明代小说评点伦理意图的形成

古代小说评点的伦理意图一般是用儒家伦理德目作为规范来进行伦理说教，这一意图的形成在不同时期的小说中有所差异。就明代小说评点而言，其伦理意图的形成，与三个方面有关：其一，与经学注疏中的“微言大义”、选学传统中的价值取向、文章学传统中的文法意蕴有关；其二，与明代文人借评点来浇心中之块垒和书商借伦理说教来推销自己的刻本有关；其三，与评点中的小说主旨解读、人物情节分析、作者意图探寻、小说伦理重建等文本路径有关。     

教育小说《歧路灯》在中国小说史上的地位

关于《歧路灯》的题材定位历来众说纷纭.它是属于世情的小说还是教育小说,究竟该给《歧路灯》的题材以怎样准确的定位。从教育小说释名和教育小说题材的流变等方面研究来看,应当确认清代的《歧路灯》为中国教育小说题材,它以散文的写法,通过一定的虚构,描述浪子回头的故事,具有教育意义和某种教寓和惩戒性质。     

讲史的文体形式及其在章回小说生成史上的重要作用

讲史是我国历史上的一种重要文学艺术形式.从文体角度而言,它一方面承继了史传的若干特点,另一方面又以民间的说书艺术点化了史传,使之向章回小说方向发生了决定性的转变.这些转变主要包括叙述者的现身、创作目的的由垂戒到娱人、创作方法的由实向虚以及故事形态的确立等.由于讲史以及这些特点的存在,史传向章回小说的过渡才得以完成.     

浅析网络小说中关于社会公德意识缺失的问题

网络小说作为当代网络文学中重要组成部分之一,其发展受到社会各界的关注,由于刚刚起步,发展中难免存在着各种严峻的问题,而当前发展中的一个重要问题既是网络小说中社会公德意识缺失问题,本着治病救人的原则,笔者着重分析了这种道德现象的成因以及解决问题的一些有益的思考,希望对解决此种问题有所帮助。     

长篇历史小说《孙中山》的纪实风格与艺术品位

长篇历史小说《孙中山》将在纪实基础上的合理想象与在艺术品位中遵循史实有机地结合起来,构成此部作品宏大气场。作品具有穿越时空的力量,将历史文献考据与合理的逻辑演绎精心对接,让历史人物及场景得以真实地再现。小说创作坚持严肃谨慎的态度,不断挖掘细节,丰富精神骨架。既重整体构思,也精细节刻画,注重艺术性和纪实性的高度统一。把历史巨人写成邻家少年,让他从神坛上真正走下来,走到读者中间,走到民众中间,给读者以历史时空的无限想像和智慧启迪。     

诗意红楼－－试论《红楼梦》的诗性本质

小说<红楼梦>是中国诗性思维在小说中的集中体现,与诗呈现出一种血缘的关系.<红楼梦>的叙事艺术中表现出来的抒情性、感伤气质和典雅风格,无不体现出与诗的内在一致性和诗化的美感追求.     

Dystopian Eugenics and Mestizo Futurisms in Eduardo Urzaiz's Eugenia

Set in 2218, the novel Eugenia envisions a contradictory utopian and dystopian future premised upon eugenical engineering. Here, I analyse Urzaiz's vision of the beginnings of eugenics in Mexico. Ultimately, I argue that Villautopia is presented as ever-vigilant and always responding to threats of degeneracy and social disorder, which accurately the reflect eugenicist underpinnings of Urzaiz's time. An analysis of Urzaiz himself and the Yucatán context is key as it envisions, translates and produces new eugenic ideas that deterritorialise eugenics and portrays it both in a ‘positive’ way while providing a series of ‘negative’ possibilities as a probable outcome.     

互动中的叙事模式--中国20世纪20年代雅俗小说形态研究

20世纪20年代中国雅俗小说在叙事模式方面存在较为明显的互动现象,具体表现在讲听模式与写读模式、情节模式与情调模式的转向、互动.叙事模式的互动不仅加速了通俗小说借鉴现代新小说的过程,促使了通俗小说由传统向现代的转变,而且促进了新小说的民族化叙事风格的形成,从而对现代小说格局的多元构建具有重要的价值和意义.     

Secret hideouts and the adolescent experience: Hubert on the art and politics of Adrian and the Tree of Secrets

The following interview examines Hubert's creative process for his graphic novel Adrian and the Tree of Secrets (Arsenal Pulp Press, 2014). It explores his thinking about gender and the adolescent experience in the context of a range of social issues including his own Catholic upbringing. This interview culminates with a discussion about homosexuality in contemporary France, Charlie Hebdo, and larger extremism.     

Elizabeth von Arnim’s The Pastor’s Wife: A Reassessment

Abstract

The Pastor’s Wife (1914) may seem at first reading simply another depiction of a woman struggling for liberation in the decades following the work of Thomas Hardy and Henrik Ibsen, being the story of how Ingeborg Bullivant escapes from an English patriarchal home, only to find herself trapped in another one in Germany. The novel, however, marks a turning point in Elizabeth von Arnim’s career; it is a novel that looks back to previous themes while anticipating those to come. It demonstrates, with comedy and bitterness, themes of alienation and exile; satirizes German codes and class; and provides a lyrical Romantic vision of the natural world. It also presents the married woman as a prisoner in a way that anticipates Vera (1921). The novel can also stand alone as an underrated classic that plays an important part in the history of English literature. Published at the beginning of high modernism, it shows, unlike the work of some canonized writers of the time, a fusion of realism and modernism. This essay argues that the novel is a proto-feminist work that is radical in its portrayal of women’s experience and influenced by literary naturalism in its childbirth scenes, but pessimistic about possibilities for change. The essay shows how the novel is modernist in its depiction of the alienated experience of the city; uses nineteenth-century realism in its narrative structure and comedy; and yet is forward-looking in its use of endings. A book that begins as a comedy but ends as a tragedy, The Pastor’s Wife deserves equal recognition with the work of H. G. Wells and E. M. Forster, writers with whom von Arnim was connected and by whom she was influenced.