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Social democratic politics in Britain requires compelling answers to three animating questions that Roy Jenkins posed in his landmark 1979 Dimbleby lecture. Firstly, how can the British system of democracy be reformed to develop a culture of political participation and pluralism that leads to more equitable economic and social policies? Secondly, how can the centre‐left and left unite to forestall long periods of Tory dominance in electoral politics, thereby avoiding calamities such as the 2016 referendum on EU membership? And, thirdly, how can a flourishing intellectual ecosystem be cultivated on the progressive left that generates radical ideas for economic and social reform, recognising the importance of concerted dialogue between political traditions? This article revisits Jenkins’ 1979 lecture by considering the prospects for ‘breaking the mould’ of British politics in the ‘new hard times’ of Brexit and ‘permanent austerity’.  相似文献   
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ABSTRACT

In reading British fascism as a cultural phenomenon, historians have started to chart the cultural products and visions of British fascists during the interwar and post-war periods. Such analysis has tended to focus on fascists’ discourse on culture (particularly the ways that they position liberalism and modernism as degenerate), or on the cultural texts of fascists/fascism in the form of, inter alia, literature, music, dress and art. George Mosse goes as far as to argue that it is only through a cultural interpretation of fascism that we can come to understand the movement ‘from the inside out’. However, the notion of fascist culture is contentious, and not simply because the meanings of both ‘fascism’ and ‘culture’ are highly contested. Eschewing Mosse’s invitation to interpret fascism as culture, Richardson nevertheless argues that ‘the cultural’ can be understood as one approach to fascism. In this article, Richardson discusses six ways into a critical cultural analysis of the continuing presence of fascist political projects, focusing in particular on the British variant.  相似文献   
204.
The debate over the 2008 Human Fertilisation and Embryology Bill marks the latest in a series of conflicts between secularism and religion in the public sphere. The failure of religiously motivated campaigners to alter the Bill's most substantive and controversial provisions, however, should not be seen as a victory for a homogeneous secular camp. Although campaigners motivated by religious belief were almost universally opposed to the Bill, secular campaigners reflected a more varied mix of opinion. Moreover, the degree of organisation and mobilisation shown by the religious lobby during the course of the debate, are a sign that attempts to secure a greater role for religion in the public sphere are likely to remain a prominent feature of British political life.  相似文献   
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在英租时期,威海卫地区诉讼案件的增多,主要是由于法庭适用中国化的审判规则对中国人有亲和力、诉讼的收费较低、调解的效力不确定,民众乐于诉讼等原因;同时也反映了商品经济的发展和社会文明的进步。  相似文献   
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将研究自《1969年儿童和青少年法案》实施以来,英国少年司法政策的变化。在经历福利模式和犯罪控制模式后,英国对现行少年司法制度进行了重大调整。在原先救助与保护的原则之外,根据变化了的刑罚理念、青少年犯罪现状以及社会舆论导向等因素,对少年司法制度更多引进了惩罚和预防的理念。这对于目前建设中的我国少年司法制度的构建和完善不无借鉴意义。  相似文献   
208.
There has been renewed interest in recent years in using prizes and rewards to promote innovation. History has played a central role in public debates in the UK about the merits of such interventions, with the Longitude Prize 2014 being self‐consciously modelled on its eighteenth century precursor. Similarly, historical case studies have been used extensively in the scholarly literature in this area. However, it is striking that there has been little engagement with parliament's role generally in rewarding inventors in the eighteenth and early nineteenth centuries and how this formed part of a broader system of rewards. The article explores how this system operated and demonstrates that it formed an established part of the legal landscape for many decades. It considers the extent to which a more complete understanding of the historical use of prizes and rewards during the key period of Britain's industrialisation might inform current debates.  相似文献   
209.
David Hare is Britain's leading political dramatist. His Gethsemane premiered in November 2008, amidst anticipation that the play would 'crucify' New Labour. Gethsemane is in fact one of a number of fictionalisations of New Labour produced since 1997. These works have generally held up the party under Tony Blair's leadership to unmitigated criticism. Gethsemane certainly took Blair's premiership to task. However, despite increasing popular cynicism about Westminster politicians, Hare also suggested that politics remains a potential means through which honourable ends might still be achieved. However, already primed by the prevailing hostility to New Labour encouraged by earlier fictionalisations, few of those who reviewed Gethsemane noted Hare's tentative message of hope.  相似文献   
210.
《Labor History》2012,53(2):137-154
This article compares and contrasts international trade unionism in its formative stages with patterns today. It identifies a continuing tension between an ‘agitator’ model (internationalism from below) and a bureaucratic model (internationalism from above). With the construction of an architecture of international institutions, notably the International Labour Organisation, another variant emerged: the labour diplomat. It is argued that none of these models on its own is adequate: the future of effective internationalism requires a synthesis of these often contradictory elements.  相似文献   
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