利益分配的国家调节——论经济法的再分配功能

国家调节是对市场缺陷和市场失灵导致的利益分配失衡现象的救济与矫正,是国家介入利益分配领域后,对市场初次分配格局中存在的缺陷的补救,是在市场分配基础上的再分配。经济法作为国家调节社会经济之法,其本质属性在于国家调节,是对利益进行的再分配。以利益分配与国家调节之间关系的探究为基础,对经济法再分配功能的内涵与意义加以分析,有利于我们更好地了解经济法的功能,并运用经济法的再分配功能为建设和谐社会服务。     

理想人格之丰碑——尼采的“超人”学说解析

本文通过对尼采"超人"学说的分析,揭示了尼采所展现的这种理想的精神超人其真正的意义在于"超人"所表现的积极的悲剧主义精神和伴随着破坏性的伟大的创造性."超人"的真正魅力在于他在悲剧中崛起,在衰败中创造.从而彻底摈弃了叔本华那种追寻涅槃寂灭,灭绝意志,超脱欲望的悲观主义.     

当代美国的死刑制度

美国最高法院在1972年曾经宣布暂停死刑执行,但是在1976年又恢复了死刑的执行,目前美国是唯一仍然保留并适用死刑的所谓西方文明国家。美国联邦系统和38个州的刑法都规定了死刑,可以适用死刑的罪行还比较多,但是罪名相对比较集中;死刑诉讼程序严格且复杂;相对于美国庞大的犯罪数字,尤其是暴力犯罪而言,其死刑判决和实际执行死刑数量仍属较低;美国死刑执行方式呈现为以注射方式为主多种执行方法并存的特点。美国死刑程序复杂但是死刑错判率仍然较高。     

论行贿犯罪惩治不力的原因和对策

我国目前惩治行贿犯罪的力度远远低于惩治受贿犯罪,造成这种状况的主要原因是人们对行贿犯罪危害性认识不够、对行贿犯罪采取从宽处理的刑事政策、"谋取不正当利益"构成要件造成行贿犯罪认定难、检察机关侦查措施和手段不足等。对此,应当提高对行贿犯罪社会危害严重性和惩治行贿犯罪重要性的认识、完善刑法的有关规定、赋予检察机关必要的侦查手段、形成防治行贿犯罪的合力,以加大惩治行贿犯罪的力度。     

Enjoy their symptom: of woman,men and other interesting figures in Greek literary texts

Voela and Tamboukou use Slavoj ?i?ek’s notion of the symptom as a lens through which to look at representations of female figures in Greek literary texts of the early twentieth century by Gregorios Xenopoulos. In mapping the construction of the figure of the modern woman in the matrix of discourses, fantasies and power relations of fin-de-siècle Greece, they draw on psychoanalytic insights, interrupted by Foucauldian interventions. Following Judith Butler’s move of making trouble they attempt to open up a dialogic space between psychoanalytic and Foucauldian approaches to the female subject, contextualized in a specific social, historical and cultural milieu. It is in this context that they discuss, first, how feminine and masculine subjectivities are represented in man’s speech; second, how unintended excesses and interruptions occur in the problematic representation of women; and, third, how madness and ultimately death come to play a significant role in the power relations between the sexes.     

交通肇事罪中“因逃逸致人死亡”问题探讨

新刑法对交通肇事罪进行了比较重要的修改,涉及到的“逃逸致人死亡”问题,在理论上争议颇多。本文将交通肇事罪中被害人最终死亡的具体情形一一作了分析、排除,借鉴日本刑法中的有益理论,将“逃逸”行为单独评价,以结合犯观点来理解新刑法中所作的修改。     

在市场经济条件下进一步 做优做强工会企事业的几点思考

工会企事业是工运事业的重要组成部分。办好工会企事业对于提升工会组织的履职能力和服务能力,扩大工会组织的社会影响力,增强工会组织的号召力和凝聚力,有着极为重要的作用。多年来,各级工会组织高度重视企事业建设与发展,经过持续努力,逐步形成了具有工会特色、适应职工群众需求的工会企事业体系,在工会工作中发挥出积极的作用。     

死亡补偿费研究——尝试一种非主流观点

死亡补偿费的性质不仅关系死亡的民事救济,还涉及生命权的有无以及宪政和刑法理论对于生命的关注.现行法将死亡补偿费定性为对财产损失的赔偿,客观上把人看作获取收益的工具,有悖生命伦理.死亡补偿费应该是对生命损害的补偿,死亡赔偿项目除包括死者生前的健康和财产损失,现行法规定的其余赔偿项目都应以死亡补偿费概括.死亡补偿额以35岁为基数,赔偿可支配收入35年,每增加或者减少一岁,减少一年,最低赔偿不低于10年,对二亲等亲属的赔偿数额酌减.     

虚开增值税专用发票罪若干问题探析

虚开增值税专用发票罪是我国新刑法规定的一个新罪名。由于本罪具有较强的专业性,刑法的规定也不很清晰,所以,与本罪相关的一些问题在司法实践中引起了争议。比如,虚开增值税专用发票又以此骗取国家税款的行为应如何定性、对虚开增值税专用发票罪是否可以适用死刑等。对此,只有在综合分析后才能得出正确的结论。     

Death and the erotic woman: the European gendering of mortality in times of major religious change

This paper explores the use of European erotic death imagery produced in the Death and the Maiden (D&M) genre in two time periods. It compares and contrasts D&M imagery produced by the Germanic-speaking proto/early-Reformation artists, Hans Baldung (alias Grien) (c1484–1545), Niklaus Manuel (known as Deutsch) (c1484–1530) and Sebald Beham (known as Hans Sebald Beham) (1500–1550) which highlighted the folly, futility and transience of earthly vanities during the transition from Roman Catholic to Protestant Christianity, with contemporary calendar art produced by Cofani Funebri (from 2003) and Lindner (from 2010) which advertise coffins manufactured in the increasingly secular countries of Italy and Poland. Drawing on Biblical narrative, Augustinian theology and European socio-cultural perceptions of gender, this paper argues that these D&M images are highly eroticised and place woman as signifiers of transcient life (vanitas) and earthly pleasure (voluptas), juxtaposing her with a masculine/male representation of death; Death being imaged as an individual in the sixteenth century, and as a coffin in the contemporary works. The paper also contextualises the imagery in terms of traditional European Christian notions of life and death, as informed by the Biblical Fall narrative, with its elucidations of sin, concupiscence and punishment. It thus asserts that both socio-cultural and religious attitudes towards gender are highly significant in D&M imagery and indeed in terms of the artworks, argues that the masculine signifier of Death can be placed as Adam, whilst the Maiden, as fecund life, represents Eve. However, the overt eroticism of both sets of artworks also allows for a reading that draws on Messaris' [(1997). Visual persuasion; the role of images in advertising. London: Sage] notion that visual images ‘make a persuasive communication due to iconicity; the emotional response to the visual image presented’. Thus, this paper contrasts D&M imagery produced over 400 years apart to examine consciously erotic gendered thanantological allegories of women as vanitas and voluptas, and the male/masculine as representations of Death.