家庭环境中的思想政治教育探究

家庭是进行思想政治教育的重要环境,它对家庭成员的思想影响具有基础性、持续性、深入性及情感优势性等特征。家庭环境中的物质环境和精神环境因素对思想政治教育工作具有深刻的影响。     

苗族史诗《亚鲁王》洪水神话的水文化表达

苗族史诗《亚鲁王》记载的洪水神话是迄今发现较为完整的苗族洪水神话版本,在水文化表达上突显了苗族西部方言区的文化特色。《亚鲁王》的洪水神话通过祖先谱系、音乐起源和英雄时代等文化方式表达了民族文化认同、民族文化特色和地域民间信仰。洪水再生神话是对数百代祖先造人努力的一个总结,洪水神话起因中带有音乐起源和女性悲剧,洪水神话之后人类找到新的家园,标志着从神的时代走向英雄时代,从而开启了亚鲁王信仰的英雄时代。史诗的洪水神话表达反映了中华多元民族文化的凝聚力,推动中华文化自信和中华民族文化共同体建设。     

社会治理视角下的彝族教育经典《玛牧特依》

彝族著名教育经典《玛牧特依》,蕴涵着丰富的道德教育智慧,基于推进国家治理体系和治理能力现代化背景下,运用社会治理理论,从《玛牧特依》的凝聚力、向心力、约束力、吸引力和影响力五个维度切入,挖掘出《玛牧特依》的五个核心思想,即教育、廉耻、礼仪、仁善、慎独。其中,教育是《玛牧特依》的主旨和出发点,廉耻是《玛牧特依》的精髓和道德底线,礼仪是《玛牧特依》的大德和最高法律准则,仁善是《玛牧特依》的核心和道德宗旨,慎独是《玛牧特依》的落脚点和最高道德境界。《玛牧特依》在调节人与自然、人与人、人与社会之间的关系中发挥着积极作用,为彝区创新社会治理模式提供了一种新思路,应该凝聚《玛牧特依》文化力量,协同发展,多元共治。     

地方水生态:牧区水文化的价值、风险与化解

在西藏牧区长期的生活中,人们形成了特有的水文化。扎西乡水文化体现出两大价值,并受到潮流化生活方式和文化的影响。对扎西乡水文化的风险化解与对水文化的引导具有可行性,要重视引导的三大要义。在实践纬度上,应着重从"生态-经济-社会"三位一体的全局中多维度考虑风险化解之途以及对地方性生态文化的引导方向与途径。     

The Evolution of Art and Culture as It Relates to Workforce Dynamics

The author discusses the relationship among art, culture, and the workforce, examining the historical context of these areas and outlining the implications for the arts and cultural sector.     

Zombies,Gender, and Student Active Learning

Abstract

While the use of active learning exercises and the incorporation of popular culture in the classroom have increased in recent years, the study of potential gendered effects on learning and engagement when it comes to these practices has been limited. In this study, data are collected from international politics courses using a zombie outbreak as the theme for a United Nations simulation to explore whether there are unintentional gendered outcomes from these activities. Contrary to expectations of previous literature, no statistical differences manifest between men and women in enjoyment and learning when using zombie themes in active learning.     

个人与国家之间:当代法文化的价值观

法文化的价值问题属于“法统”范畴,它是任何时代的法文化必然具备的一个核心问题.当代中国提出的社会主义核心价值体系是研究当代法文化之价值问题的一个理论前提,从社会主义核心价值体系中可以解读出与法文化的价值问题息息相关的概念组合,这就是个人和国家的关系.当代法文化之“法统”既不应该是单纯的个人主义,也不是单纯的国家主义,而必然是个人与国家的有机统一,但要统一于具体语境之中,就需要引入实践智慧的概念.当代法文化的“法统”所依据的理性基础是关系理性,这种理性形态在传统中国法文化以及马克思主义理论中都有良好的思想支撑.     

The Creative Industries Concept: Stakeholder Reflections on Its Relevance and Potential in Australia

The creative industries concept or term continues to attract attention in both developed and developing economies worldwide. However, it is not universally applied, with other terms such as cultural industries, arts and culture, copyright industries, or the experience economy used in various global locations. There is also ongoing debate and critique in relation to the creative industries concept, given that it emphasises employment and wealth creation and gathers together a range of disparate disciplines. This article explores these issues via interviews with twenty-two key leaders representing fifteen different industry organisations, advocacy groups, and government funding bodies in the Australian creative industries sector. The findings reveal only a moderate level of understanding and application of the creative industries concept, with a range of views on its relevance and utility for those working in the sector. In addition, the findings propose that there is significant potential and need for the sector to work towards a stronger advocacy position and profile within the broader economy. However, this represents a major challenge for the creative industries sector, given the existing vertical and horizontal power structures within this complex and diverse area of the economy.     

从明代滇、黔移民特点比较看贵州屯堡文化形成的原因

对贵州屯堡文化的研究,近年来硕果累累。本文通过明代滇、黔移民特点的比较,从不同的视野和角度对屯堡人及其文化形成的原因作出新的探讨和补充。