论农村宅基地使用权的流转

基于促进城乡平等、扩大农村融资途径、减少土地资源浪费等的考量,应当许可宅基地使用权的买卖、互换、出租以及抵押。但由于在现实国情下宅基地使用权承栽着福利功能,其流转必须限定在本集体经济组织内部,且要符合“一户一宅”的要求。     

王安忆小说的叙事建构及读解

王安忆是个高产作家,其创作不仅高产而且有质量,因而吸引了许多评论者的目光,但对王安忆小说创作进行总体研究难度甚大。将王安忆小说文本的叙事修辞与作家的叙事理念相结合,在对其小说文本的叙事探究中注入修辞分析的元素,从修辞对话的层面阐释其小说创作,不失为一个新的视角。     

汇率制度选择理论综述

传统汇率制度选择理论的关注点为固定汇率制和浮动汇率制的优劣之争,而新兴汇率制度选择理论的关注点则为中间汇率制度和两极汇率制度的优劣之争,由此派生出了各种汇率制度选择理论。近年来,经济学家开始从可维持性和危机预防的角度出发来研究汇率制度的选择和安排,汇率制度选择理论的研究也从静态视角转向动态视角。     

The ‘pains’ of electronic monitoring: a slap on the wrist or just as bad as prison?

The purpose of this research is to examine whether inmates that have served electronic monitoring (EM) find it more punitive than offenders that have not served electronic monitoring. We asked a sample of 1194 inmates currently incarcerated in a Midwestern state to estimate exchange rates of electronic monitoring over prison by rating how many months of EM they would serve to avoid 12 months in prison. The results indicate that inmates view EM as less punitive than prison and that monitored offenders find EM more punitive than unmonitored offenders. Additionally, black inmates were more likely to have served EM than white inmates and older inmates find EM more punitive than younger inmates. Previously monitored offenders report that they will be less likely to rely on family and friends upon release from prison. These results suggest that EM is perceived as a punitive sanction by those that have experienced it. Furthermore, racial differences uncovered here may help explain why minorities view alternative sanctions as particularly punitive and may also partially explain why the experience of EM may negatively impact family relationship among those that have served EM.     

地方·颓废·返魅：台湾“新乡土小说”研究

台湾“新乡土小说”延续了“乡土文学”反思现代化的社会批判功能。它通过描绘地理地景、乡土风俗等书写策略来积极建构“地方性”,以分割“现代化”话语的整体性;塑造了“废人”形象系列,用颓废者的否定姿态传递对现代社会的反叛意识;同时以奇谭浪漫、神秘鬼魅的后现代审美意识疏离主流论述、质疑历史正典和文化正统。但其疏离现实的消极立场、悬置价值判断的保守态度以及解构叙事的书写策略又消耗了其社会批判的针对性与批判强度,导致失焦、乏力的空虚状态。     

Nazlı's photographic games: Said and art history in a contrapuntal mode

ABSTRACT

Through a focus on photographic portraits commissioned in the late nineteenth century by the Ottoman-Egyptian Princess Nazl? Han?m, Roberts analyses the ways they tested Ottoman and western conventions. An examination of Nazl?'s strategic engagement with photography in this period positions her within the often-separated domains of Egyptian nationalism, Ottoman political reform, western Orientalist art and a proto-feminist moment of Egyptian women's history. One of the striking things about the Nazl? portraits is their transgressive inventiveness. This is transgression as Edward Said defines it, with an emphasis on crossing boundaries, testing and challenging limits, and cutting across expectations. Nazl?'s inventiveness is apparent through her canny experimentation with the codes of portrait photography and the ways she deploys her portraits as tokens of exchange within her culture and with her European interlocutors. Roberts argues that Nazl? Han?m's use of photography operates in a contrapuntal mode in the Saidean sense of a simultaneity of voices that sound against, as well as with, each other. Over the last three decades Said's writings have provided a crucial methodological framework for the critique of western Orientalist visual culture. Recently art historians have repositioned this corpus of western imagery in relation to art by practitioners from the region and addressed cultural exchanges. Said's seminal text Orientalism has been pivotal within these debates. Yet it is not so much this landmark book, but rather Said's writings on music, in which we can find an alternative approach to cross-cultural exchange. By transposing this model into the domain of art history, Roberts engages with his notion of reading contrapuntally. Said was interested in the broader applicability of this term, although its potential as an interpretive model for the visual arts remains unexamined. Through this case study of Nazl? Han?m's photographs, Roberts reassesses the value of Said's writings on music for understanding nineteenth-century visual culture.     

