Displaying the Worldview of Japanese Fascism: The Tokyo Thought War Exhibition of 1938

ABSTRACT:

This essay explores an imperial state exhibition held in Tokyo in 1938 and explains how the exhibition displayed a fascist worldview of historical crisis and national regeneration that was taking shape in Japan in the late 1930s. The exhibition – entitled the Thought War Exhibition (Shisōsen tenrankai) – was curated by the Japanese state's newly formed Cabinet Information Division (Naikaku jōhōbu) and held in Takashimaya Department Store in downtown Tokyo. Comprised of materials related to the Communist International, the Spanish Civil War, the national liberation struggle in China, and the communist and anticolonial movements inside the Japanese Empire, the Exhibition portrayed Japan's invasion of the Chinese mainland in 1937 as an extension of a global thought war against communism, requiring all imperial subjects to purify themselves of foreign influences and mobilize for national thought defense. While on the surface this Exhibition was an example of prewar state propaganda, it also expressed a fascist worldview that was coalescing in the Japanese state in the late 1930s. This essay investigates how this fascist worldview was exhibited in a sequence of displays, including dioramas, panoramas, illuminated maps, and display cases, and how these displays revealed constitutive contradictions that underwrote the formation of fascism in Japan.     

语言性别理论发展与西方女性主义思潮

过去几十年来,语言性别理论的发展经历了从早期零散的讨论到系统的两元对立论再到后期的多元性别建构论。本文旨在揭示这些理论的发展,并总结出了六种语言性别理论:生物决定论、缺陷论、支配论、差异论、社团实践论和表演论。本文主要阐述这些理论的发展与西方女性主义思潮之间的关系。     

A multimodal discourse analysis of international postgraduate business students’ finance texts: an investigation of theme and information value

Thematic progression patterning and the composition of information value facilitate the development of well-structured messages. The text-based research of systemic functional linguistics (SFL) into textual features has been confined to language learning and workplace contexts. Empirical research studies involving finance have investigated students’ performance in finance courses and the effects of class attendance on their performance. However, no published studies have yet explored or analysed the textual features of tertiary finance texts. This study investigated the Theme and information value in 6 group assignments in finance, written by 19 Master's students in accounting. Underpinned by Halliday's SFL and Kress and van Leeuwen's system of the composition of information value, this study employed a systemic functional multimodal discourse analysis (SF-MDA) of the texts. The SF-MDA revealed a high frequency of Theme reiteration patterns, the rare occurrence of a linear Theme pattern, and the minimal use of a multiple-Theme pattern. These findings have both theoretical and pedagogical implications for the teaching and learning of writing, particularly in the context of teaching English for business purposes.     

马来西亚英语中的语言接触与语言借用现象

语言同人类社会一样在不断变化着,马来西亚人使用的英语在语言的发展过程中经历百年演变,自然而然地形成了当今马来西亚英语（Malaysian English）。马来西亚英语是英国英语和马来语、汉语、泰米尔语等语言接触的结果,马来西亚英语从词汇、语法成分、形态成分和音系成分等方面借用了马来语、汉语和泰米尔语等语言的成分,因而具有自己独特的风格。     

法律的"概念"澄明——评H.L.A.哈特《法律的概念》

日常语言分析哲学家并新分析实证主义法学的创始人哈特,在《法律的概念》一书中,从语词用法的日常语言分析入手,通过法律"游戏"中第一性规则与第二性规则之结合作为关键的"法律"概念纵向语境把握,以及"主权者"、"命令"、"正义"、"道德"诸概念讨论之"法律"概念横向比较,成功地将法律"概念"的理解由对于某种具有确定客观属性的法律实体的认识转向了日常语言层面的澄明,开创了一个全新的日常语言分析法学流派.     

