先锋小说的传统文化意味

先锋文学浪潮的兴起是时代、社会与历史文化发展的必然。先锋小说在对主流现实主义文学的反叛中,不自觉地回归了我国古代的历史文化传统,在思维方式、价值态度和小说观念等方面,都无意识地与我国古代文化传统相沟通。先锋小说具有浓郁的传统文化意味。     

The collaboration of ‘ghostwriting’ and literature – the case of Kawabata Yasunari

Abstract: Kawabata Yasunari is Japan's first Nobel Prize recipient for literature and thus an emblem of the modern Japanese writer, but as this essay demonstrates, this writer's career, like that of so many throughout Japan's premodern and modern history, is spanned by the curious practice of ghostwriting. Taking up the specific case of Kawabata, the article exposes a wider conflict between the modern West's notion of the original artist, underwritten by its idea of individualized creativity, and modern Japan's persistent adherence to ghostwriting's more collaborative premodern concept of creativity. Subjecting fine-grained literary historical analysis to its far-reaching theoretical consequences for the modernness of modern literature, Japanese and otherwise, this essay shows how the spectre of Kawabata's ghostwriting haunts our contemporary, and therefore possibly anachronistic, understanding of ‘modern’ literary practice.     

命名与必然性：马克思主义文艺学的理论边界

马克思主义文艺学的理论边界是解决当代诸多文艺学问题的关键。这一边界表现为:以历史唯物主义的意识形态为哲学基础,以认识、历史、实践、价值和总体的观念为基本观念,以文艺与人类日常生活的解放关系为理论主题。由于马克思主义文艺学不是僵死的固化形态,而是发展的理论过程,所以,这一边界不能完全绝对化。     

日本殖民侵略的自供、掩饰和美化——日据后期在台日本作家长篇小说析论

西川满的<台湾纵贯铁道>、滨田隼雄的<南方移民村>和庄司总一的<陈夫人>被视为日据末期在台日人作家的长篇小说代表作.<纵贯铁>宣扬北白川宫率军征服台的"功绩",史载台湾军民的殊死抵抗被写成"土匪"式骚扰,而日军的屠城式大规模烧杀行径则被淡化或合理化.<移民村>宣扬日本人的毅力、信念、真诚品行和科学精神,赋予日本对台湾的"移民"(殖民)以正当性.<陈夫人>具有人性的深度开掘和对台湾庶民生活细节的细腻描写,甚至写出了现代性、本土性和殖民性的复杂纠葛,但仍带有殖民文学的明显印痕对中国(台湾)文化的"误读"以及宣扬日本人带给台湾"现代化"的理念.它们不同程度地都是日本对台殖民侵略的自供、掩饰和美化.     

Modern education and literary traditions: a comparative view on the development of modern Uyghur and Tibetan literature

ABSTRACT

In 1949, illiteracy among both Uyghurs and Tibetans was similar to that throughout China and estimated as higher than 90%. Since then, the rate of illiteracy in Xinjiang has shrunk considerably, while in Tibet it has remained the highest in China. This gap can explain the difference between the small volume of literature published annually in Tibet and the extensive literature that appears yearly in Xinjiang. A major reason for the high literacy rate and the emergence of a thriving modern literature in Xinjiang is the system of modern education that developed in the region at the start of the twentieth century. In contrast, in Tibet, the religious conservatism of the Buddhist elite prevented the introduction of modern education in order to retain local cultures. The comparison of the influences of modern education on the creation of literary traditions allows us to examine the continuity of Uyghur and Tibetan cultures in the context of contemporary China.     

Women,writing and politics in Sonallah Ibrahim's That Smell and Notes from Prison

In That Smell and Notes from Prison, Sonallah Ibrahim engages literary and feminist discourses in his political narrative against the Nasserist regime and the culture of commitment (iltizam) of the 1960s. Ibrahim's antihero is a newly released writer who is faced with the challenges of overcoming his failure to connect with women and society, and find a motivation to write. He realizes that most readers, writers and critics are not in favour of his literature of exposé, which refuses to depict or treat the ugly reality as a beautiful one. In foreshadowing the 1967 defeat and the impotence of Arabs, That Smell and Notes from Prison warns of a prolonged cultural and literary decay should political corruption override basic human and women's rights in the Arab world.     

Family Historiography in The White Earth

In recent years, family history research has become a popular activity for many Australians. This imperative to connect with our ancestors extends into the field of literary production. In this essay, we examine one prominent novel that reflects this movement, Andrew McGahan’s The White Earth (2004). Looking through a lens of family history and historiography, the novel asks questions about postcolonial belonging, inheritance, and the violent foundations of the nation. McGahan’s young protagonist, William, stands to inherit a vast but crumbling property on the Darling Downs in Queensland. As William discovers more about the land, he comes into contact with both his own white pastoralist ancestors, and the powerful Indigenous spirits who inhabit secret and sacred spaces in the landscape. We argue that William’s encounter with secret family histories produces the hysteria at the climax of the novel, when the repressed violence of the past returns to haunt the present. Confronted with hidden knowledge, William—and, by proxy, the reader—is called to reconsider inherited histories in light of contemporary historiographies. The move towards knowledge of the family’s origins is a realisation of the complexity of the white Australian relationship to the land and its first inhabitants.     

Between private and collective in new generation Palestinian literature: Akram Musallam as a test case

The article examines new generation Palestinian writing in the West Bank, focusing on the ongoing tension between the private and the collective dimensions in literary works there. The works of Palestinian writer of Ramallah, Akram Musallam (b. 1971), serve as test case. The article shows that Musallam's novels preserve a connection to the Palestinian problem and the national-political life on one hand, and create meanings beyond time and place limited by this connection, on the other. The tension between the private and the collective is not only well reflected in Musallam's writings, but in fact constitutes their main pivot and it is embodied in an original and unique inner thematic and stylistic struggle within his writings. Musallam's works serve as an example of the fact that despite recent trends to forsake the collective and focus on the private, Palestinian literature almost always relates, either directly or indirectly, either through creative or less creative means, to collective Palestinian issues.     

新时期安徽电影文学事业的回顾及当前启示

新时期以来，安徽的电影文学事业取得了辉煌业绩，是“文学皖军”崛起的标志性成果。进入21世纪以来，安徽电影文学事业没有紧跟时代的前进步伐，进入低谷。安徽文学界应当借鉴鲁彦周等先贤的实践经验，革新题材，改进创作手法，同时树立全国意识，努力把握最新创作动态，加强与全国电影界的交流合作，争取再次进入全国电影文学创作的前列。同时建议安徽省有关部门出面组织，在安徽设立全国电影剧本交流基地，建立优秀电影剧本奖励机制，跃升安徽电影文学的创作水平，进而带动整个安徽电影文化产业的良性发展。     

逆反与复归自然的“拱形结构”：“世纪末”文学思想探析

“世纪末”主要由两种审美风格构成，一种是以“逆反自然”为价值取向的颓废主义，它崇尚人工美而贬低自然美，表现萎缩的生命力和矫揉造作的人性；另一种是以“复归自然”为价值取向的原始主义，它崇尚自然美而贬低人工，表现蓬勃的生命强力和未经修饰的原始意识和内心情绪。两种审美风格看似完全对立，实则共同扮演现代文明批判者的角色。逆反自然和复归自然构成了“世纪末”文学的内在矛盾，这个矛盾统一于“意志”，围绕“意志”形成“世纪末”思想的拱形结构，发散出20世纪现代派文学的诸多元素。