曹晓明的优雅绽放

说起曹晓明女士，她曾出过—本书，名叫《上海女孩》。她那邻家女孩的气质，灵秀中带着书香，显得很微妙。总之，看过她的书，看过她的画，你就会明白一个上海女孩的成长，是一种冲突、融汇、和谐的历程。     

黄河逐梦——著名画家王西京印象

作为当代知名画家，王西京在尊崇传统基础上不断求新求变的绘画创作上，总是能给人们带来惊喜，让人们在欣赏他新意盎然的画风中，感受中国画在新时期繁荣气象的一隅。     

磁州窑绘画技法的研究

磁州窑是我国古代北方最大的一个民窑体系,也是著名的民间瓷窑,窑址在今河北邯郸磁县观台镇与彭城镇一带.由于宋代文人画的加入对磁州窑纹样的影响极为深刻,创造出许多瓷器绘画技法,对其他窑口及世界瓷器绘画技法产生了深远的影响.     

徐悲鸿两次来山东

徐悲鸿（1895—1953）是中国现代美术教育事业的奠基者，是现代杰出的绘画大师和美术教育家。他一生中，为了心爱的美术教育事业，多次漂洋过海，到欧洲，到南洋；在国内也多次到全国各地。这里记述的是他两次山东之行的史实。     

浓墨铁笔颂千秋 观养利先生书画,篆刻作品——锦江

养利,原名王念利.字云初,号思源屋主,别号乐泳人。1961年生于哈尔滨,现为养利书画高会会长,养利画馆馆长。养利自幼酷爱书法绘画,在部队期间受中国近代著名金石书画家吴昌硕大理论彩响,取法北魏诸碑,初学石门颂、好大王、钟鼎、石鼓、已瑛等,为后来篆刻奠定了坚实的基础     

批评是什么

三个学习绘画的人在学艺途中将自己的得意之作以1000元标价出售,他们的第一位顾客均说了一句相同的话:"您的画怕是值不了那么多吧?"     

Oils in All Weathers

WU Hao is a rising star in the mainstream arts world. His works are among those most sought by both overseas and domestic art dealer, among the latter China Guardian Auctions, Poly Auctions and the Beijing Hanhai Auction Co., Ltd. Wu Hao was born in 1973. His family's artistic traditions are eminent in his father, Wu Jiankun, who designed the landmark souvenir sheet of stamp, Stage Art of Mei Lanfang. Wu Hao has been immersed in his own art since childhood. "Nothing ever interrupted the flow of my art studies, which is probably why my work always got the top marks in exams and competitions," he says, candidly. Having graduated from the Central Academy of Arts and Crafts in 1996, in 1998 Wu went to France to continue his studies. His exceptional talent gained him direct entry into the 4th grade of the Ecole Nationale Superieure de Beaux Arts of Paris. He graduated with the DNSAP, one of the highest degrees in plastic arts that France awards.     

Yang Xiaoyang - President of the Xi‘an Academy of Fine Arts

BEFORE I met Yang Xiaoyang, I had already seen his work "Huang Chao Entering Chang'an" at the Chinese Military Museum. There are many paintings depicting war scenes in this museum, but Yang's painting left me with the deepest impression.On July 20, 1999, …     

内容“述”形式（下篇）——现代欧洲暨法国美学情趣之源流

现代欧洲暨法国美学情趣在音乐、诗、绘画、戏剧、小说、电影等方面的流变,即所谓唯美主义倾向,是启蒙时代微妙精神的延伸.现代欧洲艺术放弃了柏拉图-亚里士多德关于艺术形式与内容关系的传统理论一方面放弃了作为理念的形式,而把艺术活动必需的物质材料本身当作艺术和艺术欣赏的对象;另一方面,也放弃了西方艺术传统根深蒂固的偏见,即所谓艺术的不同物质手段只是为了表达或表现感情、观念、外部世界的模特.现代西方不同艺术门类不约而同地放弃了古典艺术中的形而上学追求,从而把艺术活动中的所谓"内容"只作为一种"形式"化的活动,甚至取消了内容与形式的界限.     

悟道与机缘

正注重生活蒙养,投身于自然怀抱,采集养分,荡涤心灵,这些学养、才情、能力都是构成范扬绘画风格的基础,使他落笔便生墨韵,笔笔相连,连成景致不绝如缕的大千世界。艺术批评中常有一种奇怪的现象,面对一件艺术作品,往往难以在同一领域中找到恰当的评语,然而隔山有知音,在相邻的领域中可能掂出更能说明问题的参照对象。唐张怀瓘在《书议》中评"小王"王献之书法时曰:"子敬之法,非草非行,流便于行草,又处于其中间,无籍因循,宁拘制则,挺然秀出,务于简易。情驰神