越南当代文学创作中的悲剧意识

悲剧是通过矛盾冲突,描绘人们遭受不应遭受的厄运,描绘美好正确的东西受到摧残、失败或者毁灭。它强烈地激起人们悲哀、愤怒的情感,使人们的灵魂得到净化。20世纪80年代,悲剧意识开始重返越南文学创作舞台,为文学带来了崭新的面貌。由于社会由计划经济向市场经济体制转型,生活变得丰富、复杂、紧张起来。正是现实生活中充满悲剧色彩的典型矛盾与冲突打开了作家们的悲剧意识。     

《徒然草》的多重魅力说

本文结合《徒然草》文本,分析了它的多重人本魅力艺术价值。就空海真言宗对其的影响从几个方面进行了探讨;还把它与《方丈记》做一比较,探讨了这部作品积极进取的思想价值;以及广泛吸收中国古代文化典籍的创新之处。     

论魏晋经学与文学复古之风

经学尤其《诗经》仍然是支撑魏晋文学的主流意识之一。在诗歌体式上,魏晋文学大量摹拟《诗经》,以四言为主;在诗歌题材和主旨上,直接摹拟《诗经》,创造出拟经诗、补亡诗、拟《诗》诗三种类型,复古之风达到了空前炽烈的局面;在艺术风格上,以雅颂为主、又以风入雅,从而对如何继承《诗经》的文学传统提供一次集大成式的探索,在中国文学史上具有承上启下的重要意义。     

论吴藻词曲特质及其在女性文学史上的地位

清代女作家吴藻经常在作品中抒发崇尚自由的意志，与同时代具有类似意识的女性相比，吴藻能够突破视男性所享有的待遇为解放尺度的思维定势，揭示传统力量压抑全体社会成员个体的严峻现实，视阈更为高远，不唯如此，打通不同人群之间的界限、将个性解放当作全社会共同需要思路，也切入了时代要求的本质，在当时有着深化个性解放思潮的重要意义，吴藻词在表现其精神特质中形成了以豪宕悲慨为主的风格，在女性学史上具有很高地位。     

1949-1959中国教育体系中的民间文艺学课程建设--以北京师范大学为中心

文章把1949-1959年北京师范大学中文系民间文艺学专业教育的发展情况作为主要对象,研究民间文艺学课程的初创以及该课程如何伴随政府的教育、文化政策的发展而发展,探寻其发生、发展的文化史背景和意义,及其对课程建设的启示及借鉴.     

生态意识的文学表述：苇岸论

散文家苇岸的极具生态性的自然观与人生观在其<大地上的事情>中得到了集中的体现.他能够以其宽厚博爱的胸怀去感受自然、接纳众生,并站在自然的立场上批判现代化进程中的弊病,因而具有深厚的生态哲学思想.他的写作是艺术性与生态性相结合的绿色文学的楷模,在生态批评的视角下,他的散文应该能够跨入经典的行列.     

川端康成文学中的传统文化情结

读日本作家川端康成的文学作品 ,会发现其故事情节的展开 ,往往与现实生活中某地真实的自然风貌或风土人情交织在一起。因此有些日本学者将此称之为“纪行性”表现手法。本文通过对《伊豆舞女》等几部作品中所表现出的“纪行性”因素的考察 ,尝试探讨该创作手法为作品带来的艺术效果和作家的审美情趣。     

Enjoy their symptom: of woman,men and other interesting figures in Greek literary texts

Voela and Tamboukou use Slavoj ?i?ek’s notion of the symptom as a lens through which to look at representations of female figures in Greek literary texts of the early twentieth century by Gregorios Xenopoulos. In mapping the construction of the figure of the modern woman in the matrix of discourses, fantasies and power relations of fin-de-siècle Greece, they draw on psychoanalytic insights, interrupted by Foucauldian interventions. Following Judith Butler’s move of making trouble they attempt to open up a dialogic space between psychoanalytic and Foucauldian approaches to the female subject, contextualized in a specific social, historical and cultural milieu. It is in this context that they discuss, first, how feminine and masculine subjectivities are represented in man’s speech; second, how unintended excesses and interruptions occur in the problematic representation of women; and, third, how madness and ultimately death come to play a significant role in the power relations between the sexes.     

Hearts and Minds: War Neurosis and the Politics of Madness in Anna Kavan's I Am Lazarus

Abstract

Anna Kavan's fictional portrayals of psychiatric breakdown and its treatment provide a unique perspective on the patient's experience of early to mid twentieth-century psychiatry. This article looks in detail at Kavan's time working with soldiers suffering from effort syndrome during the Second World War, observing how the solider-psychiatric patient becomes a figurehead for her radical politics in her Horizon article ‘The Case of Bill Williams’ (1944), and a prominent protagonist in her stories. Through close reading of her correspondence, her journalism and her wartime stories collected in I Am Lazarus (1945), it examines how the intersection of psychological trauma and physiological symptoms characteristic of effort syndrome surfaces in Kavan's writing of this period and in her own psychic responses to the war. It observes the importance of figurative language to her portrayal of war trauma and psychological breakdown, as her characters embody metaphor in their psychosomatic symptoms, and explores a twisted reconception of mind–body dualism prevalent throughout her writing of this period. It goes on to examine how the peculiar interaction of the physical and the psychological extends to the relationship between Kavan's characters and their external environment in her Blitz stories. Against the backdrop of the war-torn city, mind and body engage in ongoing conflict, affect and emotion bleed into her physical landscapes, and everyday objects become animated and hostile towards her protagonists.     

解放区文学“大团圆”结局现象论析

解放区文学“大团圆”结局现象的产生 ,与解放区文学所承载的政治宣传使命有关 ,与解放区作家追求文学的大众化、民族化、通俗化思潮相关 ,体现了作家们对“五四”文学所作的某些反拨的自觉。这一文学现象 ,有它存在的历史价值与意义 ,但也不可避免地带来了缺陷与遗憾。