Gender trouble on the German soccer field: can the growth of women’s soccer challenge hegemonic masculinity?

Soccer in Germany represents a social sphere for the expression of masculinity and features significant ideological battles over gender roles. This paper discusses whether the growth of women’s soccer can challenge the prevailing hegemonic masculinity in an area that represents an important economic aspect of consumer culture and social identity. Does women’s soccer have the potential to subvert existing gender norms and challenge dominant understandings of gender? While women’s soccer has seen some important areas of growth in Germany, there are reasons to remain sceptical about the subversive potential of women’s soccer. This article argues that the unholy trinity of the sports-media-business alliance is the root cause for the limitations women’s soccer faces in challenging hegemonic masculinity. This sports-media-business alliance has served as the structural framework that has shaped societal discourses about women’s soccer in Germany. This paper discusses three of those discourses: the evolution of the macro-historical discourse over the societal role of women’s soccer in post-World War II Germany; the discourse comparing men’s and women’s soccer and asserting the superiority of men’s soccer; and the discourse on the role of femininity in women’s soccer and the sexualization of the players.     

‘This is a Prison…A Death in Life’: Reza Shah’s troubled exile on the Island of Mauritius

Reza Shah, the feared and powerful master of Iran for nearly two decades, spent the last years of his life in lonely exile, on the island of Mauritius, then in South Africa. His life in exile was hardly a happy one. The place and conditions of his exile were dictated not by himself but by the British, and the relationship between the two remained uneasy. Britain’s handling of Reza Shah – the degree and freedom and choice they were prepared to allow him and his family – were determined by the exigencies of war. Reza Shah sought to loosen the bonds of British control. In Tehran, his son and successor, Mohammad Reza Shah, also played a role. He used what leverage he had with the British to help ease the conditions of his father’s exile, while he endeavored to protect Iran’s interests under a difficult foreign occupation. The push-and-pull of cross-purposes entailed by this triangular relationship defined Reza Shah’s life in exile in both Mauritius and Johannesburg. This article examines the Mauritian period of his exile.     

Facebook,Contestation and Poor People’s Politics: Spanning the Urban–Rural Divide in Cambodia?

Rural internet use, although still limited, is growing, raising the question of how rural people are using social media politically. As a vehicle of communication that permits the rapid transmission of information, images and text across space and connections between dispersed networks of individuals, does technological advance in rural areas presage significant political transformations? This article investigates this question in the light of a poor result for the Cambodian People’s Party in the 2013 elections, and the subsequent banning of the main opposition party, before the 2018 elections. Expanding internet use in rural areas has linked relatively quiescent rural Cambodians for the first time to networks of information about militant urban movements of the poor. Rural Cambodians are responding to this opportunity through strategies of quiet encroachment in cyberspace. This has had real effects on the nature of the relationship between the dominant party and the rural population and suggests the declining utility of the election-winning strategy used by the party since 1993. However, the extent of this virtual information revolution is limited, since neither the urban nor rural poor are mapping out new online political strategies, agendas or identities that can push Cambodia’s sclerotic politics in new directions.     

从祖国接受和反思现代性——以日据时期台湾作家的祖国之旅为中心的考察

日据时期台湾作家的祖国之旅不仅增强了他们的民族认同感,而且具有扩大视野,从祖国接受现代文明成分的意义。赖和兄弟从其厦门经验中认知医治国人精神病症的重要性;谢春木对于“现代化”兼具“接受”和“反思”两端,发现中国大陆作为半殖民地,与台湾一样存在着殖民性与现代性的纠葛与悖论。大陆经验使台湾作家更多从五四新文学中吸取营养,促进了台湾新文学的兴起和发展,如周定山与中国现代文学三大主题和鲁迅风格有相当的契合;王白渊在“艺术”和“革命”之间最终选择了后者,而这是诸多中国现代文学作家的共同“宿命”。     

A changing world: is the UN development system ready?

This article examines five contemporary areas of development concern that have become major drivers of global transformation since the turn of the millennium: the plight of fragile states; the emergence of new powers and new development funds in a changing aid landscape; the need for developing countries to manage the growing resources at their disposal; encroachments on the political sovereignty of states; and new global challenges that demand global action, including climate change, migration, and food security. These drivers of change call for responses from the UN – and in particular its development system of some 30 organisations. The ongoing protracted debate on the future UN development agenda should take cognisance of these changes if the system is to remain relevant after 2015. But the signs are not promising that either the agenda or the UN development system are up to the task.     

Marxism and the vernacular revolutionary traditions

ABSTRACT

Marxism has been the name increasingly given by friend and foe to contemporary radical revolutionary movements in the last couple of centuries. That opens the seldom-asked question, what about the radical revolutionary movements and ideas which could not be so described? For them the collective term often used negatively was ‘vulgar’, or, less negative but still unacceptable to Marxists, ‘utopian’ and ‘vernacular’. That last turn indicated spontaneous radicalism of the lower classes, which lack the incise language (polish?) of academic debate. The Oxford Dictionary defines ‘vernacular’ as the ‘language spoken in particular area by a particular group especially one that is not the official or written language’. It introduced often a history-passed-and-third-worldly accentuation. Experience has shown that most effective revolutionary movements were led by a group representing a mixture (interdependence?) of Marxism with vernacular radicalism, often described as Marxism with a ‘xxxx’ face (Chinese or Czechoslovak or something else). One can even conclude that for Marxism to make way it must link with radical local tradition, definitely not-Marxist. Moreover, it doesn’t quite ‘work’ singly, for its success depends on the mixture of Marxism and non-Marxism. It seems that particular role in that confrontation is defined by a conceptual (ideological?) set of collectively dominant ideas or ‘idols’. If so, a major blocking force to the advance of Marxist movements is, on top of the power of the existing state and political economy, some prevailing ideological elements accepted by the ‘masses’ since the Second International. Those would be ‘purism’, ‘scientism’, ‘progressivism’ and ‘statism’. We shall eventually touch in that context on supporting the revolutionary vernacular of the People’s Will party of Russia, its implications and its relations to Marx’s own Marxism.     

