论"异化"范畴的方法论意义

本文认为,从哲学的方法论角度而不是从本体论角度来认识"异化"范畴的价值是十分有意义的.在马克思的著述中,不但继承了前人在"异化"范畴使用中的"批判"含义,而且还赋予了它反映"历史发展"的崭新内涵.也正是始于对劳动异化的研究,马克思才站到了历史唯物主义门前.     

文化产业与大众文化——正本清源与理论梳理的尝试

文化作为一种产业是不应该受到怀疑的.大众文化特指20世纪以来由文化产业制作的诸如电影、广告、流行音乐、通俗小说、电视节目等文化产品.文化产业与大众文化难分难解.文化产业的所有弊端,尤其是内容上的粗鄙、平庸及媚俗,也是大众文化本身的毛病.     

寻找伦理存在的自我——《培尔·金特》中的理性意志与伦理选择

易卜生的诗剧《培尔·金特》是一则关于斯芬克斯因子的不同组合与变化的寓言,展示了理性意志、自由意志和非理性意志之间的伦理冲突.培尔的“白日梦”是其兽性因子的表达与彰显,培尔的“出行”是对伦理责任的逃逸和规避,是其理性意志处于蒙昧状态、非理性意志肆意膨胀的体现;培尔的“归家”是其理性意识得到提升,克服非理性意志,摆脱兽性因子,向人性因子靠拢的选择,最终成为与兽相区别的、伦理的存在.本文紧扣“白日梦”“出行”“归家”三条伦理主线,通过逐一解构伦理选择、伦理身份、伦理意识等若干伦理结,来试图剖析易卜生蕴含在作品深处的道德旨趣:在受到道德指引、遵守道德准则的情况下,人的理性意志就会增强,人性因子得以彰显,人会成为一种伦理的存在;如果缺乏伦理意识,违背道德准则,缺乏道德指引,人的非理性意志就会占据上风,兽性因子就会失控,人就会误入歧途,实施伦理犯罪,引发伦理混乱.     

The disciplinary,interdisciplinary and global dimensions of African studies

Abstract

In discussing African studies or any other field, it is important to note that the economies and cultures of knowledge production are an integral part of complex and sometimes contradictory, but always changing, institutional, intellectual and ideological processes and practices that occur, simultaneously, at national and transnational, or local and global levels. From their inception, universities have always been, or aspired to be, universalistic and universalising institutions. This is not the place to examine the changes and challenges facing universities in Africa and elsewhere, a subject dealt with at length in African universities in the twenty‐first century (Zeleza and Olokoshi 2004). It is simply to point out that African studies ‐ the production of African(ist) knowledges ‐ has concrete and conceptual, and material and moral contexts, which create the variations that are so evident across the world and across disciplines.This article is divided into four parts. First, it explores the changing disciplinary and interdisciplinary architecture of knowledge in general. Second, it examines the disciplinary encounters of African studies in the major social science and humanities disciplines, from anthropology, sociology, literature, linguistics and philosophy, to history, political science, economics geography and psychology. It focuses on the interdisciplinary challenges of the field in which the engagements of African studies with interdisciplinary programmes such as women's and gender studies, public health studies, art studies, and communication studies, and with interdisciplinary paradigms including cultural studies and postcolonial studies are probed. Finally, this article looks at the focus on the study of Africa in international studies, that is, the state of African studies as seen through the paradigms of globalisation and in different global regions, principally Europe (Britain, France, Germany, Scandinavia and Russia), the Americas (the United States of America (US), the Caribbean and Brazil), and Asia‐Pacific (India, Australia, China and Japan). Space does not allow for a more systematic analysis of African studies within Africa itself, a subject implied in the observations in the article, but which deserves an extended treatment in its own right.     

From the Subject of Evil to the Evil Subject: “Cultural Difference” in Postapartheid South African Crime Fiction

This article takes up the question of “crime writing” and rejoins the debate around whether such literature stands in for the “political novel” in postapartheid South Africa. What social function might crime writing be serving? Research by political economists and cultural anthropologists suggests that acts of writing in “social detection” mode (rather than “crime writing”) serve as an allegory for occulted sociopolitical conditions. Cultural difference is seen, once again, to play a pivotal role in the legitimation of power, and writers in the detection mode are correspondingly seen to be probing the possibility of a resurgence of “bad” difference. This notion, it is argued, is a key differentiator in an otherwise murky scene in which the borderline between licit and illicit, and right and wrong, has become obscure. While many South African writers are brought into the discussion, including but not restricted to crime authors, a key novel by leading crime writer Deon Meyer is read as a case study to illustrate the more general points made in the article.     

Victimage and mortification: Terrorism and its coverage in the media

This article analyzes the state of aviation security, beginning with the characteristics of the air transportation system that complicate the achievement of a high level of security. It analyzes the situation that existed prior to 9/11 and then evaluates the changes that have occurred since. It concludes that no overall systematic program has yet been put in place to deal with the threats that terrorism poses to the various elements of aviation. It also argues that aviation security, indeed homeland security, requires incorporating antiterrorism into foreign policy and ongoing attempts to deal with the underlying factors that promote terrorism.‐     

Looking at Muslims: the visibility of Islam in contemporary French cinema

ABSTRACT

Tarr analyses the representation of Islam in five feature films made since 2006 that centre on the changing identities of Muslims in contemporary France. She locates the films within the context of the rise in Islamophobia in France following 9/11 and anxieties about immigration and terrorism, but also in relation to France's troubled postcolonial history and French republican ideology. In particular, the French notion of laïcité (secularism) has given rise to active hostility to any public expression of religious or cultural difference, particularly on the part of Muslims. Cinematic representations of Muslims, and particularly of the children of migrants from the Maghreb, have, therefore, since the mid-1980s, been treated with caution in order not to alienate mainstream Franco-French audiences and to facilitate the second generation's integration into French society. However, the five feature films addressed here—two mainstream popular comedies, Mauvaise foi/Bad Faith (2006) and L'Italien/The Italian (2010), and three independent, low budget, auteur-led, realist films, Dans la vie/Two Ladies (2008), Dernier maquis (2008) and La Désintégration/Disintegration (2012)—offer new narratives that challenge fears of Islam by foregrounding the protagonists' negotiation of their Muslim identities in a French context and, by implication, argue for the integration of Islam as a legitimate referent of French identity. However, their construction of Islam does not extend to positive representations of young veiled women, and they thus still risk confirming the oppressive majority view that certain practices associated with Islam, such as the wearing of the veil, are incompatible with the secularism of the French Republic.