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61.
1935年的台湾博览会,台湾总督府作为策展者,力求将台湾装扮成“繁荣”、“昌盛”的形象,这些展示成了外界判定“日本殖民有功论”的资料证据。当时,台湾知识分子对博览会有相关的记述和叙事,他们以自己的“小叙述”,或纠正,或对抗策展者的“大叙述”。经由博览会这一空间,可以解读出台湾“殖民现代性”的驳杂性和多义性。  相似文献   
62.
本文首先利用四川省秦巴山区一个县2696户农户调查数据和153户深度访谈数据,考察贫困地区农户大病风险以及大病风险下农户户内劳动供给的性别差异,然后通过典型案例总结大病风险下农户户内女性劳动供给的模式。研究发现,农村女性面临更多的大病风险,但却提供更多的户内劳动供给———从事更多的家庭收入创造活动和提供家庭成员大病患者的照料服务。文章最后讨论了大病风险下户内劳动供给性别差异的原因并提出了相关建议。  相似文献   
63.
大学校园文化建设是学生教育工作的重要组成部分,校园文化活动是学生教育的重要载体,创建校园心理健康文化对学生心理健康教育工作有巨大的推动作用。通过对广大高校校园心理健康活动情况的调查,心理健康活动的主要方式具有不同的功能和特点,应该根据实际情况合理运用不同活动方式,创建品牌化的校园心理健康文化。  相似文献   
64.
Relativism     
Modern democracies increasingly confuse civic or political equality with a radical relativism that calls into question legitimate principles of hierarchy and the very idea of reasonable value judgments. This confusion reflects a “corruption,” in Montesquieu’s sense, of democracy rooted in a refusal to recognize distinctions that are integral to both human nature and social life. A moderate form of cultural relativism is a genuine intellectual achievement that helps combat ethnocentrism and allows one to better appreciate the full range of human experience. But criteria of meaning and truth are by no means entirely dependent upon cultural context. Our contemporary awareness of the “relativity” of cultures and historical experiences must be complemented by a robust appreciation of the universality of Reason and citizenship.
Dominique SchnapperEmail:

Dominique Schnapper   has been a member of the Constitutional Council of France since 2001. She is also Professor at the école des Hautes études en Sciences Sociales (EHESS) in Paris. She has been named a Chevalier of the Legion of Honour and Officer of the Order des Arts et des Lettres. This essay is translated from the 30th anniversary issue of the French journal, Commentaire, n. 121/Spring 2008, pp. 126–130, by Paul Seaton and Daniel J. Mahoney.  相似文献   
65.
加强宁夏农村文化建设的几点思考   总被引:1,自引:0,他引:1  
构建农村和谐社会,经济发展是根本,文化建设是关键。加强农村文化建设,既是当前农村、农业、农民实现持续健康科学发展的必然要求,也是构建农村和谐社会的有机组成部分。  相似文献   
66.
Nearly all relationships have power imbalances, none more so than age-dissimilar ones. Women writers of the early twentieth century addressed the issues of sexual innocence and ignorance in literary same-sex relationships with differing levels of perception and tangents of criticism. This article examines how innocence is portrayed, deployed and perceived in Clemence Dane’s Regiment of Women (1917), Rosamond Lehmann’s Dusty Answer (1927), Radclyffe Hall’s The Well of Loneliness (1928) and Mary Renault’s The Charioteer (1953) and how the idea of queerness complicates the issue of childhood innocence. It explores to what extent characters cast as innocent become vehicles for their female authors to express sexually and socially transgressive desires at a time when feminism was publicly and scientifically linked to lesbianism.  相似文献   
67.
The purpose of this paper is to firstly identify and synthesise critical measurement themes in extant academic literature concerning performance measurement in cultural precincts. Secondly, the paper posits for consideration a holistic and systematic framework (which embraces those themes) for developing appropriate performance measures for cultural precincts. The outcomes in this paper (a) confirm and clarify the complexity of performance measurement needed, (b) furnish a framework for practitioners embarking on the development of such measures, and (c) indicate the conceptual and pragmatic challenges faced in developing and enacting appropriate and meaningful measures for cultural precincts. Consequently, this paper serves as a conceptual positioning paper and a practical embarkation point for practitioners willing to engage with and pursue this phenomenon. Thereby, it endorses more dialogue on and further research and analysis of performance measurement in government operated cultural precincts.  相似文献   
68.
Policymakers have actively pursued urban renewal and dispersal programs to deconcentrate poverty in urban neighborhoods. Relocation strategies lead to new housing opportunities and may encourage employment opportunities for relocated residents if resourceful contacts and job information become more easily available after the move. This study provides an innovative evaluation of the early impacts of involuntary relocation programs in the Netherlands on the housing careers, earnings and employment rates of forced relocatees. It establishes a quasi-experimental design by employing unique longitudinal individual-level population registry data from Statistics Netherlands: forced relocatees are tracked and matched to a control group consisting of similar residents that were not forced to move. A difference-in-difference design shows that forced relocatees are living in less deprived neighborhoods after the move. However, we find no conclusive evidence that this upgrade in housing leads to more socioeconomic opportunities for the forced relocatees.  相似文献   
69.
The Arab world has experienced some unprecedented social movements, labeled by the media as the Arab Spring. The purpose of this paper is to investigate the role of public policy, advertising, media, and public spheres on the Arab Spring. The media and economic policies enacted in the Arab world in the 1990s played a significant role in changing consumer culture in the Arab region, resulting in significant changes in public policy. Two studies were conducted to test how the change in consumer culture along with new public polices in the region contributed to the uprisings.  相似文献   
70.
The various ways whereby spatial conditions afford to monumentalize culture and to appropriate geographically demarcated places in terms of individual and collective meaning structures has been amply documented in urban cultural studies. However, considerably less attention has been paid to how cultural identity is produced against the background of musical temporality. By way of a phenomenological inquiry into the staged spectacle of James Corden’s (the host of CBS Network’s Late Late Show) Carpool Karaoke, this paper addresses the issues of directly lived experience and authenticity as facets of cultural identity. By critically discussing the assumptions of self-presence and auto-affectivity while singing and listening to one’s sung voice against the background of pre-recorded songs, the notion of directly lived musical experience is put to the test. Furthermore, by examining the dramaturgical scaffolding of Carpool Karaoke, the analysis points to wider implications for post-modern cultural studies in terms of an identified ironic reversal of modernist universal criteria of legitimacy in favor of a celebration of post-modern being-with inauthentically. The analysis of the selected Carpool Karaoke corpus utilizes a resourceful blend of phenomenological method, semiotics and interpretive videography while challenging embedded orthodoxies in the extant literature.  相似文献   
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