Painful Pleasure: The Politics and Aesthetics of Psychosocial Trauma in Impunity

Abstract

Continuous trauma syndrome (CTS) is the foundation for the characters in the film Impunity. The aesthetic choices in the narrative structure are an exploration of the discursive nature of violence and trauma in contemporary South African society. The theorising of continuous stress trauma provides the necessary challenge to the more conventional understanding of post-traumatic stress syndrome and informs the underlying analysis of the film. This analysis is offered in an interlocutory manner with psychology theorist Garth Stevens who provides a hermeneutic reading of Impunity that draws directly from his own research and others in the field of psychology. The paper is offered as an examination of an artistic research, film practice. The practice itself constitutes a theoretical expression which connects the aesthetic and structural choices of the film with the disciplinary observations made by Stevens. It suggests two theoretical approaches from different disciplines brought in conversation with each other to inform the reading of Impunity as artistic expression. The paper puts at its centre the discursive approach to the study of violence and trauma to suggest how the film’s structure and its aesthetics may be connected to research in the field of psychology.     

黑河市与俄罗斯文化交流的现状、问题与对策

近年来,黑河以"中俄文化大集"为平台,使官方对俄文化交流进入常态化、规范化;以黑河龙江国际文化展览有限公司的成立为契机,使民间对俄文化交流实现跨越升级;以黑河学院为龙头,使对俄教育交流确立了"桥头堡"和"枢纽站"地位。黑河对俄文化交流存在明显须解决的问题:对俄文化交流仍处于实践与探索中,没有上升到理论层面;对俄文化交流的领域广泛,但发展不均衡,一些领域须加快发展。为了加快推进黑河与俄罗斯的文化交流工作,黑河应采取如下举措:创办高峰发展论坛、加大对俄研究力度、加强图书馆建设。     

Effect of time and relationships on victim–offender dialogue completion in felony cases

Victim–offender dialogues (VODs) often take place in organizational contexts, the stakeholders of which may very well be interested in measures of program effectiveness such as completion rates. When reported, completion rates typically ranged from 40 to 60%. At the time of this study, Ohio’s VOD program was completing just 25% of initiated cases and program stakeholders were unsure as to the cause(s). An archived data analysis was performed on a sample (n?=?212) of the Office of Victim Services (OVS) completed and will-not-proceed files. One hypothesis and two research questions make use of archived data to explore this felony VOD context. The amount of time between the date the crime occurred and the date on which the dialogue file was initiated was not a significant predictor of dialogue completion. However, both victim-offender’s pre-crime relationship and dialogue file initiator were found to significantly impact dialogue completion rates. These results are considered in light of social exchange and uncertainty reduction theories.     

Charlie Hebdo’s controversial cartoons in question: stances,translational narratives and identity construction from a cross-linguistic perspective

ABSTRACT

Charlie Hebdo, a synonym for the universal cause of liberty and freedom of the Press, gained international attention after the terrorist attack of January 2015. However, Charlie Hebdo through its particular humour, which is both culture-bound and ideology-oriented, triggered anger and indignation, mainly after the publication of cartoons portraying little Aylan, the symbol of refugees’ tragedy, and in particular, the one which depicted him as “an ass groper”. This article sets out to investigate from a cross-linguistic and cross-cultural viewpoint reactions that the most controversial cartoon triggered, while considering both the socio-political context of the event and examining the crisscrossing and competing narratives it gave rise to. In doing so, the study draws heavily on the narrative theory of translation [Baker, Mona. 2006. Translation and Conflict: A Narrative Account. London: Routledge, Baker, Mona. 2007. “Reframing Conflict in Translation.” Social Semiotics 17 (2): 151–169, Baker, Mona. 2010. “Narratives of Terrorism and Security: ‘Accurate’ Translations, Suspicious Frames’.” Critical Studies on Terrorism 3 (3): 347–364] and uses concepts and methods from Critical Discourse Analysis, and semiotic approaches to cartoon translation. Working with a trilingual corpus composed of articles from various French, English and Greek online newspapers and blogs, it first delineates the theoretical framework, the methodological approach applied and then it proceeds with the analysis of stancetaking as deployed in headlines and examines from a contrastive viewpoint the competing translational narratives in English and Greek data.