论领导艺术的本质特征

多年来,领导艺术被披上一层神秘的面纱。创造性、非规范性、经验性不能揭示领导艺术的真实意义。领导艺术的真谛应该是顺应人性、见识高明、审时度势、简约有效。抓住这四个本质特征,对于把握领导艺术的众多具体内容有着提纲挈领的作用。     

略论警察摄影及其教育

警察摄影是指警察用照相机拍摄与警务工作相关的影像的过程和以警察为题材的摄影作品。警察摄影按题材可以分为警察实用摄影、警察新闻摄影、警察艺术摄影和警察纪实摄影四大类。当前我国的警察摄影主要以警察实用摄影为主，对警察新闻、艺术、纪实摄影长期以来缺乏较为系统地理论研究和摄影教育。这是我国警察摄影教育中的一大盲区。警察摄影应该是全方位的警察摄影，警察摄影教育应该是全面的摄影教育。警察摄影理论的完备应该成为警察摄影教育发展的基础。     

艺术在现代社会的终结与重生

艺术是人认识自由真理的初级阶段,也是人实现其自由本性的第一个领域。人的自由理性、人类心理的自由需要便是艺术根本和必然的起源。艺术终结,与其说是黑格尔从当时的艺术实践中观察到的现象,不如说是黑格尔从他的理论体系中推导出来的结果。只要人类没有终结,艺术就不会终结。     

Topics in terrorism research: reviewing trends and gaps, 2007-2016

ABSTRACT

The topical focus of research on terrorism has frequently been critiqued for being too narrow, too event-driven and too strongly tied to governments’ counterterrorism policies. This article uses keyword analysis to assess the degree to which these issues remain present in the literature on terrorism as represented by the 3.442 articles published between 2007 and 2016 in nine of the field’s leading academic journals. Several fluctuations notwithstanding, research on terrorism has retained a strong focus on al-Qaeda, jihadist terrorism more generally, and the geographic areas most strongly associated with this type of terrorist violence. Results also indicate that the field remains event-driven and consistently underemphasizes state terrorism as well as non-jihadist terrorism, such as that perpetrated by right-wing extremists.     

论公安民警文化素质教育之书法艺术欣赏

文章从提高警察文化艺术修养的角度,对中国书法的产生与发展、审美特征、名家名作、欣赏与品评等问题进行了阐述,以引导广大公安民警加深对祖国传统艺术的了解、提高公安民警的书法欣赏能力、丰富警察队伍的文化内涵、建设良好的警察文化。     

公安领导者素质谈

随着 2 1世纪的到来和我国社会主义现代化建设的不断发展 ,公安工作形式发生了很大变化 ,公安工作面临着时代严峻的挑战。公安领导者具备良好的素质是顺利开展公安工作的前提条件。跨世纪公安领导者应着重具备政治素质、法制素质、知识素质、科技素质和管理素质。     

青年与艺术审美浅论

艺术作为艺术家对现实生活创造性反映的产物,能唤起青年对审美理想的追求,激发青年的创造力,使青年获得艺术的关感和深刻的启迪,为此,要重视青年的审美教育,鼓励他们进行艺术创造.     

Stronger core,weaker fringes: the Danish general election 2019

Abstract

The 2015–2019 election period was long; hence, the election campaign had already begun when the Prime Minister called the election for 5 June 2019, just 10 days after the EP election. Nine already established parties, one old yet unrepresented party and three new parties, two of which are (very) opposed to immigration, fielded candidates across the 10 electoral districts for the 175 seats in parliament (excluding the four MPs elected in Greenland and the Faroe Islands). The overlapping EP election, climate and immigration characterised the campaign agenda. One of the new (anti-immigration) parties made it into parliament, and among the established parties, some were (more than) halved, others were (more than) doubled and some remained stable. In particular, the two government (supporting) parties, Liberal Alliance and Danish People’s Party, received a slap in the face from the electorate. While the Prime Minister’s party, the Liberals, did well, the majority shifted to left of centre, which resulted in a minority Social Democratic government headed by Mette Frederiksen, supported by the Red?Green Alliance, Socialist People’s Party and Social Liberals.     

Geoengineering the climate and ethical challenges: what we can learn from moral emotions and art

ABSTRACT

Climate change is an urgent problem, requiring ways and approaches to address it. Possible solutions are mitigation, adaptation and deployment of geoengineering. In this article we argue that geoengineering gives rise to ethical challenges of its own. Reflecting on these ethical challenges requires approaches that go beyond conventional, quantitative methods of risk assessment. Quantitative methods leave out important ethical considerations such as justice, fairness, autonomy and legitimacy. We argue that emotions and art can play an important role in ethical deliberation about geoengineering. Emotions can point out what morally matters. We also examine the role that works of art can play. Recently, artists have become involved with risky technologies. We argue that such artworks can contribute to emotional-moral reflection and public deliberation on geoengineering, by making abstract problems more concrete, letting us broaden narrow personal perspectives, exploring new scenarios, and challenging our imagination.     

Applying cartosemiotics to rock art: an example from Aspeberget,Sweden

This study aims to shed new light on the petroglyphs found at the site of Aspeberget 12 at the World Heritage site of Tanum, Sweden, from a semiotic perspective. We demonstrate the semiotics of power inherent in the arrangement of the petroglyphs. We start by describing the site in an archaeological way, in order to give an overview of the empirical material used in this case study. Against the backdrop of the overview, we introduce our analytical tools with reference to cartosemiotics, cultural semiotics and, Charles Sanders Peirce’s theory of signs. We suggest, in a tentative conclusion, that Aspeberget 12, as a type of “map”, displays a clear “Ego-culture” and a possible journey. We also suggest that the visual narratives at Aspeberget 12 represent the authority of the Ego-culture and its development. Details of the figurative images such as ships, axes and spears might have been displayed as markers of the high technological standard of the Ego-culture, and thus of power.