Constructing a Feminist Cinematic Genealogy: The Gothic Woman's Film beyond Psychoanalysis

The Gothic woman's film, as a particular 1940s phenomenon, responded to the social changes caused by the upheavals of the Second World War. It featured female protagonists, expressed anxieties about marriage and complicated the classic realist premises of narrative and heterosexual closures. As the Gothic narrative trajectory revolved around the heroine's pursuit of marital happiness, these films are often theorized in the sexually differentiated terms of Lacanian psychoanalysis. As a result, they are interpreted as cinematic manifestations of paranoia, primal scenes, passive female desires and the impossibility of female subjectivity. Tay considers how the Gothic woman's film may resist such psychoanalytic codifications by considering critiques of psychoanalysis and investigating the ways in which Gilles Deleuze's cinematic topography may apply to the genre. This engagement with Deleuze reveals how 1940s Gothic films--such as Suspicion (Hitchcock, 1941), Gaslight (Cukor, 1944), and Sleep, My Love (Sirk, 1948)--breach the narrative normativity of classic realist love stories like Random Harvest (LeRoy, 1942). Culminating in a detailed analysis of Hitchcock's Rebecca (1940) as a film that sustains female transgression in its textual operation, Tay posits possibilities for furthering a feminist cinematic discourse beyond psychoanalytic codifications.     

Women and War

Susan Hill's novel The Woman in Black (1983) is a radical example of women's Gothic horror. It is a popular ghost story that has been successfully adapted for the London stage. In addition, it offers a social critique of motherhood and contemporary rhetoric surrounding the family. Scullion interprets the novel from several critical perspectives: feminist, psychological, biographical, generic and intertextual. Principally, however, she offers a reading of the novel that engages with its immediate historical context. The contention is that Hill's novel mediates women's anxieties about motherhood and autonomy during the early 1980s when the institution of the family in Britain was an ideological battleground. Set primarily during the 1860s, The Woman in Black exposes Victorian hypocrisy towards the unmarried mother, and indirectly probes the quasi-Victorian values promulgated in the 1980s, during the first term of a Conservative right-wing government. The protagonist of the novel, the eponymous woman in black, resists the lot of the so-called fallen woman. In her physical form, she refuses to submit to Victorian patriarchal values by attempting to reclaim her illegitimate child. In spectral form, she repeatedly inflicts suffering on families by causing the death of their children. Her excessive revenge knows no compassion, and recognizes no boundaries of place and time. Her ghost is never laid to rest. Neither is order restored by the closing pages. Thus the novel, as well as being a popular ghost story, challenges assumptions about women's 'natural' acquiescence and their unconditionally generous responses to husbands, partners and children. Shaped by the social climate in which it was written, The Woman in Black suggests that mothers under extreme pressure have the potential, like any other members of the family, for cruelty to children. Through its forceful rejection of either idealized or derogatory stereotypes of women, this novel belongs to the genre of radical Gothic horror.     

‘The Message Is in the Book’: What Virago's Sale in 1995 Means for Feminist Publishing

This article examines the UK publisher Virago, the world's largest women's imprint and the best known of the second-wave feminist publishing houses that sprang up during the 1970s and 1980s. Feminist publishing remains a peculiarly unacknowledged and underexamined aspect of feminist history, but one that had real influence and effect. This article gives a historical account of Virago, noting its intention to enact feminist politicking through the act of publishing books. The author looks at the effect Virago had on the industry more widely, on literary culture and on attitudes to women. The author also examines changing formulations of feminism and how these were reflected—or not—through Virago's published output. The author then moves on to her central proposition: that Virago's sale in 1995, rather than marking the death of feminist publishing (as was stated in media comment at the time), was in fact the point at which it was saved. Virago's move into Little, Brown, coinciding with the rise of an increasingly commodified consumer culture, the conglomeration of the book industry and more pluralized expressions of feminism, allowed it to continue to work as a publisher of women's writing while none of its contemporaries survived. The author looks in detail at the changes post-1995 within the book industry, within feminism and in wider culture, as well as at Virago. The author asks whether Virago still has value as a ‘feminist’ imprint and how it has sought to remain vital and relevant.     

“工友驿站”创新模式与珠海工会改革经验探析

工会作为代表和维护职工合法权益的群团组织,存在最大的问题是脱离群众,其群团作用难以发挥。随着中国经济体制改革的深入,劳资冲突事件的增多,工会改革势在必行。珠海创建的首家"工友驿站"—新加坡花园站,是珠海工会去行政化所采取的重要改革举措,即以社会组织作为工会改革和社会治理创新工作的思路,通过向社会组织购买服务,建立"工会+社工+义工"的"三工"联动模式,为职工提供维权、帮扶救助、就业介绍、幼托等一系列服务,打通服务职工的"最后一公里"。