文艺的德性：审美与伦理的耦合

文艺有着深刻的伦理学内涵,优秀的文艺作品的道德意义就在于它是人性的敞亮与主体性的高扬。缺乏伦理学的视野,就无法全面把握文艺的本真特质。文艺作品不同于道德教科书,文艺所传达的不应是抽象的直白的信条,而应该是活的生活———经过作家审美创造的生活。但文艺毕竟不是超人类的存在,文艺展示自然、社会、人际、心灵,提供测试人生价值和人生态度的光谱,文艺家的主观命意、文艺作品的客观意蕴以及受众的解读与再创造,本身就是一定价值的自觉选择和自然涵纳。伦理道德在文艺作品中必须是符合审美要求的存在,明晰的个性化(典型化)与生动的感性化,是其按照美的规律进行创造的实现机制。     

当代大学生审美追求存在的问题及其对策浅析

通过调查和分析，当代大学生在审美追求方面存在着一些值得注意和重视的问题，产生这种问题的原因既有社会的影响，又有教育、家庭的影响，还有当代大学生自身因素的影响。因此，我们必须有针对性地采取措施加以解决，努力使大学生建立健康的、正确的审美追求。     

美学三题

人类审美个性与其普遍性文化功能是德国古典美学两主题 ,其间存在的逻辑矛盾与历史张力以及其审美个性研究的不够深入 ,都深刻地影响了 2 0世纪中国美学。以宗教为参照 ,可以深化审美个性研究 ,则审美是人类追求即时性感性精神愉悦的活动。审美感性是物质感性、具体感性和即时感性 ,这些决定了审美乃人类精神生活起点、大众文化之典型代表。审美是最世俗的人类精神活动 ,美学则是人类感性精神现象学 ,这当是当代美学基础理论研究的确当起点。在拓展人类精神世界的深度和广度上 ,审美较科学、宗教、哲学均远为逊色。     

关于公文美学的思考

公文因实用而产生,又为实用而写作,具有实用美的审美价值.公文体式要求的规范化、内容的规范化和语言的规范化是公文的审美特征所在.     

美与生态健康在语境性审美体验中的整合——以伊顿的审美理论为讨论中心

借鉴生态学知识与原理来重新解释审美活动及其一系列关键词是生态美学建构的重要组成部分,针对生态危机这个时代语境来重释"美"的要点则是解释它与"生态健康"的内在关联,其理论难点是将认识性的、不可感知的"生态健康"内容有机地融合到审美体验之中,从而建构出有别于传统之"美"的"生态健康之美",进而将传统的审美体验转化为生态审美...     

Of oligarchs,orientalists, and cosmopolitans: how “Armenian” is rabiz music?

This paper examines the controversial music genre rabiz in relation to political and socio-economic developments in post-Soviet Armenia. Rabiz, an urban folk-pop genre characterized by melismatic singing and “oriental” embellishments, is a ubiquitous soundtrack to everyday life in the country, with lyrics commonly covering romance, male friendship, and family ties. Ethnographic observations suggest that its popularity draws on the affective appeal with which it captures common hardships and aspirations of post-socialist transition. In spite of this, rabiz is almost universally denounced by nationalist intellectuals and liberal citizens for foreign influences, sentimentality, consumerism, and conservatism. While for the cultured classes, the rejection of rabiz as “un-Armenian” is often an integral part of the construction of a virtuous self, the alternative conceptions of performers and fans reveal the polysemy of Armenianness as a moral category.     

Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice

This essay puts forward a notion of “raunch aesthetics,” theorizing raunch as an aesthetic, performative, and vernacular practice: an explicit mode of sexual expression that transgresses norms of privacy and respectability. Raunch aesthetics describe creative practices that often blend humor and sexual explicitness to launch cultural critiques, generate pleasure for minority audiences, and affirm queer lives. The author activates her formulation of raunch in analyzing Yo! Majesty, a hip hop group comprised of black female emcees who openly describe their sexual desire for women, and explores how the queer youth of color she works with have responded to their music. Working beyond the unexamined moralisms that give critiques of raunch culture their legitimacy, the author argues that Yo! Majesty's raunch aesthetics transmit queer and feminist teachings. While celebrating carnal pleasures, these artists critique heterosexism, subvert narratives about the incompatibility of belief in Christ and queer sexualities, and trouble notions concerning the emancipation of coming out of the closet and declaring a stable homosexual identity. In demonstrating how raunch aesthetics generate consciousness raising, the author discusses how her youth participants critically read and consume hip hop while negotiating unwieldy meanings of sexuality and gender presentation.     

中国文化中水意象与女性审美关系之探微

水生神话折射出女性与水即生命之源的思想,阴阳五行学说奠定了女性与水主阴的共性。在中华民族的审美意识中,水之千姿百媚与柔情婉约往往与女性的阴柔之美相提并论,反映出中华民族共同的审美理想和趣味,女人如水,以水喻女成为中华民族审美观念的一个显著特色。     

努力提高领导干部的文化品位

我们党要始终代表中国先进文化的前进方向,各级领导干部首先必须在思想和工作实践中努力提高自身的文化品位。因此,不但要充分认识提高领导干部的文化品位是一项十分紧迫而重要的任务,而且也要针对不容乐观的现实状况,采取有力措施把提高领导干部的文化品位真正落到实处,收到预期效果。     

论儿童审美与艺术行为的心理机制

对儿童的日常审美与艺术活动的研究发现,儿童存在着一种具有吸收性的张力结构--先在审美图式。它是由集体无意识、个人无意识和意识经验三者通过自组织而形成的一个完整和谐的统一体,为儿童的审美与艺术活动起着动力和选择作用。与成人相比,儿童的先在审美图式更显示出其原始性和开放性,其动力功能与更为强烈些,因而儿童发生审美与艺术活动的可能性也超过成人。