Securitization,history, and identity: some conceptual clarifications and examples from politics of Finnish war history

This article shows how we can use the securitization framework to study extreme history politics. Securitization refers to a speech act or discursive process in which an actor makes a claim that some referent object, deemed worthy of survival, is existentially threatened. If successful, securitization justifies the use of extraordinary measures to counter the threat. After introducing the concept of securitization in detail, the article presents three ways in which history and securitization can be connected: history can serve as a facilitating condition of securitization; history can be explicitly used to strengthen a securitizing move; or history, or a particular interpretation of it, can be the referent object of securitization. The second half of the article is devoted to a discussion on the role of history in the securitization of national identities. Historical myths are the standard building blocks of national identities; challenging these myths can be presented as threats to the survival of the nation. The article also discusses potential forms of resistance against securitization of history/national identities. Illustrative examples from the political use of WWII history in Finland will be used to show the practical consequences of various conceptual choices.     

谈对贵州历史与民族文化资源的创造性解读

任何文化资源的价值都是解读出来的,是不同的人对之加以不同的介入、选择、改造、重构的结果。本文以贵州著名的历史与民族文化事实为例,作一番探索。     

死刑权理论的历史回溯与启示

死刑权理论的历史回溯对于我们准确地把握死刑的本质,以及促进国家理性地选择在死刑存废问题上的基本立场都有所裨益。无论贝卡里亚、卢梭还是马克思都认识到了死刑的权力法则同战争准则具有相似性。这启示我们死刑制度有必要从战争准则的角度来反思。     

新中国劳动经济史的历史分期探析

新中国劳动经济史研究的对象是1949年新中国成立以来在中国共产党领导下社会主义劳动经济的产生、演变和发展的历史。当前研究新中国劳动经济史,应从全面建设小康社会、城乡统筹发展视角,从工业化、市场化和现代化视角,以劳动力资源配置方式变革为主线,进行全面系统研究。新中国劳动经济发展可以划分为六个阶段:1949-1956年两次社会经济形态转变中的劳动经济,主题是"转变中建立";1957-1978年计划经济体制下的劳动经济,主题是"曲折中探索";1979-1991年向市场经济转轨初期的劳动经济,主题是"摩擦中改革";1992-2001年建立市场经济体制时期的劳动经济,主题是"定向中转轨";2002-2012年完善市场经济体制时期的劳动经济,主题是"统筹中完善";2013年以来的劳动经济,这个新阶段目前还没有结束,其主题应该是"共享中发展"。     

The Capitalocene Part II: accumulation by appropriation and the centrality of unpaid work/energy

This essay – Part II – reconceptualizes the past five centuries as the Capitalocene, the ‘age of capital’. The essay advances two interconnected arguments. First, the exploitation of labor-power depends on a more expansive process: the appropriation of unpaid work/energy delivered by ‘women, nature, and colonies’ (Mies). Second, accumulation by appropriation turns on the capacity of state–capital–science complexes to make nature legible. If the substance of abstract social labor is time, the substance of abstract social nature is space. While managerial procedures within commodity production aim to maximize productivity per quantum of labor-time, the geo-managerial capacities of states and empires identify and seek to maximize unpaid work/energy per ‘unit’ of abstract nature. Historically, successive state–capital–science complexes co-produce Cheap Natures that are located, or reproduce themselves, largely outside the cash nexus. Geo-managerialism’s preliminary forms emerged rapidly during the rise of capitalism. Its chief historical expressions comprise those processes through which capitalists and state-machineries map, identify, quantify and otherwise make natures legible to capital. A radical politics of sustainability must recognize – and seek to mobilize through – a tripartite division of work under capitalism: labor-power, unpaid human work and the work of nature as a whole.     

