性之间的情谊以及妇女对自我和生命意义的追寻,发20世纪美国女权运动之先声。本文拟就格拉斯佩尔的四部妇女戏剧,剖析格拉斯佩尔笔下在困境中挣扎的女性形象,展现一个涂抹了悲壮色泽的女性世界。     

电视戏曲栏目传播观念衍变

电视戏曲节目的栏目化生存是多重因素作用的结果,其在因应中国电视生态的时代演进与观众审美趣味的岁月变迁中,在传播观念上多有发展,历经专题化、杂志化、综艺化、娱乐化、竞技化、品牌化的衍变,给当代戏曲电视传播实践带来启示.     

清季民国戏剧改良与妇女解放的互动关系考察——以河南为例

清季民初,戏剧改良运动兴起,其宗旨为移风易俗,妇女解放便是其中一项内容。清末,作为戏剧大省的河南开始允许妇女入园看戏,民国时期,女演员登台演戏日益增多,她们成名后积极义演赈灾、支持教育,一定程度上提高了妇女的社会地位。通过对河南戏剧改良的梳理与考察可知：戏剧改良一定程度上推动了妇女解放,妇女解放也促进了戏剧的革新,戏剧改良与妇女解放互为促进。     

苦难·反正统·正统——从主旋律励志偶像剧的视角重审谢晋电影的大众性

学者对谢晋电影的研究大多停留在对其政治伦理情节剧模式的阐释上。事实上,从更为深入的类型结构与接受心理的视角重审电影的大众性,谢晋电影尤其是其20世纪五六十年代和80年代的电影提供的正是属于其时代的主旋律励志偶像剧。这种偶像剧的内在结构呈现为：偶像的民间化与苦难化、偶像的超越性与正统性、偶像爱情的残缺性与理想性。谢晋的偶像剧电影的成功既迎合了不同时期的革命理想主义与感伤浪漫主义的时代氛围,也同时满足了民间社会普适价值的内在释放。     

论明代浙江曲家的佛教情结及思想渊源

The Buddhism state of mind which all have a kind of mightiness of Drama writer in Zhejiang of Ming Dynasty, they not only deeply clear 佛 reason, and aware of self the 援佛 go into 儒 , 援佛 to go into a way, looking for three teach of agree with a point, they much with recluse and mountain person and call, is a clear certificate.Then with the publicity Buddhist doctrine, life and death round return for create an aim to return, and beg to take true meaning from the Buddhism, melt 佛 in the heart, the mind 佛 turns, the 禅 turn, purify, pursuing to be born, super take off, return a leisure method of returning the mind.The creation of this kind of current of thought, one is the heart learns, especially the king learns leftists to populars to song house in Zhejiang in Zhejiang of influence, two is after Drama writer in Zhejiang situation has the misfortune to, the mind needs a kind of spirit good medicine that can comfort or match more.     

Ellie’s first time: constructing self-cutting in a teen drama

Self-cutting attracted a growing interest in society during the 1990s and the early 2000s, and this was reflected in a similar increase in media during this period. In this article, the example of Ellie Nash’s self-cutting in the teen drama Degrassi: The Next Generation is used to investigate articulations of the phenomenon during this period. The starting point is that self-cutting, a behaviour that previously had mostly been connected to masculinity, had to be rearticulated to fit into already established constitutions of femininity. If this was not possible, self-cutting could only be understood as a radical and aggressive behaviour easily connected to movements such as Riot Grrrls that emerged during the same period. With the help of formal and narrative methods, and discourse theory, the scene that includes Ellie’s first cut is analysed. The results of the analysis show that themes such as success, control, family and alternative culture framed self-cutting as being executed by girls who are fragile and vulnerable but also sensible. Even if the things that led up to Ellie’s self-cutting were presented as structural problems, the solution for her was individual conversational therapy, which fitted with the hegemonic neoliberal values that dominated this period.