论政府的文化责任

文化责任应成为政府担负的重要责任。文章认为,文化责任是政府在行使职能与服务中所具有的文化精神,并由此体现和形成的文化价值与理念、文化形象与导向,通过文化执行能力和管理能力,形成促进社会发展的文化生产力。政府的文化责任对社会是一种指示和标志性的行为,它与一个国家的民族精神状态和社会经济发展共同形成完整的文化生态系统。     

集体记忆情境下的“80后”晒童年现象的社会学思考

80后晒童年现象是潮流回归和怀旧时尚的表现，暗示着80后即将逐渐担负起社会责任的开始，但是其中也或隐或显地潜藏着80后青年一代组织归属感和文化归属感缺失的征兆。“集体记忆”作为社会学中集体行动一种特殊的方式，应当引起各级决策者的重视，努力加强青年组织建设，增进青年的归属和认同感，各类新闻媒体要坚持正确的舆论导向，发挥健康的价值引导作用，推动青年亚文化向健康、活泼、高雅的方向发展。     

坚持创新与传承的有机“融合”——湖南省文化产业发展对宁夏的启示

湖南省文化产业包容性强、涉及领域多、拉动效应广、产业体系完整、配套功能齐全，已成为服务业中最具竞争力、带动力、渗透力的强势产业。湖南文化产业快速成长，并走在全国前列，对地处西部的宁夏打造独具特色的旅游目的地，特别是构筑中国向西开放的前沿阵地，成为穆斯林国家首选的国际旅游目的地有着诸多启示。     

警院精神初探

警院精神是警察院校发展过程中具有超越历史、时代和文化之永久魅力的独特气质、内在品质和理想追求。警院理应培育和弘扬“警院精神”，通过借助人文精神和人文素养的支撑和引领，加强人文管理，创品牌文化。把警院精神的培育、继承及弘扬渗透到人文管理的每一个环节之中。把警院精神升华为警院品牌文化的精髓，使警院精神的继承、培育及弘扬与品牌文化的创建同步。     

浅谈影视广告中传统文化的魅力

中国传统文化对中国广告业乃至世界广告业的影响是显而易见的，其对广告创意的影响更是巨大的，使广告烙上了东方文化的显著标记，使其散发着深厚的内涵和永久的魅力。     

United in diversity? The convergence of cultural values among EU member states and candidates

The European Union (EU) is considered to be a unique economic and political union that integrates most European countries. This article focuses on the cultural aspect of European integration, which has been increasingly debated over the course of deepening and widening integration and in the context of the legitimation crisis of the EU. Among the main goals of the EU is to promote certain values, which raises the question of whether it has been efficient in (or enabled) reducing cultural value gaps among the participating countries. World polity and institutional isomorphism theories suggest that cultural values may trickle down in a vertical manner from the institutions of the EU to its member states and candidates. Furthermore, hybridisation theory postulates that values diffuse horizontally through intensified interactions enabled by the EU. These two perspectives imply the possibility of cultural convergence among countries associated with the EU. By contrast, the culture clash thesis assumes that differences in cultural identity prevent value convergence across countries; growing awareness of such differences may even increase the pre-existing cultural value distances. To test these different scenarios, distances in emancipative and secular values are compared across pairs of countries using combined repeated cross-sectional data from the European Values Study and the World Values Survey gathered between 1992 and 2011. This study finds that the longer a country has been part of the EU, the more closely its values approximate those of the EU founding countries, which in turn are the most homogenous. Initial cultural distance to the founders’ average values appears irrelevant to acquiring membership or candidacy status. However, new member states experienced substantial cultural convergence with old member states after 1992, as did current candidates between 2001 and 2008. Since 1992, nations not participating in the integration process have diverged substantially from EU members, essentially leading to cultural polarisation in Europe. The findings are independent of (changes in) economic disparities and suggest the importance of cultural diffusion as one of the fundamental mechanisms of cultural change. This empirical study contributes to the literature on European integration, political and sociological theories of globalisation, and cross-cultural theories of societal value change.     

陕甘边革命根据地文化建设的特点及作用

陕甘边革命根据地在创建和发展中积极开展文化建设,密切配合和促进了根据地的政权建设、军事斗争、土地改革、经济建设和社会改造等,为根据地的创建和发展做出了重要贡献,也彰显出文化建设的显著特点及历史作用。     

马克思恩格斯的文化观及其当代价值

马克思恩格斯的文化观蕴含于他们探索人类社会发展一般规律的学说体系之中。他们在多重意义上使用文化概念,并在唯物史观的框架里考察文化现象,阐明了文化与经济基础的辩证关系、艺术生产与物质生产的不平衡关系以及文化所具有的现实性、开放性和跨越性特征。马克思恩格斯的文化思想为中国特色社会主义文化建设提供了有价值的思想资源。     

以根祖文化为特色构建民族凝聚力工程——以运城市为例

＂根祖文化＂是民族的灵魂,是民族精神的重要构成部分,在增强民族凝聚力中具有重要作用。运城市是中华民族的发祥地,具有大量中华民族先祖活动的遗迹和民族文化的渊源,这就在客观上决定了运城市在构建民族凝聚力工程中必然具有＂根祖文化＂的特色。因此,组建以＂根祖文化＂为特色的组织协调系统,大力发展以＂根祖文化＂为标志的旅游企业等,必然成为运城市实施增强中华民族凝聚力工程的特色内容。     

论近代历史变迁中的中国文化转型

文化是历史的重要组成部分,历史的演变必然引起文化相应的改变。在近代这个中国几千年历史的重要转型期,中国文化呈现出了前所未有的波澜起伏,是任其在西方文化冲击下衰弱,还是在痛苦中完成蜕变,寻找新的突破口？从中国文化的艰难转型中,今天的人们获得了很多重要启示。昨天的历史引领着今天的道路。