Beneath the surface: the masculine self and body in Sheridan Le Fanu’s ‘Green Tea’

This article examines the relationship between the masculine self and male body in Sheridan Le Fanu’s short story ‘Green Tea’ (1872), using a masculinity studies lens to analyze Mr Jennings’ destabilized masculinity within the parameters of Victorian male gender norms. I highlight the interwoven relationship between the masculine self and the body through looking at the physical depiction of Jennings, arguing that Jennings’ masculinity, his masculine self, is imprisoned as a reflection of the physical body; a relationship echoing Victorian gender norms regarding masculinity and the body. In the story, a demon follows and watches Jennings, appearing when Jennings is engaged in activity. Focusing on the relationship between the demon’s manifestation and Jennings’ activity, I show that the demon’s presence results from Jennings’ nonconformity to traditional notions of the masculine self. Le Fanu’s emphasis on the demon’s gaze serves to criticize Jennings’ masculinity as Jennings becomes submissive to the demon’s presence; as a result, this submission is mirrored in Jennings’ deteriorating physical body and health. By positing the masculine self within the body, the story acts to highlight Victorian society’s rigid male gender norms and the penalization of bodies that undermine those ideals.     

Apartheid,Jim Crow,and Comparative Literature

This article examines John Greyson’s film, Proteus, for the way it figures queer masculinity and race in South Africa’s national historical narrative. The film offers an esthetic rendering of an eighteenth century interracial sodomy trial set on Robben Island. Drawing on contemporary queer theory and recent South African narratives of masculinity that privilege heternormativity and nationalism, this paper argues that the film carves out a space for queer identity within national history where it had previously been denied. The paper traces the way that the film interjects queer narratives into South Africa’s national identity, disrupts the heteronormalization of various sites of national iconography on South Africa’s historical terrain (such as Robben Island), and offers a queer masculinity that resists racial segregation. Moreover, this paper traces the ways that the film has implications for contemporary queer communities within South Africa.     

The United States–India Nuclear Relations after 9/11: Alternative Discourses

Abstract

In this article, I go beyond the conventional realist arguments of anarchy, national interest, and nuclear security to offer alternative discourses of the same as applied in the context of US–India nuclear relations after 9/11. To this extent, I draw from feminist International Relations, that security is a gendered phenomenon, to explore how the post-9/11 climate of globalization has served as the context within which are articulated masculinist forms of nuclear discourses between India and the United States. Furthermore, considering issues of international hierarchy and power relations between India and United States, I also draw from Edward Said's Orientalism to explore how assumptions of Orientalism are also sustained in these masculinist nuclear discourses. My contribution in this article lies in offering an alternative feminist and post-colonial perspective to comprehend that nuclear security discourses are not only about objective realist/neoliberal issues of insecurity and strategic interdependence but also contain subjective implications that sustain masculinist and orientalist forms of identity-making in international politics.     

Searching for Certainty: Rugby and Male Identity in a Former Model C School

This essay investigates the significance of rugby in a former “Model C” high school in South Africa. It examines the ideological and practical connections between rugby and disciplinary practices in this school under apartheid, and it traces those connections to the present day. By doing so, it argues that rugby owes much of its contemporary importance in such schools to the fact that parents, teachers, and coaches can watch as boys respond to the sport’s combination of immediacy and violence. In an era of desegregation and changing educational regulations, rugby’s structural dependence on immediacy and violence allows the sport’s disciplinary potential to remain tantalizingly stable and definitive. Recent concerns about “the scourge of steroids” in school rugby and schoolboys “playing for professional scouts rather than for their school,” however, present new threats to rugby’s apparent stability. These concerns are not random. Rather, they are born of a specific combination of the agentive decisions of schoolboys, the intense importance that adults place on rugby, and the economic and social contradictions that sustain former “Model C” schools. As such, this essay argues that the performance of schoolboy rugby produces an unexpected result in post-apartheid era: the greater the sport’s importance in these schools, and the more parents, teachers, and administrators depend on rugby for displays of discipline and certainty, the starker and more troubling the social contradictions within these schools could become.     