快感的考古消费:文博类文创产业的产品特性研究

中国文创产业发展到今天的水平,应当重视产业细分与产业细分条件下产品特色的开发问题。对故宫文创业的个案进行“知识考古学”研究和考察的结果表明,文博类文创产品的基本特性为快感的考古消费,快感消费为产品经济面向的一端,考古则显示了该类产品的文化内涵。它通常包含了知识性、叙事性、场景性的精神内容。所谓知识性将涉及教育、权威、权力批判等几个方面的内涵;叙事性包含文本性、历史秩序性和可阐释性等内容;场景性则通过展演、姿态的造型等凸显。     

How the West was Won: A Deconstruction of Politicised Colonial Engineering

History has taught us that the Global North's attempts to ‘civilise' the rest of the world's population, both now and in colonial times, have been fraught with difficulty. This paper argues that this difficulty is mainly owing to the political standpoint and positioning of our perceived engineering and technical superiority. A failure to recognise this viewpoint and to change the way in which we work together—in a global sense—to solve issues such as climate change, threatens our ability to survive as a species. Political standpoints on such issues still assume a superiority of governments in the Global North. This paper retraces colonial engineering projects, mainly directed from the UK, that failed to consider the development of other populations in the world, and their needs. It is also posited that our exploitation in the Global North, which assumes historical superiority as a basic premise, will fail in tackling major issues. Change is needed through a decolonisation of engineering projects, and western engineering curricula that are used to train future professionals. Evidence of the impact of decolonisation on the engineering discipline itself is scarce, but nevertheless, a response is needed to ensure that a more inclusive curriculum and narrative is developed.     

‘I Want to Wear It’: Fashioning Black Feminism in Mahogany (1975)

ABSTRACT

In this article I focus on the portrayal of fashionable clothing in the 1975 film Mahogany and connect it to the history of African American women engaging with sartorial self-representation as a means to assert their visibility in American culture. My aim is to analyse Mahogany’s emphasis on brightly-coloured highly-ornamented clothing, which has a long history of signifying bad taste and became part of accusations of racial and sexual inferiority. I want to show how Mahogany’s representation of fashion undermines the historically entrenched bias against colourful, highly adorned clothing while also revealing how this bias has played a subtle but significant role in the racism and sexism black women have encountered, further (but not finally) impeding them from the forms of recognition the category of femininity offers. Mahogany represents those impediments and repeats the sexual and racial commodification underlying them, but also resists them (albeit quite subtly) through the film’s loving display of fashion and its attention to the work of designing and making clothes. Mahogany tells a story of bright sartorial resistance that can be understood as an articulation of black feminist desires for women of colour to be able to compose the images through which their bodies are perceived.     

Interview with AbbyTC5: a pioneering ‘HomeGirl’ in Hip-Hop herstory

Jessica N. Pabón interviews graffiti artist Abby Andrews, a.k.a. AbbyTC5, about her canvas painting Queens, the image on the front cover of the special issue.     

后"伊斯兰国"时期恐怖意识形态蔓延:一个新的讨论框架

当前,国际联军打击“伊斯兰国”战事已进入尾声,然而,地面战场的失败并不意味着“伊斯兰国”思想的消亡。从萨拉菲-吉哈德主义极端意识形态发展脉络框架下考察,“伊斯兰国”在这一思想脉络中的独特历史地位塑造了它当前与未来的思想发展方式。国际社会需要认识到,当前反恐战争所面对的“战败者”可能并不认为自己已经失败,其意识形态过去近半个世纪危机式发展赋予了“伊斯兰国”面对失败的独特抵抗能力。“基地”组织在2011年被击溃后的历史也证明,在可预见的未来,“伊斯兰国”将很有可能继续在扩大其基本怀旧式叙事、赋予战败以合法性的同时,还将通过“全球恐怖商标”下的“特许经营”模式,将一种“暴力即思想”的恐怖思想内核进一步扩散并升级。国际社会打击“伊斯兰国”战争,可能刚刚到一个需要进行“中期评估”的时候,这场战争远未结束。