全文获取类型
收费全文 | 468篇 |
免费 | 17篇 |
专业分类
各国政治 | 57篇 |
工人农民 | 23篇 |
世界政治 | 18篇 |
外交国际关系 | 34篇 |
法律 | 81篇 |
中国共产党 | 16篇 |
中国政治 | 108篇 |
政治理论 | 28篇 |
综合类 | 120篇 |
出版年
2023年 | 4篇 |
2022年 | 4篇 |
2021年 | 3篇 |
2020年 | 10篇 |
2019年 | 8篇 |
2018年 | 14篇 |
2017年 | 15篇 |
2016年 | 18篇 |
2015年 | 11篇 |
2014年 | 24篇 |
2013年 | 42篇 |
2012年 | 28篇 |
2011年 | 41篇 |
2010年 | 11篇 |
2009年 | 31篇 |
2008年 | 17篇 |
2007年 | 36篇 |
2006年 | 30篇 |
2005年 | 32篇 |
2004年 | 30篇 |
2003年 | 24篇 |
2002年 | 17篇 |
2001年 | 21篇 |
2000年 | 9篇 |
1999年 | 3篇 |
1998年 | 1篇 |
1995年 | 1篇 |
排序方式: 共有485条查询结果,搜索用时 0 毫秒
401.
Annette Thorsen Vilslev 《Japan Forum》2017,29(2):257-278
Focusing on the relation between the literary theory and the novels of modern Japanese writer Natsume Sōseki (1867–1916), this article argues that we need to include more ‘non-Western’ theories in the discussions of world literature. Furthermore, it concludes that a world literature contextualization of Sōseki's theory helps explain how his novels critically negotiate the influences from Western literature in Japan. By comparing Sōseki's theoretical and literary writing, this article shows continuity between his Theory of Literature and his novel Kusamakura, arguing that both question Western universality in defining literature. In other words, the comparison stresses Sōseki's continued preoccupation with understanding the transformation of literatures due to global interaction. During the modern period, such transformation was probably nowhere more conspicuous than in Meiji Japan, where not only society but also its literature was rapidly changing. 相似文献
402.
Peter C. Herman 《Critical Studies on Terrorism》2017,10(1):1-21
This article examines the first three literary reactions to Fenian terrorism: Robert Louis Stevenson and Fanny van de Grift Stevenson’s co-written novel, The Dynamiter (1885); Tom Greer’s A Modern Daedalus (1885) and Henry James’ The Princess Casamassima (1886). Although these works approach terrorism from different angles, they set the pattern for subsequent treatments that will “give primary voice to the perspective of the terrorist”. “Zero”, the hapless bomb-makers in The Dynamiter, is a surprisingly urbane, sympathetic figure; Greer illustrates both the necessity and the moral quandaries of terrorism and James shows considerable sympathy for anarchism’s causes, even though terrorism threatens high art and culture. I also hope to show that fiction can provide excellent source material for studying the cultural imaginary of terrorism and, by extension, make a bid for the inclusion of literature scholars under the umbrella of Critical Terrorism Studies. 相似文献
403.
Gibson Ncube 《Journal of contemporary African studies : JCAS》2014,32(4):476-490
This paper sets out to examine the social implications and functions of the contemporary body of gay Moroccan literature against Maria Pia Lara's readings of the creation and reception of literary works in the public sphere. Through a (re)reading of novels by Rachid O. and Abdellah Taïa, it is argued that these novels offer a privileged space that is not simply a metalinguistic and autonomous edifice, but also a means through which individual, societal and cultural self-assessment and comprehension can be affected in the domain of quotidian life. Ultimately, and possibly more importantly, this paper asserts that gay literary narratives reveal the heterogeneity of lived experiences, thereby producing innovative ways of considering sexuality which cannot be simply overlooked or invalidated. These narratives thus propose an alternative public-sphere which challenges hegemonic Moroccan norms and value systems. 相似文献
404.
Padraig Kirwan 《Women: A Cultural Review》2016,27(3):265-279
LeAnne Howe, a citizen of the Choctaw Nation of Oklahoma and the Eidson Distinguished Professor of American Literature in the Franklin College of Arts and Sciences at the University of Georgia, writes poetry, fiction, screenplays, plays, creative non-fiction and critical essays. Her work is primarily concerned with the experiences and the perspectives of American Indian people and communities. Howe’s latest book, Choctalking on Other Realities (2013), which she describes as ‘three parts memoir, one part tragedy, one part absurdist fiction, and one part “marvellous realism”’, received the inaugural Modern Language Association Prize for Studies in Native American Literatures, Cultures and Languages in 2014. Along with being the recipient of a United States Artists Ford Fellowship and a Lifetime Achievement Award from the Native Writers’ Circle of the Americas, Howe also received the 2015 Western Literature Association Distinguished Achievement Award. Howe’s writing could easily be described as enlivening, eclectic and often hectic, and, more often than not, she brings together a plethora of stories concerning the historical and contemporary experiences of the Choctaw Nation. Various geographical, spiritual, familial and narratological spaces are revealed or plotted during the course of Howe’s narratives, and, as a consequence, images that relate to the act of mapping, the basis of storytelling, and the subject of community and place become recurring motifs throughout her writing. Concerned with the ways in which Choctaw lifeways have been mapped out across time, Howe appears to be especially interested in the representation of travel, exchange, contact and consumption not only in the pre-contact and post-contact United States, but also within the global village. 相似文献
405.
