‘Whichever way you turn,there is the face of God’ diaspora,memory, and historiography from the margin in The Moor’s Account by Laila Lalami

In The Moor’s Account, Laila Lalami dares to dust off the archive of official history that passed over the testimonies of a Moroccan slave during the Discovery Age. This paper explores the way the slave capitalizes on historiography to reconstruct the Western monolithic history. In so doing, the re-constructor’s memory performs a number of roles. It registers the history of the European conquest of La Florida using micro narrative frameworks that highlight salient differences from the official record. Besides, the diasporic memory that the present novel advocates has the intention to mark a difference of the silenced subjectivity from the supremacist histories through a transnational matching of homeland with diaspora. This transnationalism is coupled with a look forward to circumvent the essentialism implied in the monologic narratives. In shuttling between the past, present, and future, memory espouses cosmopolitanism as an alternative to the fundamentalism which threatens people’s cultural diversity.     

Memory and forgetting: examining the treatment of traumatic historical memory in Grave of the Fireflies and The Wind Rises

Within Japanese popular culture, manga and anime have played a significant role in mediating responses to the outcome of the Pacific War. Miyazaki Hayao's (possibly) final feature-length film, The Wind Rises, has been an important addition to the preceding body of popular media ‘texts’ that raise such themes. This article aims to address the question of how far cinematic animation can reasonably be obliged to follow the kinds of historiographical concerns that inevitably arise when engaging with Japan's militarist past. To answer this question, considerable space is devoted to examining the historical context of what others have done in the post-war period and integrate that commentary into an analysis of how the works of Takahata Isao and Miyazaki Hayao fit amongst a succession of creative works that have been co-opted in the reshaping of historical perceptions of the Japanese at war amongst the Japanese themselves. This will also require some incidental discussion of methodological issues that arise when dealing with such cases as vehicles for understanding transformations in historical consciousness. Ultimately it is argued that Miyazaki does indeed make an important contribution to the commentary on the Japanese war experience, although it must, perhaps unavoidably, be on highly personal terms so far as The Wind Rises is concerned.     

Black geographies of struggle and pleasure in Nona Faustine’s White Shoes

In Nona Faustine’s photo series of self-portraits, White Shoes, the artist’s body becomes the agent in exposing the instability of racialized historical geography. Faustine revisits New York City’s landmarks to address what is missing or made invisible: a slave ship, a fugitive woman’s rebirth, or African burial grounds. Making herself visible where she is supposed to remain invisible, she highlights the unacknowledged connection between national wealth, nationalism, geography, and black labor. She discloses the topography of her travels as a changeable terrain, where one slips from the national iconic to ambiguous and finally, to the sacred. I suggest that Faustine doesn’t seek to democratize the extant historical maps, but to shift the terms of reading the city’s geography. She lifts the boundaries between the polarized pathways of knowing – the secularized and the sacred, the living and the dead, the verifiable and the missing. This shift is also made possible by the medium of photography and a feminist turn towards pleasures in one’s body. As Faustine comes to terms with the psychic and cultural inheritance of the diaspora, she moves from the collective body of pain towards black women’s pleasure in their own bodies without purging the history of sexual trauma.     

隐私的历史考察和思考

隐私是一个动态、发展的概念,其内容不是一成不变的,而是随着社会政治、经济、文化的发展和人们隐私意识的提高,其内涵不断丰富,外延不断扩展。政治上,公私领域的划分是其存在和发展的前提;经济上,生产力和科学技术的发展为其存在和发展提供了物质基础;心理上,人们对本能、自我保护和自我实现的需要为其存在和发展创造了动力;文化上,不同的文化传统使其存在和发展更具多样性。隐私是一种事实状态,不等同于隐私权的客体,更不等同于隐私权。     

论和谐侦查的语境

和谐侦查是指权力机关在办理案件过程中,依照法律和社会许容度进行的专门调查工作和有关的强制性措施。侦查语境指的是侦查存在和运行的外部环境。和谐侦查的实现应以相关语境为依托,汲取语境的合理内核,相辅相成。其现实语境应涵盖以人为本的政治语境,正义实现的法律语境,探求真实的哲学语境。和谐侦查的构建没有现成的经验可供借鉴,因此,侦查所应有的各项理性规则与程序,侦查所面临的评价标准等等,仍待进一步实践和探索。     

侦查虚拟化初探

虚拟化是信息技术得到高度发展的产物,它在许多领域中都得到了不同程度的应用。同样,虚拟化也应当在犯罪侦查中得到应用,由于现实条件已经具备,在侦查中完全可以不同程度地实现虚拟化：可以建立虚拟现场,进行现场“复勘”并进行虚拟重建;利用各种信息平台,展开网上虚拟侦查;建立侦查智能决策支持系统（IDSS）,实现决策虚拟化。目前,侦查虚拟化仅仅停留在理念推广阶段,尚未全面展开实践。     

秘密侦查与侦查不公开之辨

侦查不公开与秘密侦查是有本质区别的。侦查不公开即为侦查过程中所知悉的情况不得向外泄露,其法理基础在于保证诉讼活动的顺利进行、贯彻无罪推定、保障公正审判和保护相关当事人的法益,域外各国都严格控制侦查不公开性。秘密侦查与侦查不公开在性质、要求保密的主体和客体上都是不同的。侦查应坚持适度公开,着重考虑是否会影响实体真实发现诉讼目的的实现、是否会对犯罪嫌疑人的名誉造成不应有的损害、是否会影响公正审判。     

中国古代秘密侦查方法析评

秘密侦查方法具有其特殊功能,为世界各国所普遍采用。我国古代便产生了广泛而深入的各种秘密侦查方法,其中包括以“侯”侦探,逆用犯罪人;设告密箱;跟踪盯梢和狱内侦查等。古代秘密侦查方法具有其合理内核,也为现代秘密侦查方法提供了相当的启示,如善用现代科技,促进秘密侦查方法的完善;面对我国秘密侦查立法的困境,从秘密侦查启动条件、启动主体、秘密侦查适用对象、实施程序、秘密侦查所获取资料的线索以及证据价值、违法秘密侦查的后果等方面完善我国缺失的秘密侦查立法;根据主体、客体、程序和是否穷尽等要素合理适用秘密侦查手段。     

侦查错误探究

侦查错误理论要求侦查主体在侦查过程中正确、全面、发展地诠释和抑制对科学侦查有负面导向的侦查主体、侦查客体、侦查方法和相关人的致错因素。侦查主体未能形成正确的侦查错误意识,不明确侦查错误的表现形式,缺乏探求侦查错误成因的勇气,将很难在侦查错误预防上大有所为。对侦查人员来说,运用侦查学基础知识,准确界定侦查错误概念,明确侦查错误表现形式,探求侦查错误原因,进行侦查错误预防,是十分必要的。     

以科技侦查推动侦查模式的根本变革

现代社会,犯罪数量持续高发,犯罪类型不断衍生,犯罪手段不断升级,犯罪活动方式不断变化,给侦查工作带来了许多新的挑战。如果仍然以“人证为主”的侦查模式作为侦查工作的主导模式,必然导致侦查成本成倍增加,破案率大幅下降。侦查模式由“人证”向“物证”的转变势在必行。在实现刑事侦查模式的转化中,现代科学技术在实现现代“物证”的司法证明中发挥了巨大的作用。科学技术能客观、及时地提供科学证据,在未来的司法活动中将大显身手。