Only Contradictions on Offer

Segal addresses feminism's future at a time when political energies are apparently in decline. She explores the contradictory models of feminism operating in political and media representations: the dominance of gender questions and gender anxieties, including the marked concern with models of 'proper' masculinity, inevitably implicates feminists in the political arena. The decline in political engagement among feminists is in any case disturbing, because women without power have been made the central targets of neo-conservative social policies in the United States, Britain and elsewhere, with the female 'welfare dependent' becoming particularly demonized. The failure of feminists to address such issues results from the decline of socialist feminisms, and a general failure within feminism to make class and race differences, and the inequalities that result from them, the central plank of its theories and politics. Segal calls attention to the divorce between feminist theory and feminist activism, and argues that the politics of the academy have largely contributed to a disciplinary specialization which militates against feminism's productive interdisciplinarity. While the literary paradigms that now dominate feminist thought have produced rich models for subjectivity and identity, the decrease in social science contributions to the field has led to a lessening of attention to existing social relations. Segal insists upon the necessity of a continuing engagement with cultural questions, but argues that these need to be combined with a commitment to radical social transformation if feminisms, in all their complexity and multifariousness, are to have a future.     

Is masculinity ‘deteriorating’ in China? Changes of masculinity representation in Chinese film posters from 1951 to 2016

Abstract

This study attempts to briefly map the general changes of Chinese masculinities in media over time, and explain why these changes happened. Through visual content analysis, 471 film posters collected from 1951 to 2016 are examined and findings summarised as follows: 1) men are decreasingly depicted as manual workers or soldiers, and increasingly white-collar and urbane; 2) men are decreasingly delineated as aggressive or puissant, and increasingly gentle and civil; 3) men increasingly show their demand for sexuality; and finally, 4) the portrayals of men are more diverse. These changes demonstrate men to be ‘softer’, shifting masculinity from patriarchal control to consumerism power, from physical strength to economic superiority, and from hegemonic to a more inclusive version. However, men do not exclusively embody the economic power in modern China because women also express it. Thus, without the traditional masculine traits and new symbols of masculine power, the contemporary portrayals of men are regarded as ‘emasculated’ by some older generations.     

Effects of Masculinity,Sex, and Control on Different Types of Intimate Partner Violence Perpetration

Controlling behaviors have been found to be a significant predictor in IPV perpetration (IPV) for both males and females. Studies have also revealed the relationship between IPV perpetration and masculinity among males; however, the literature has not investigated the relationship between masculinity and IPV perpetration among females. Additionally, studies have not explored the effects of controlling behaviors and masculinity on different types of IPV, such as physical and sexual perpetration. The present study investigated the relationship between controlling behaviors, masculinity, past victimization, and three types of IPV perpetration among 167 college students. Multivariate analyses revealed significant contributions of each factor varied according to the type of IPV perpetration (psychological, physical, and sexual). Implications from the results include the development of more inclusive violence prevention and intervention programs aimed addressing the perpetration of intimate partner violence.     

The integration of British undergraduate men’s public and private masculinities

Abstract

Recent research has highlighted British heterosexual men espousing gay-friendly attitudes, and adopting ‘softer’ gendered behaviours. In contexts where overt homophobia is increasingly stigmatized, it is possible that these public avowals of attitudes do not correspond with privately held beliefs. In this article, I draw on a two-year covert insider-ethnography of undergraduate men to investigate men’s private attitudes related to homosexuality and their embodied masculinities. In these contexts, these men were found to be as emotionally open, inclusive and homosocially tactile as they were in public. Drawing on Goffman’s notion of front and backstage, I contend that these men’s masculine identities are ‘authentic’ components of themselves, and are more than strategic presentations of self.