论大众文化对军警院校校园文化的影响及应对

本文具体分析了大众文化对军警院校校园文化的影响,尽力从两种文化的价值定位,文化特性、文化功能等理论层面,系统论述大众文化与军警院校校园文化的统一与冲突,并基于对大众文化对军警院校校园文化的影响的理性认识,提出现代军警院校校园文化的构建设想。     

当代中国马克思主义大众化与党的群众路线

当代中国马克思主义大众化与坚持党的群众路线是内在统一的。推进当代中国马克思主义大众化，就是坚持“从群众中来、到群众中去”的党的群众路线。     

Recreating traditional music in postwar Japan: a prehistory of enka

This article examines how enka evolved from the earlier genre of kayōkyoku, looking at the musical markers of Japaneseness and considering issues of authenticity and originality in those earlier genres. The careers of composers Koga Masao and Hattori Ryōichi and singers Misora Hibari and Kasagi Shizuko show the development of a hybrid style of popular song both before and after the Pacific War, which would by the 1960s evolve into enka. As its core audience has aged, enka has become increasingly rigid and concerned with nostalgia for a ‘pure’ Japanese past, even though the music itself is quite distant from traditional musical forms. Analysis of three movie musicals from the late 1940s and early 1950s, Ginza kankan girl, Carmen comes home and Janken girls, also demonstrates the performance practices of popular music at the time, and the complex relationship between popular music and national identity.     

Anxious Images: Linder's Fem-Punk Photomontages

Discussion of British punk visual culture has generally been restricted to the work of the male protagonists, such as Jamie Reid's designs for the Sex Pistols. Jones seeks to present a wider view of punk imagery and its context by discussing the little-known photomontage work of the artist Linder Sterling during 1977-9. Her images are considered in the context of her other work (performance, music and graphic design), the concerns of radical feminism (namely, gender and representation) and feminist-inflected, iconoclastic photographic-based practices of the 1970s. Furthermore, drawing on the work of various theorists, such as Roland Barthes, Walter Benjamin and Angela McRobbie, he argues that Linder's use and subversion of mass media imagery represents a critique of constructed gender identities and the consumer society.     

试论网络文学通俗化的审美特征

目前,对于网络文学的研究,仍停留在外部特征上,像发表途径、传播方式及与传统文学比较的不同点等方面,而涉及到网络文学本体审美艺术特点的研究还很少,针对这种情况,本文从文学审美的角度来论述十年来发表于互联网上优秀网络文学的通俗化的审美特征,更具体来讲即通俗化、大众化、传奇性、娱乐性、思想性、教育性。     

论民间法语言的模糊性

民间法语言的模糊性具有普遍性,其成因具有多元化特点。民间法语言的模糊性既有扩大民间法规范的解释力、促进民间法规范效力的实现、形成与国家法语言的互补等积极作用,也有消极影响规范的指引作用、为社会权力滥用提供方便、不利于民间法文化塑造等消极作用。面向现代社会的民间法应该在追求语言精确性的基础上,恰当运用语言的模糊性。     

对公安文化建设若干问题的探析

当前,在公安部关于推动公安文化大发展大繁荣的背景下,公安文化意识已为广大公安民警普遍接受,公安文化建设正在各级各地公安机关如火如荼地开展。然而,在开展公安文化建设中各地对公安文化在观念上存在差异,在认识上还有争议,在做法上也不尽相同。虽然从某种意义上来说这体现了公安文化百花齐放的良好景象,但也给人们带来了些许的困惑,如公安文化建设的功能定位;公安文化与大众文化之间的联系;如何把握公安文化传承与创新、稳定性与灵活性。对这些问题的正确理解将有助于公安文化建设的顺利推进,有利于公安文化的可持续发展。     

‘Killing Ourselves is Not Subversive’: Riot Grrrl from Zine to Screen and the Commodification of Female Transgression

This article draws on material from the Riot Grrrl Collection at New York University's Fayles Library to examine the culture of ‘zine’ production in riot grrrl communities in the United States during the 1990s. After investigating the relationship between the political issues and aesthetic strategies explored by riot grrrl literary producers, the author analyses the points of tension arising within the movement, which become illuminated by zines’ revelatory confessional modes, or what Mimi Thi Nguyen has called riot grrrl's ‘aesthetics of access’. The author subsequently enquires after the implications for riot grrrl politics of understanding experiences of oppression and transgressive behaviour as cultural commodities. Finally, the author goes on to trace the commodification of the transgressive feminist gesture in mainstream popular culture and contemporary online feminist activism in the United States.     

从“快乐女声”看商业文化对青少年流行文化的影响

＂快乐女声＂是继＂超级女声＂之后在国内再次掀起了一场大型电视平民选秀节目活动。＂快女＂的受众对象主要是青少年群体,青少年在这一节目活动中除了获得名利双收外,更多的是受制于商家和媒体的操纵与诱导,进而成了给媒体带来高的收视率和给商家带来滚滚商机的＂牺牲品＂。＂快女＂火爆的原因,除了青少年自身因素外,其背后的商业力量也是其产生的重要原因。成人社会应该更加重视青年文化,尤其要正确引导青年流行文化向主流文化方向发展。     

谈突发事件中公安机关对网络舆情的控制

当前,网络媒体作为一种新的信息传播形式已深入人们的日常生活,成为思想文化的集散地和社会舆论的放大器。在给政府的社会控制提供新手段的同时,网络舆论也给现有的社会管理和信息控制模式带来了挑战。在各种突发事件爆发时,如何对网络舆情实施科学有效的管理和控制,已经成为公安机关亟待解决的一个崭新课题。文章分析了网络舆情容易失控的原因,并结合公安工作和网络媒体的特点,针对公安机关在突发事件中的网络舆情控制提出了相应的方法和策略。