Australian scholars are now familiar with the tropes of the Anzac legend. This narrative describes the realisation of an Australian masculine identity, whose characteristics were forged on the Australian frontier and validated through the ordeal of battle. Though many writers contributed to this narrative, C.E.W. Bean, the official historian of the Australian Imperial Force during the First World War, is most closely associated with the popularisation of this myth, which fused frontier and martial masculinity into a national archetype.
This article will examine the role of the slouch hat as a material and visual device that helped communicate the Anzac legend. While most of the scholarship that examines the construction of this narrative focuses on its articulation in prose, this narrative was also popularised through other media. Artists drew symbols of the frontier into their paintings while museum directors arranged their artefacts to support this narrative. This article will argue that the slouch hat provided an essential visual device to connect the narratives of frontier and martial masculinity through the image of the Australian soldier. 相似文献
The Baltic states were among the ‘new’ states that were created after the First World War; they were the only states to lose their sovereignty during the Second World War. Most historians explain the birth and demise of the Baltic states in terms of their relative strength vis-à-vis the great powers. This article places the short-lived independence of the Baltic states into the perspective of intellectual history by focusing on two Western thinkers: E. H. Carr and Walter Lippmann. The analysis assumes that ideas matter in international politics. It adds to our understanding of the forces that led to the creation and later to the extinction of Estonia, Latvia, and Lithuania in the period of the two world wars. 相似文献
Where does “pacifist” Japan fit within the history of the Korean War? Was Japan simply the beneficiary of the wartime boom – a case best exemplified by Japanese Prime Minister Yoshida Shigeru’s characterization of the Korean War as “a gift of the gods”? When North Korean troops crossed the thirty-eighth parallel and launched a full-scale attack against South Korea, the U.S. occupation in Japan quickly transformed the pacifist nation into the indispensable rear base of United Nations military intervention in the Korean War. The Japanese Communist Party and leftist groups organized by zainichi Koreans (Korean residents in Japan) launched an antiwar movement to stop Japan from producing and sending arms to UN forces in Korea. The U.S. occupation responded with determined efforts to contain every antiwar voice emerging from the streets of the pacifist country. By examining the political dynamics of zainichi Korean and Japanese leftist solidarity and U.S. countermeasures, this article shows how the Korean War was fought in pacifist Japan. It also illuminates how the practice of Cold War containment was mutually linked on the ground between occupied Japan and South Korea. 相似文献
While Max Aub’s unique and prolific body of work has been the subject of numerous studies and monographs, his work remains undervalued in transnational contexts. An analysis of two of his plays, San Juan (1943) and El rapto de Europa (1946), and a collection of poems, Diario de Djelfa (1944), makes it possible to rethink the ways in which aesthetic projects, produced either during World War II or shortly afterwards, reveal a geography of the war’s forced displacements, in which the Spanish Civil War, European colonialism in North Africa, and its enduring postcolonial remainders become the most important landmarks. While the present analysis centers on Aub’s routes between Spain, France, Algeria, and, finally, Mexico, a persistent yearning for roots, for a sense of belonging, or, to use one of his characters’ words, for “solid ground” haunts his writing. The interplay between roots and routes therefore makes it possible to consider Aub’s work in a postcolonial context and within a transnational memory. 相似文献
This article analyses the transformation of two former Congolese rebel groups, namely the Congolese Rally for Democracy–Goma (RCD-Goma) and the Movement for the Liberation of Congo (MLC), into political parties following the conclusion of the Second Congo War (1998–2003) in the Democratic Republic of the Congo (DRC). It is argued that three sets of factors influenced the process of the political transformation of the RCD-Goma and the MLC. These factors related to the stabilisation process that unfolded in the country starting with the signing of the Lusaka Ceasefire Agreement in July 1999, the make-up and the behaviour of the rebel groups involved as well as changes in international politics, especially the advent of the Bush administration to power in the United States in January 2001, which led to increased international pressure on Rwanda and Uganda to desist from interfering in Congolese internal affairs and the strengthening of the United Nations' peace efforts in the DRC. 相似文献
Following the Civil War in the United States of America, colonies that were predominately ‘Yankee’ and Confederate sprang up in Brazil. In contrast to the subject's historiography, we seek to show how these colonies were the result of in the first case, the actions of Imperial diplomacy and in the second case, spontaneous interest by Southerners due to the existence of slavery in Brazil. This proposition is supported by primary sources, as they indicate the presence of significant teams of slaves in the Confederate colonies in Brazil, while slavery was prohibited in their ‘Yankee’ counterparts. 相似文献