风雨60年:从文学抗日到抗日文学

从文学的意义上讲,战后的抗日文学才是真正的抗日文学。前30年的抗日文学虽涌现出一批较优秀的文学作品,但整体发展并不尽如人意。新时期的抗日文学不仅完成了从“文学抗日”到“抗日文学”的历史性转变,也开创了中国抗日文学的新时代。变化得以实现的主要原因,在于文学走出了以民族的最高利益为单一立场的国家化叙事模式,也走出了战后30年以意识形态为主要立场的集体言说方式,开始了立足于民间视野和个人话语基础之上的抗日历史的文学重构与叙述。     

网络法律信息资源的检索策略与利用

因特网是一个取之不尽,用之不竭的信息宝库.如何从浩如烟海的因特网上有效地检索到所需信息,这是法学学科及各学科都面临的课题.笔者结合读者经常咨询的如何查询因特网上法学信息资源的问题与工作实践,着重介绍了网络法律信息资源的检索策略与检索利用.     

刑事诉讼法的三大立法技术问题

1997年刑事诉讼法在司法适用中之所以问题重重,与其立法技术的欠缺有着重要关系.刑事诉讼法在立法体系上,应采取法律一释义一体;在立法模式上,应摒弃传统的微言大义,尽可能详尽必备;在立法语言表述上,不但要从正常理解法律的人的角度思考应该如何表述某一法条,更应该从别有用心的人在法条规定的基础上可能作出怎样的法律解释角度,思考怎样从语言技术上避免法律被"合理滥用".     

论我国民族民间文学艺术表达法律保护模式的构建

本文具体界定了民族民间文学艺术表达的概念和特征 ,并立足于我国实情提出了“知识产权法、反不正当竞争法和特设法定权利”的综合法律保护模式。     

英国近代自然主义文学的肇始形态

英国近代文学发轫于文艺复兴。除乔叟、莎士比亚、琼生等的人文主义的社会主题创作外,自然主义的创作也随着时代的变革而兴起。这一新潮流虽不直接参与社会政治冲突,却从更深层面触及到世界观的转变,开辟了有别于中世纪以及上古时代的崭新的自然观,并从根本上奠定了近代英国人社会变革活动的精神基础。随着资本主义体系的确立和壮大,英国自然主义文学传统的影响也不断深化和扩展,对后世的自然史、博物志、自然科学乃至自然哲学的发展都起到了巨大的推进作用。     

Kawabata and cinema: the ambivalence of knowledge,medium, and influence

Abstract

Many researchers have considered the involvement of Kawabata Yasunari in cinema and the medium's possible influence on his literature. Such approaches, however, tend to assume a definition of the motion pictures as visuality or montage that then influences Kawabata instead of first considering Kawabata's own conception of cinema, his own film theory. By analyzing his writings on film, including his film criticism, short stories involving cinema, and his involvement in the film A Page of Madness, this paper outlines Kawabata's conception of cinema and argues that he developed a portrait of cinema that posed it as a challenge to identity, perception and knowledge itself. Often associated with the female body, the movies became to Kawabata both an object of fascination and a threat, something ultimately to be controlled through literature and the literary subject. What influenced his literature was then perhaps this perception of cinema as posing an epistemic crisis. It is his ambivalence towards this challenge that can serve as a key for elaborating on Kawabata's complicated location within prewar modernism.     

佛教与日本语言文学关系的研究述评

20世纪80年代后期以来大陆佛学研究出现了一股“文化热”,将佛教作为一种文化,看做是中国传统文化的重要组成部分,研究佛教与文化千丝万缕的联系。跟随着这股潮流,有关日本文化的研究也掀起了高潮且日趋精进。据不完全统计,近20多年来发表的论文达上千篇。通过国内出版的著作和学术杂志上所发表的论文,对佛教和日本语言文字、文学方面的研究成果作分析综述,以期廓清这些领域的发展趋势和研究动态。     

简论日本战后民族主义文学

日本战后的民族主义文学表现在对侵略战争的认知态度、对日本战败的屈辱感受和右翼民族主义的复兴。日本“战后派”的作品很少反省日本发动侵略战争的责任,相反还存在有意无意弱化甚至掩盖战争“侵略本质”的倾向。以林房雄为代表的右翼作家变本加厉,民族主义思想走向极端化和系统化。随着20世纪60、70年代的经济恢复和高速发展,日本当代文坛“集体失忆”,将目光转向个人内心的不安和日常生活,形成“反抗战后”的文学潮流。20世纪80年代以来,以石原慎太郎为代表的极右作家,强调民族精神,美化侵略战争,谋求世界霸权。战后日本文学民族主义的根底是日本民族优越论。     

Exploring the Realm of the Unconscious in Anna Kavan’s Sleep Has His House

Abstract

Sleep Has His House, one of Anna Kavan’s most radically experimental novels, appeared in Britain in 1948, in the wake of the Second World War. An objection levied at the novel on its publication was that it bore no relationship to external ‘reality’. However, this article argues that the novel’s focus on the oneiric realm, contrary to what hostile contemporary reviews claimed, does not take place in isolation of larger society. Portraying modernist, surrealist and psychoanalytical influences, the novel is namely concerned with the representation of a nocturnal realm that emphasizes the osmotic relationship between the external world and an individual’s subjectivity. Focusing on the ways in which violent images of war infiltrate the dream world, this article suggests that Sleep Has His House can in fact be understood as reflecting and responding to the pressures of British war-torn society in the mid twentieth century.     

Haunted by the Lady Novelist: Metafictional Anxieties about Women's Writing from Northanger Abbey to The Carrie Diaries

This paper argues that the development of the identity of the professional woman writer as a ‘lady novelist’ in the mid-eighteenth century has had a lasting and detrimental impact on the status of women's writing that lingers through to the present, particularly in the critical discourse surrounding chick lit. The first part of this paper discusses the figure of the lady novelist and traces her centrality to criticisms of women's writing from the eighteenth century through to the twenty-first. The second part of this paper then examines the haunting presence of the lady novelist in the metafictional works of seven representative women writers: Jane Austen's Northanger Abbey (1818), Elizabeth Barrett Browning's Aurora Leigh (1856), Louisa May Alcott's Little Women (1868), L. M. Montgomery's Anne of Green Gables (1908), Betty Smith's A Tree Grows in Brooklyn (1943), Fay Weldon's The Life and Loves of a She-Devil (1983), and Candace Bushnell's The Carrie Diaries (2010). By drawing a through-line that connects these texts, I argue for a renewed understanding of the ways in which Western women writers from the eighteenth century to the present are unified by a pervasive anxiety about being a ‘lady novelist’.