论名刊名栏建设中学报办刊观念的更新

名刊名栏建设中学报应该树立两个观念,一是开放办刊观念,二是期刊经营观念。这是学报作为一种特殊商品的内在要求,是新时期提高学报影响力和可持续发展能力的必然选择,是名刊名栏工程建设的重要之举。     

How Japanese wallflowers turned into celebrities: self-mockery and self-revelation of the female comedy duo Harisenbon

ABSTRACT

This study examines the Japanese female comedy duo Harisenbon. By examining their approach to comedy and their reception by Japanese media and society, it discusses how they use their “ugly”, “fat” and “skinny” personas to expose Japanese social pressures upon women. It considers how both comedians present a self-image that apparently matches their stage characters, and how their interactions with mainstream media endorses the very social norms they ridicule, without directly challenging or satirising them, even if this leaves space for destabilising the assumptions on which they are based. It observes that one half of the duo, who is more successful than the other, might be due to her willingness to mock her own appearance more savagely.     

Cross-dressing and sex change stories in Spanish illustrated magazines (1928–1936)

During the 1920s and 1930s, the impression that the boundaries between the sexes were increasingly blurring was pervasive in many parts of the world. In Spain, sexual ambiguity often became the focus of public discussions on the upheaval of the traditional gender order. As part of this phenomenon, stories of cross-dressers made good copy in popular illustrated magazines such as Nuevo Mundo, Mundo Gráfico, Estampa, and Crónica, which were the top-sellers of their kind during the interwar period. By analyzing a group of cross-dressing and sex change stories from these periodicals – the way they were told and interpreted – I shed light on the ways in which the perceived fluidity of gender was constructed in a medium that reached a relative large segment of the Spanish population. The journalistic pieces I consider manifested different reactions to sexual ambiguity that ranged from the condemnatory to the matter-of-fact. Regardless, they all contributed – implicitly or explicitly – to undermine essentialist arguments underpinning the ideology of separate spheres of action for men and women. On occasion, these texts put forth an intimation, avant la lettre, of Judith Butler’s notion of the performativity of gender.     

Gender models: changing representations and intersecting roles in Dutch and Italian fashion magazines, 1982–2011

This article presents a comparative content analysis of gender representation in fashion magazines in Italy and the Netherlands. Updating Goffman’s classic study of Gender Advertisements, we study the intersections of gender, professional role, country and time in media representation. Thus, we combine and confront quantitative content analysis with insights from critical gender studies on polysemy and intersectionality. Analyzing a sample of 5840 images from mainstream, commercial and high fashion magazines published in 1982, 1996 and 2011, we find that gender representation strongly intersects with time, place, and notably: professional role. Models, who represent the specific ‘aesthetic capital’ of the fashion field, are portrayed in highly specific ways. Over time, gender differences in representation become stronger in Italy, while in the Netherlands male and female representation converges towards conventionally ‘feminine’ styles. In both countries, we find increasing prominence of (North-American) Goffmanian gender conventions and a new ‘withdrawn’ gendered style emerging in the early 2000s. This new style employs new signs and conventions to denote gender and professional status: it separates men from women, and models from non-models. Our analysis shows, first, that gender representation does not directly reflect gender inequality. Second, it demonstrates the impact of globalization on gender representation. Third, it highlights the polysemy and cultural specificity of visual signs: gender difference can be ‘ritualized’ and ‘stylized’ in various ways. These diverse gendered conventions intersect with other characteristics, and may convey diverse, and changing messages about the relation between gender and sexuality, power, aesthetics and (visual) pleasure.     

浅议稿件的审核

稿件质量关系到刊物的质量,因此必须加强对稿件的审核。要加强和完善稿件审核制度,建立审稿专家库,将传统的“三审制”同匿名审稿制紧密地结合起来,以保障审稿质量。     

读者的阅读期待与30年代的文学出版

20世纪30年代的政治文化背景形成的特殊政治文化心理支配着30年代的文学阅读和文学创作;读者的阅读期待通过市场作用于文学出版业,使其呈现政治倾向性和商业趋利的奇特合一。     

Heresies’ Heresies: Collaboration and Dispute in a Feminist Publication on Art and Politics

Abstract

In the 1970s magazines, journals and periodicals constituted an alternative public sphere for second wave feminism. These publications provide an index—and at times the only documentation—of the activities of the women’s art movement as well as its many iterations and divisions. This article addresses this imbalance, arguing that Heresies: A Feminist Publication on Art and Politics (1977–1992) was exemplar of the radical political challenge feminism posed to the art world and culture more broadly. Launched in 1977 by the Heresies mother collective, which included Joan Braderman, Mary Beth Edelson, Lucy R. Lippard, Harmony Hammond and May Stevens among others, the magazine had thematic issues edited by different collectives and was comprised of material from an open call. Content ranged from poetry, to academic essays, to artworks both original and reproduced. This article considers the collaborative process of producing the magazine, which attempted to be inclusive, but in fact came to mirror the divisions—as well as political investments—of the broader women’s movement, alongside the dissensus the publication provoked and attempted to confront.     

论清代前期报刊法制的体系与特点

经过从顺治至道光朝近200年的努力，到鸦片战争爆发前，清政府已经形成了包括调整和建立报刊运行体制、对报刊内容进行管理和控制、查处违反报刊管理和运作规定行为、提塘建设和管理以及查处民间小报等方面的报刊法制体系。与明朝的报刊法制相比较，表现出“清因明制”、“斟酌损益”和“严刑峻法”的特点。     

Lifestyle and the Depoliticisation of Agency: Sex as Power in Women's Magazines

Sex, due to its connotations of dangerousness and the non-traditional, has been used heavily in women's magazines and other mass media to signify core values of power and freedom as part of their brands. Through this process, other forms of agency for women have tended to be excluded. In these magazines women are shown to be assertive, powerful and independent, not through the political views that they hold, not through the way that they act upon society, but through the way that they seduce men and behave sexually. We show, using a number of examples, that for this to happen a fantasy space has to be created: a space where real-world obstacles and meanings are erased, allowing a repertoire of theatrical sexual play to operate. This is typical of the lifestyle society in which we now live. In this society, we define ourselves not on the basis of who we are, in an older sense of gender or social class, but in terms of what we do and the values we hold. The way we communicate these values is often through our use of consumer products, which allows us to align ourselves with the core values and meanings with which the products have been loaded. But while lifestyle itself may be a matter of choice, the choices available to us are often created to serve the interests and needs of large corporations, of consumerism. Sex is one such choice of which we must be very careful.