物证照相中的精确调焦

物证影像的清晰与否关系到物证的使用价值。通过对物证微观形态及镜头成像特点的分析,可以发现各种条件下物证照相的调焦点选择及调焦量的校正方法,从而得到物证影像的清晰反映。     

制宪权问题再思考

对制宪权问题的思考,应当从有利于我国构建合理而有效的宪政秩序的需要出发.制宪权应当具有"制定"与"修改"的双重处分权能.制宪权在性质上具有"权利"与"权力"的双层次性.在我国社会主义条件下,制宪权主体具有内在一致性.     

论新闻舆论监督在警察形象建设中的作用

新闻舆论监督作为我国民主监督的形式之一，是维护社会秩序的重要工具。公安机关是党委政府与群众间最主要的沟通桥梁，公安民警的形象直接影响着党和政府以及公安机关的形象。因此，应正确认识新闻舆论监督与警察形象建设的关系，重视新闻舆论监督在警察形象建设中的作用，以促使警察组织理性对待媒体，虚心接受合法监督，不断完善自身形象。     

略谈新闻摄影典型瞬间形象的捕捉

在新闻摄影实践中 ,能否捕捉住典型瞬间形象 ,是新闻摄影成败的关键 ,因此 ,要求新闻摄影工作者在工作中必须做到 :正确认识捕捉典型瞬间形象的特点及手段 ;深入实际、深入生活 ,进行社会调查。     

‘Austria First’ revisited: a diachronic cross-sectional analysis of the gender and body politics of the extreme right

ABSTRACT

In this paper, Rheindorf and Wodak provide a discourse-historical analysis of extreme-right cultural politics in Austria, ranging from the blatant racism in the speeches of Vienna’s former Deputy Mayor Johann Gudenus (now MP in the Austrian parliament) to the construction of an idealized national body in the election campaigns of the Freiheitliche Partei Österreichs (FPÖ), its programmatic agenda in handbooks and pamphlets, and the performances of far-right pop singer Andreas Gabalier. Rheindorf and Wodak argue that such cultural politics use a wide spectrum of discursive strategies both inside and outside established party politics and that the accompanying production of an ideal extreme-right subject is informed by nativist ideology. The cross-sectional analysis demonstrates that the cultural politics of the Austrian extreme right ranges from appropriated national symbols to coded National Socialist iconography. These politics pervasively construct a gendered and racialized national body, policed by a ‘strict father’ and nurtured by a ‘self-sacrificing mother’, vis-à-vis an apocalyptic threat scenario identified with migration, intellectual and political elites, cosmopolitanism and progressive gender politics.     

单位犯罪若干问题再研究

单位犯罪是市场经济的必然产物。随着我国社会主义市场经济体制的逐步确立 ,单位犯罪问题逐渐增多。但是在当前的司法实践中 ,对单位犯罪的认识仍存在许多误区 ,影响了打击力度。     

论乾隆南巡对江南形象传播之影响——以南巡相关绘画与仿建为中心

在历代帝王巡游中,清代乾隆皇帝的六次南巡最为世瞩目,其频率之高、规模之大、影响之重及后世传闻之广,堪称旷古未有.南巡期间,乾隆命画师相随,将江南名园、景致摹绘成图,大量仿建于北方御苑行宫.这种历史上最大规模的“移植”效法行为,为皇家园林体系注入了新的生机,成就了清中期皇家园林的空前鼎盛.同时,它更促进了江南形象的塑造与传播.这种移植仿制行为,是出于“视听享受”还是为“吏治民生”？对此,皇帝本人也在不断地寻求冠冕堂皇的悖论诠释.     

工人群体的媒介形象与话语表达——基于《人民日报》和《华西都市报》工人报道的内容分析

工人阶级是当前中国最大的社会群体,改革开放以来中国工人对社会、经济建设作出了巨大的贡献,但学界一直缺乏对媒介工人报道进行系统的研究.工人议题新闻报道的变迁可以为宏观社会研究或社会变迁研究提供一个微观的语言学视角,中共中央机关报《人民日报》和建国后中国第一份市场化报纸《华西都市报》改革开放以来关于工人的报道,报道量偏小,与工人群体现状有很大差距,工人议题报道在新闻源、工人媒介形象、工人媒介话语上表达具有固定的框架和模式,工人议题报道新闻源主要来自官方,工人议题报道中工人群体的话语表达比较缺乏且多正面,虽然各时期工人报道重点与工人群体状况变迁基本吻合,但是工人媒介形象和话语表达的固定框架影响工人舆情渠遘的畅通和媒介接近权.     

“Ceaseless Poverty”?

Abstract

Looking at Dickinson and Hölderlin, this essay begins by exploring the idea of the poetic dimension of existence and its relation to the image, or more precisely, to the capability to disclose into images. For Dickinson the relentless “poverty” of a non-poetic existence indicates that what is missing from such existence are not just images but the capacity for their “disclosing” - the poetic gift or aptitude. With the help of Heidegger’s essays on poetry and poverty, I invert this relation between image and poverty to show that, even though the inceptive character of the poetic word and the element of poetic dwelling it allows to emerge appear poor in comparison to images or concepts, it is the poetic word that for the very first time lets humans dwell. Although it can neither boast the richness of “pictures” nor the strength and precision of conceptual comprehension, the poetic is what opens up the world for humans and simultaneously opens their being to its characteristic manner of inhabiting this world.     

刑事图像技术本科实验教学分级改革之思考简

刑事图像技术实验课是治安、校升办本科之后，实验教学改革势在必行，满足本科公安技术人才培养的基本要求。侦查和刑技本科专业必修的一门专业课程。公安院应根据课程特点，结合学科特点，实行分级改革，