The Wasteland in the City: on Concrete Garden from the Angle of Ecology

The novel Cement Garden written by Ian McEwan shows a kind of feature as wasteland in ecological criticism. From the perspective of natural ecology, the natural environment in the novel is very bad, which is mainly reflected in the remoteness of geographical location, and the filth and corruption of the living environment. From the perspective of social ecology, the relationship between the characters has been seriously distorted, mainly reflected in the loss of the bond of love. From the perspective of spiritual ecology, the characters in the novel have different neurological personalities, which lead to their inner imbalance.     

李长之与沈从文文学批评观之比较

李长之与沈从文同是"京派"文学批评的大家,但其批评观亦有各自的独特性。将两者的文学批评放置在"京派"批评的范式内做比较,可以彰显其批评个性。"京派"本是个倡导学术自由、宽容的松散学术团体,这种"和而不同"式的学术存在方式正是"京派"自身生命力之所在;同时,众多"京派"批评家的批评实践也丰富了中国现代文学批评的百花园。     

西方国家的多元文化教育及其批判

西方国家自 2 0世纪 6 0年代以来兴起的多元文化教育旨在解决西方多民族多文化社会中的教育问题。经过近半个世纪的发展 ,多元文化教育取得了举世瞩目的成绩 ,但与此同时 ,在多元文化教育的推进中也出现了一些问题 ,因此在西方理论界出现了对多元文化教育的左倾和右倾的批评。如何对待这些批评将对多元文化教育的发展有着十分重要的意义。     

Contemporary art and unconditionality: ‘the genus of art’ in the art criticism of Chiba Shigeo

This article examines art criticism of the 1980s that sought to address the context and continuity of postwar Japanese avant-garde art. The emphasis is placed on the notion of ‘the genus of art [rui to shite no bijutsu]’, which the art critic Chiba Shigeo discussed in his Gendai bijutsu itsudatsushi (1986). Chiba argued for an autonomous current of postwar Japanese art separate from Western art history but the argument has been largely overshadowed by his ostensible nihonjinron. The term ‘the genus of art’, therefore, has not yet received an adequate critical treatment. The article rephrases this notion as a call for a more inclusive definition of art designed to challenge the conditions that regulate non-Western art. Rather than simply being a nationalist polemic against Western art history from a marginalized place, Japan, ‘the genus of art’ was intended to revitalize and redefine the aims of the avant-garde within the context of ‘contemporary art’. By fleshing out the textual details of ‘the genus of art’ and situating the notion within a larger discourse that interrogated the semiotic role of ‘Japan’ in a global exhibition context, the study repositions Chiba's writing as a potential argument for unconditional acceptance, or unconditionality, as one important ethical contribution of contemporary art.     

少数民族女性传播形象研究

文化在传播的时候,由表征来决定其意义和过程,而形象的产生伴随的仍然是表征实践。表征是一个过程,是使意义被表征系统建构的过程。参与表征过程的人们通过话语方式进行意义的建构和争夺。话语构造了话题,它界定和生产了我们知识的各种对象,它还影响着各种观念被投入实践和用来规范他人行为的方式。     

论社群主义对罗尔斯正义观的挑战与批判

社群主义是在批判以罗尔斯为代表的新自由主义的基础上蓬勃发展起来的。社群主义对罗尔斯正义论的逻辑起点、价值取向和终极目的等方面进行了全面的批判。在逻辑起点上，罗尔斯建立起了个人——社群观，而社群主义建构的是社群一个人观；在价值取向上，罗尔斯认为“权利优先于善”，个人权利是正义的价值取向；而社群主义建构的“善优先于权利”的观念，强调个人权利必须在社群中去实现。在终极目的上，罗尔斯追求正义作为社会制度的首要美德；而社群主义者认为正义只是美德之一，并强调公益及将其作为社群的终极关怀。社群主义的批判立场是一种不具有建设性的理论挑战。但社群主义理论对我国法治建设存在可能的启示。     

中国文艺批评的话语创构

文艺批评是文艺创作中一个不可缺少的组成部分.文艺批评话语在文艺理论体系中具有重要的作用.由于各方面的原因,中国文艺批评缺乏自己独到的话语和理论模式.要发展中国的文艺事业,就必须构建具有中国特色的文艺理论模式和批评话语.     

The Construction and Demolition of the Luhmann Heresy

Among social theories, autopoiesis achieves an almost unequalled level of complexity and abstraction. Yet this has has not in any way deterred commentators from among the ranks of legal and socio-legal academics from launching critical attacks on the theory. This article argues that many of these detractors miss their mark, because their authors either misinterpret the theory by failing to recognize its radical nature and the new paradigm that it introduces, or, in the more extreme cases, project onto the theory immoral or irrational ambitions which are nowhere to be found in the writings of Niklas Luhmann or other autopoietic theorists. All this brings to mind Nabokov's novel Pale Fire, which also is concerned with criticism, projection and misinterpretation (as well as self-reference and insanity). In that novel the text is a poem, while the plot, concerning a paranoid literary critic, unfolds in the notes commenting on this poem. This article reverses this device by placing the main commentaries and criticisms in the main text and the `autopoietry', extracts from the writings of autopoietic scholars, which form the subject of the critical attacks, in the footnotes.     

圣经修辞诠释学的理论发展与应用——以登山宝训为诠释范例

古希腊与罗马时期的修辞学,对西方文学的发展有重要的影响。修辞学经过多年沉寂后,在20世纪出现了一股复兴的浪潮,带动了修辞诠释学的兴起,这股浪潮也影响到圣经研究方面,不少圣经学者将修辞诠释学的理论应用到圣经研究方面,甚至扭转了圣经研究的方向。本文之写作目的在于探讨有关修辞诠释学的理论发展,并通过研究登山宝训作为应用该理论在新约圣经研究上的一个范例。本文的内容分为两部分,第一都分是理论方面,先从历史的角度探讨修辞诠释学的理论发展过程,分别探讨古典修辞学、新约圣经与修辞学, 以及修辞诠释学的理论发展。第二部分是应用方面,选取《马太福音》的登山宝训作为研究的文本,因登山宝训是耶稣极具权威性的教导,本文将修辞诠释学理论中的诠释步骤应用在登山宝训的诠释上,主要分为修辞段落、修辞处境、资料编排和检视评估等四个步骤。     

论意识形态的理性批判与意义建构

探讨意识形态应该从其理性批判和意义建构入手,理性批判和价值意义的界定是评判意识形态两种积极和负面模式的基础。理性批判是意识形态的认识论基础,而意义建构是意识形态的价值论基础,也是整个意识形态的关键和核心所在。整合意识形态就要把理性批判和意义建构整合为科学的辩证同一。