Integración,mestizaje y nacionalismo en el México revolucionario. Forjando Patria de Manuel Gamio: la diversidad subordinada al afán de unidad

This paper analyzes the integration program in Manuel Gamio's Forjando Patria as a national project arising in the historical context of revolutionary Mexico, where cultural diversity is conditional on the idea of unity. Firstly, we trace the relationship of the integration program with its history, the concepts of “mestizaje” and “mestizo” of the late nineteenth and early twentieth century. Secondly, we analyze the influence of some European models of nationality and socio-cultural change on Gamio's integrationism, in the context of socio-ethnic heterogeneity in Mexico during 1916. Finally, we highlight the links between the concepts of cultural diversity become visible, nation and nationalism in this author's work.     

The Quality of Annual Reporting by Italian Museums: An International Comparison

We study the quality of disclosure and the level of accountability of Italian museums using MPADI2 index (Wei et al. 2008; Botes et al. 2013) on a sample of 13 annual reports which, given the legal status of some entities, encompasses the activity of 93 Italian public and private museums, many of which are within the most visited in Italy and worldwide. The results allow for an international comparison with the annual reports of a panel of USA, UK and European museums which have undergone the same MPADI2 analysis, giving an interesting insight about museum different disclosing practices across countries.     

Relativism

Modern democracies increasingly confuse civic or political equality with a radical relativism that calls into question legitimate principles of hierarchy and the very idea of reasonable value judgments. This confusion reflects a “corruption,” in Montesquieu’s sense, of democracy rooted in a refusal to recognize distinctions that are integral to both human nature and social life. A moderate form of cultural relativism is a genuine intellectual achievement that helps combat ethnocentrism and allows one to better appreciate the full range of human experience. But criteria of meaning and truth are by no means entirely dependent upon cultural context. Our contemporary awareness of the “relativity” of cultures and historical experiences must be complemented by a robust appreciation of the universality of Reason and citizenship.

The Public Management of Risk: The Case for Deliberating among Worldviews

This article argues that the public management of risk faces inherent "wicked issue" problems which are further accentuated in the context of the contemporary regulatory state. It is suggested that in order to overcome these limitations and inevitable trade-offs, there needs to be a more conscientious effort in setting out distinct components of any public management of risk, which should be considered and discussed through the lens of distinct worldviews contrasting interpretations and solutions, as well as potential "black-spots." It is only by acknowledging limitations of any one strategy and by considering plural solutions that there is less likelihood of disappointment when dealing with crises and disasters.     

文学与博览会的对话——以1935年台湾博览会为中心

1935年的台湾博览会,台湾总督府作为策展者,力求将台湾装扮成“繁荣”、“昌盛”的形象,这些展示成了外界判定“日本殖民有功论”的资料证据。当时,台湾知识分子对博览会有相关的记述和叙事,他们以自己的“小叙述”,或纠正,或对抗策展者的“大叙述”。经由博览会这一空间,可以解读出台湾“殖民现代性”的驳杂性和多义性。     

论侗族建房仪式与仪式歌

侗族在建房过程中要举行两大仪式:其一是新房落成庆典;二是开财门仪式。过去由于人们对这两大仪式的文化涵义理解不够,所以对产生于两大仪式中的仪式歌未予以重视。为帮助人们理解侗族两大建房仪式与仪式歌的关系,本文将从分析侗族两大建房仪式的文化涵义入手,以揭示其内在的联系。     

新生代农民工精神文化需求问题探析

新生代农民工作为一个新兴的群体,是实现构建和谐社会伟大战略的重要推动者。随着社会的不断发展,新生代农民工对精神文化的需求将呈现一个不断上升的趋势,但是,在多元文化、经济收入、社会制度、自身条件等因素的影响下,新生代农民工在思想文化、娱乐文化、科技服务、社会交往等方面的精神文化需求却难以得到满足。解决这些问题需要政府、社会、企业以及新生代农民工主体等多方面共同努力。     

Sensory speculations:Visual discourse and the vision of visuality

It is now commonplace within the discipline of art history and visual culture to speak to theories of vision and visuality. Recent questions concerning the subject of vision, sexed positionalities and discourses of viewing are indebted to theories of visuality, which now occupy a privileged place within the study of visual culture. Theories of visuality have revealed both the terms of cultural visibilities and significantly the how of what we see. And yet despite this engagement of the opacity and duplicity of the visual, recent work into visuality has been plagued by a re‐occurring myopia regarding the corporeal This oversight within the visibilites of visual discourse is the unchallenged idea of a ‘human vision’ within the social constructivist project. In this article I assess how this universal operates as the matter for theories of visuality and of the ramifications of this for the project of the critique of vision.     

毛泽东的文化观与政治信仰

毛泽东的文化观与其政治信仰是密不可分的。"大众化"是毛泽东文化观的一个显著特征。毛泽东认为,无产阶级革命开辟了文化大众化的新时代,文化应该为人民大众服务,为社会主义服务。发展民族的、科学的、大众的文化,坚持"二为"方向和"双百"方针,通过自下而上的群众性的"文化革命"运动,克服党内的非无产阶级思想,提高人民群众的政治觉悟,从而坚持社会主义方向,巩固马克思主义的政治信仰。这是晚年毛泽东建设社会主义文化的一个主导思想。探讨毛泽东文化观与政治信仰之间的关系,对于我们今天发展中国特色的社会主义文化、坚持党的群众路线、推进马克思主义大众化工作都具有重大启发意义。     

做强产业金融,推动战略新兴产业和先进制造业发展

该文首先界定辨析了产业金融的概念,梳理分析产业发展与金融集聚的互动机制,指出国内产业金融存在的一般性问题,最后立足于推助战略新兴产业和先进制造业的发展,着力探讨政府主导的“政产金”合作模式.