本研究采用直接测量法建立公共服务动机(Public Service Motivation,缩写PSM)测量量表,并选取福建省的部分政府部门、事业单位、社会团体与企业单位工作人员进行测量。通过对337个有效样本进行研究,揭示PSM水平及其与人口统计变量、组织角色、组织承诺等因素的关系;研究发现,基于中国文化背景的PSM总体上处于中等水平以上,第三部门PSM均值最高,PSM是服务取向而非部门取向,男性PSM略高于女性,PSM与组织承诺成正相关等。文章进一步提出PSM如何演化、PSM如何受情境影响等一些尚待研究的问题。可以将PSM运用于公共部门人才遴选、培养与使用,可以人本而又高效地提升公共部门绩效。 相似文献
China’ economic boom has produced a surging appetite for fossil fuels, particularly oil. To foster and sustain its economic development, China has taken a series of steps to quench its thirst for energy. The most striking measure is its high-profile oil diplomacy, centering on the goal of gaining more secure national control of overseas oil and gas supplies. Why has China chosen oil diplomacy over directly purchasing oil on the international market? And why does one prefer direct control of oil and gas? This paper attempts to address China’s motivations from the perspectives of both the central government and the national oil companies (NOCs). It is argued that China’s oil diplomacy has been driven not only by the government’s learning skill and strategic concerns, but also by the NOCs’ strong commercial motives to expand business abroad and their management’s personal incentive. Although both actors have common stakes in securing oil and gas from abroad, this by no means can guarantee that the NOCs will obediently follow state orders.
The authors analyze how different financial modes matter to the creativity of artists—whether they facilitate or interfere with the creativity that leads to artistic achievements. They first discuss the importance of the creative process and the various factors involved—personality characteristics, environmental factors, and motivation patterns. They next distinguish and analyze the nature and rationales of various modes of financing the arts, dividing these modes into government, the market, and the third sphere. Finally, the authors analyze the interrelations among the creative process and financing when applying a social support system. The investigation thereof relies predominantly on earlier work in the field of cultural economics. The results of a survey conducted among Dutch visual artists form the empirical basis of this article. 相似文献