文学语言的变迁与中国新诗体式的演变

诗歌是一种语言的艺术,它的文学形态除了凭藉语言外别无长物。新诗的语言经历了口语化、诗化和散文化的变迁,新诗的体式也经过了白话体、格律体、自由体的演变。通过探讨新诗体式的演变与诗歌语言的变迁之间的关系,可以发现诗歌语言的诗化与非诗化是导致诗歌体式产生演变的重要原因。     

The transnational state and the BRICS: a global capitalism perspective

It is commonplace for observers to see the increasingly prominent role of the BRICS in international economic and political affairs as a Southern challenge to global capitalism and the power of the core Trilateral nation-states. Extant accounts remain mired in a tenacious realist debate over the extent to which the BRICS are challenging the prevailing international order. I suggest that we shift the paradigmatic focus in discussion of the BRICS phenomenon towards a global capitalism perspective that breaks with such a nation-state/inter-state framework. Global integration and transnational capitalist class formation has advanced significantly in the BRICS. BRICS protagonism is aimed less at challenging the prevailing international order than at opening up space in the global system for more extensive integration and a less asymmetric global capitalism. The article examines agricultural subsidies, US–China relations and international trade agreements as empirical reference points in arguing that the concept of the transnational state provides a more satisfying explanatory framework for understanding the BRICS phenomenon than the variety of realist approaches. By misreading the BRICS critical scholars and the global left run the risk of becoming cheerleaders for repressive states and transnational capitalists in the South. We would be better off by a denouement of the BRICS states and siding with ‘BRICS from below’ struggles of popular and working class forces.     

De-naturalizing ecological disaster: colonialism,racism and the global Dust Bowl of the 1930s

This paper reinterprets the Dust Bowl on the US Southern Plains as one dramatic regional manifestation of a global socio-ecological crisis generated by the realities of settler colonialism and imperialism. In so doing, it seeks to deepen historical-theoretical understandings of the racialized division of nature and humanity making possible the global problem of soil erosion by the 1930s and forming the heart of the ecological rift of capitalism. The framework developed here challenges prevalent conceptions of the Dust Bowl, in which colonial and racial-domination aspects of the crisis are invisible, and affirms the necessity of deeper conceptions of environmental (in)justice.     

The women's project: A profile

This paper offers an analysis of the Oprah Winfrey talk show's success as emanating from an ideal typical form of branding that we term “dynamic branding”, in which the gap between production and consumption is almost entirely bridged. Oprah has managed to maintain a dynamic relationship with her viewers based on multiple feedback and feed-forward processes in which consumers' concerns are immediately translated into Oprah's performed identity in her talk show. Such an ongoing exchange of information with her viewers was the basis for Oprah's performance of her own self as a “failed self” embattled with the problems of everyday life, thus creating an equalitarian relationship with her audience. The success of Oprah's brand identity thus derives from its content as much as from the mode of its construction, a mode which involves an intimate and adaptive relationship with consumers that enables Oprah to immediately respond to and incorporate viewers' concerns, values and norms. This paper analyzes in detail Oprah's performed identity with analytical tools informed by linguistic anthropology and brings it into conversation with contemporary branding theories.     

Norman Lindsay and the ‘Asianisation’ of the German Soldier in Australia during the First World War

Abstract

From the beginning of the First World War, atrocity stories about German depredations against Belgian civilians circulated throughout the Allied world. Caricatures of German soldiers rapidly degenerated into depictions of monstrous ‘Huns’ who were subhuman beasts, prone to acts of rapine and banditry. The most prominent producer of ‘Hun’ cartoons in Australia was artist Norman Lindsay, who published extensively throughout the war. Through an analysis of the antecedents of Lindsay’s monstrous ‘Hun’, this article will demonstrate that the rapid creation of the ‘Hun’ in Australia was made possible by the pre-existing racial caricatures of non-European people that were popular during this period. Chinese and Japanese people who were excluded from Australia by the White Australia policy were the previous targets of Norman Lindsay’s racial caricatures; as stories of German atrocities filtered into Australia, Lindsay transferred traits of Asians on to the German ‘Hun’, thus transforming him into the enemy ‘Other’. These traits were products of British imperial propaganda, and part of an ideology that asserted it was the job of the white man to civilise the barbaric coloured man. By ‘Asianising’ the German, Lindsay used a well understood language of racial caricature to reduce the German to the status of a barbarian. Race was therefore one of the central paradigms through which Australian propaganda operated.