Nancy Taber 《Journal of Peace Education》2015,12(1):1-14
This article discusses a feminist critical discourse analysis research project of award-winning books of the Jane Addams Peace Association. Children’s books carry societal messages that are gendered, raced, and classed, with award-winning books carrying an additional message of exceptionality as they are viewed as deserving of attention. Thus, the discourses they circulate are important points of analysis. This research, using data from the Jane Addams Children’s Book Awards (focusing on books for older children – young adult literature), takes a feminist antimilitarist perspective to explore the sociocultural implications of children’s literature for education and learning. I examine research with respect to award-winning literature, define my theoretical framework of feminist antimilitarism, explain my methodology of feminist discourse analysis, and detail my findings. I conclude that the awards as a whole function pedagogically to define conflict in ways that privilege colonial discourses, with women represented in essentialist ways and inequality perceived as absent in the contemporary West. 相似文献
406.
Wisam Kh. Abdul-Jabbar 《Women: A Cultural Review》2013,24(2):149-159
Drawing on Derrida's double conceptualization of the ‘la question de l’étranger’, which he utilizes to unpack the notion of hospitality, this paper explores the question of foreignness in Ahdaf Soueif's short story ‘Knowing’, from her collection I Think of You: Stories (2007). Jacques Derrida uses the interrogative mode to examine the diasporic situation by looking at ‘the question of the foreigner’, which ‘is a question of the foreigner, addressed to the foreigner’. To Derrida, the diasporic condition is determined by the type of hospitality offered or withheld by visiting and hosting countries. Likewise, Soueif questions the notion of hospitality as she introduces homes and locales that seem uncongenial to foreign dwellers. In ‘Knowing’, Soueif portrays the foreigner's position as being marked by the presence or absence of hospitality. In this context, the Derridean conditioned hospitality could become invasive as it colours diaspora with its own peculiar brush. As she fictionalizes hospitality, Soueif blurs the line between home and host as well as that between guest and stranger. In the short story, she introduces the insidious effects of the new receiving culture as her fictional girl is not a guest since the host country withholds the Derridean unconditional hospitality; neither is she a stranger as foreignness dictates a sense of cultural dislocation, which is that of not ‘knowing’. 相似文献
407.
萨兆沩 《北京行政学院学报》2001,(6):80-84
元好问是金代杰出的诗词曲大家。本分析金亡以后,元好问在蒙古王朝统治下,诗词曲创作和理论探讨方面取得的伟大成就;在编撰金代史料方面取得的重大成果;还肯定元好问在宣传儒学,保护儒士名贤,促进中华各民族之间的友谊团结等方面的重要贡献。 相似文献
408.
沈从文是现代文学史上一位风格独特的作家。形成其短篇小说独特风格的主要原因之一是 :沈从文采用了以外聚焦叙事偏移的叙事聚焦模式。这样 ,他的作品既达到了理智、冷静的艺术效果 ,又避免了读者解读作品的主观随意性。正是这种聚焦叙事模式的运用 ,使沈从文在现代文学史上占有重要的地位 相似文献
409.
文学欣赏与文学创作有着密切的关系,它们互为条件,互相影响。文学创作的质量影响文学欣赏的发生;文学欣赏是文学创作的延伸,反过来又促进文学创作的发展。 相似文献
410.
A recent parliamentary postulate in Switzerland calling for joint custody as the legal norm argues that fathers are discriminated
against in Swiss divorce law. This postulate has incited a debate which circles around issues of equality, the role of fathers
and mothers, and the good of the child. Our article, uniting approaches from literature, cultural studies, and science and
technology studies, examines the arguments sparked by the debate with a view to different takes on gender and family. In doing
so, it traces the roots of contemporary Swiss family law in the Rousseauian narrative of family life in Emile ou de l’education; it explores the manner in which scientific knowledge is marshaled to lend political legitimacy to current debate; and it
asks finally how narrative bridges the gap between public discourse and lived experience.
相似文献
Caroline WiedmerEmail: |