伦理制度:道德建设的社会保障机制--兼论如何学习贯彻《公民道德建设实施纲要》

伦理制度是当代中国道德建设的社会保障机制。建立当代中国的伦理制度,需要人们特别是专门从事伦理学研究和精神明建设的人们与时俱进地转换观念,拓宽视野,适时地健全道德建设的执行和评价机制,贯彻落实《公民道德建设实施纲要》也应如此,需要党和政府的有关部门与伦理学工作协同努力。     

Experiencing Critique<Superscript>⋆</Superscript>

Over the past two centuries, criticism has assumed an indispensable role in the production of truth in many academic contexts. Furthermore, a dominant conception of critique emerged out of disciplinary truth regimes – evident as much in right wing think tanks as in critical theories. This ‘grammar of critique’ requires critics to judge specific contexts against founded criteria. However, in an epistemological ethos beset by obdurate uncertainty, where disciplinarity is increasingly under attack, a judgmental grammar faces intractable challenges. For one thing, intransigent ambiguities defy the silencing required to achieve certainty, or universal agreement, on ‘founded criteria’. This predicament creates a distinctive semantic disquiet and a unique opportunity to prize critique loose from its previously privileged grammar. Allegorically referring to Derrida’s images of hospitality, this paper offers a different grammar of critique as an experience of imagined prospects, a promise that rallies against ossified thought systems of the now. This experience is structured through the impossible to the extent that it defies absolute definition, finitely encounters infinite possibilities, involves preconceptions, and opens critics up to promises that never fully arrive. As such, critical experiences invite existential anticipations whose contours, paradoxically, are imagined from within, and yet promise an escape from, local historical circumstances.A version of this paper was presented at Birkbeck, University of London, 24th September, 2004. I would like to thank Peter Fitzpatrick, Claire Valier, Ronnie Lippens, Costas Douzinas and Julia Chryssostalis for their helpful comments.     

艺术良心:文学创作的"通灵宝玉"

艺术良心是创作主体艺术人格的重要体现.古今中外文学创作的实践表明,艺术良心,是一切真正的文学创作的一块须臾不可离开的"通灵宝玉",是一个优秀的创作主体的审美与道义的源泉.所谓艺术良心,就是对生活、对人民、对正义、对艺术的忠诚与热爱,就是以生活为源泉、以人民为上帝、以正义为号令、以艺术为生命的自觉与选择.     

The Outer Limits of Copyright Law – Where Law Meets Philosophy and Culture

This article engages in a cultural critique of copyright law. The point is to explain how and why this body of law is culturally exclusive, notwithstanding the claims made by judges and others that the law is culturally open and inclusive. This involves a discussion of the relationship between philosophy and law, and of how this nexus has been misrepresented by the courts and in recent writings on the subject. Analysis centres on a discussion of Australian case law involving indigenous claims of communal ownership of copyright and the treatment of technology when it comes to attributing authorship.     

妇女文学的长时段考察——从王萌《禁锢的灵魂与挣扎的慧心——晚明至民国女性创作主体意识研究》说起

长期以来,在中国传统妇女文学研究中,人们习惯于用现代的认知方式观察传统,运用现代知识阐释传统问题,不可避免地造成对妇女文学的误解和遮蔽,无法正确地看待妇女文学的德性诉求。对这一问题进行梳理和辨析,并探寻对其德性品格进行现代传承的可能性,具有重要的学术价值。     

20世纪中国政治文学研究思潮的逻辑演进——以鲁迅研究的政治学传统为视角

学术思潮的形成与社会思潮的关注兴奋点密切相关,也与外在社会政治运动的不断促进紧密相连.对学术研究热点的考察和清理不仅能够仔细了解不同观点的阐释角度和立场姿态,也能够从中把握社会思潮的流变过程.鲁迅研究处在中国现代文学研究的核心位置不仅仅是鲁迅本人的文学成就使然,更是因为鲁迅研究所提供的精神资源以及从鲁迅研究所衍生出来的...     

中国女性主义批评实践20年的回望

女性主义自20世纪80年代初被引入国门以来,其间经历了两次批评实践的高潮.但在本土化的过程中也暴露出不少问题,如过度偏执于性别文本与性别价值,以至因批评的格式化与概念化而陷入自说自话的境地,忽视对女性美学的总结、对自身理论体系的建构以及对本土性别研究资源的整理等.只有高度重视上述问题,才能避免使中国的女性主义实践走向日益僵化的境地.     

政治合法性中的伦理因素

政治合法性与道德领域及其建设紧密相连,这主要表现在,价值认同是政治合法性的重要思想前提和基础,责任伦理对政治合法性的构建产生十分重大的影响;同时,道德因素也在合法化过程中起着极为关键的作用.     

“万物有灵”、“天人合一”与“比德”文学的发生

中华民族具有将自然伦理化的独特文化魅力.原始先民"万物有灵"的自然观到商周时代发展为"天人合一"的自然观,人们认为自然界有着与人的伦理道德同构相通的特性,形成了以自然之物比君子之德的"比德"文化.从文艺发生学来看,只有随着人的主体性的逐步确认,人对自然的审美机制才能逐步形成并完善;而且"比德"文学并不是道德建设直接工具性、借用性、辅助性的文艺手法,而是一种审美活动和艺术创造.     

论明末科举文风的文学效应

明代末年以研讨八股文兼及诗文创作的文社大量兴起,明末文学家大多经过文社的培养而享誉文坛,社团文人成为文坛的主要文人群体.作为备科举考试的社团文人,在社团内接受科举考试训练和八股文创作的学习,同时又从事诗文创作.社团文人的科举思维对他们的诗文创作具有深刻影响,形成明末文坛以六经为根柢的儒者古文.社团文人创作往往借鉴时文法入古文,或者借鉴古文法入时文,使明末文学创作与理论批评具有不同以往的鲜明特色.