S.O.S. or Subsidy for Our Screen and An Examination of Subsidy Abroad

Discourse about the impact of art has been prominent in academic and arts industry discourse over the past two decades. Contention in the discourse has led to the call for new research frameworks that place the experience of the individual as central to understanding the impact of art. The authors present the background of this discourse and outline narrative inquiry as a research method that elicits individual experiences. The authors present the findings of a narrative inquiry and establish that the way individuals experience art and its impact is far broader in scope than previous research suggests.     

Mass Media and Politics

Although Howard Becker defines art worlds as networks of cooperating people and a broad range of studies has applied this idea of the network to art markets, research on fairs remains a neglected issue. This article aims to advance the idea of the network and the art fair with regard to the art fair boom, the differentiation of art fairs and their interlinking, and the role of networks with regard to the participating galleries and their interlinking within art fairs. Quantitative and qualitative data are brought forward to shed some light on these issues, including statistical information, along with interviews.     

论我国禁赌斗争的长期性和艰巨性

历史与现实表明,全世界赌博从来未曾禁绝过,成为一种经久不衰的社会历史现象。在经济飞速发展、科技突飞猛进、法制日渐完备的今天,赌博仍是社会的一处独具“魅力”的风景线,城乡赌风日盛,屡禁不止,已成为一大社会公害,禁赌任务十分繁重。之所以如此,与赌博自身的本质特性分不开,也与复杂的历史和现实原因密切相关。因此,禁赌斗争必然是一场攻坚战、持久战。     

From 'My Vote' to 'The Real Alternative': Selling the Liberal Democrats

As the third party in British politics, a compelling message is crucial for the Liberal Democrats. Overcoming a prevailing sense of a wasted vote is key—achieved by, we argue, demonstrating political potency. This article explores the synergy between the Liberal Democrat leader and the message; the relationship of each election message to the political reality in which the party finds itself; and the role of polling in messaging. We explore what is—and is not—a message, and the role of negative messaging by the Liberal Democrats since 1992. We consider the limitations of messaging and the lack of control that a third party has over its message. In conclusion, we reflect on what the lessons learnt by the Liberal Democrats over the last four elections may mean for the messaging at the next general election.     

美术专业党建工作的理论与实践

高校美术院系担负着培养美术人才的重任,必须以贯彻落实"三个代表"的高度来认识做好美术专业学生党建工作的重要性,根据美术专业学生的特点,积极开展党建工作.     

Fair use of works of art in children's games

The aim of this article is to examine the legal possibilities available to creators of children's games, enhancing art education. It focuses on the type of games that enrich the learning experience by means of works of visual, verbal or musical art. I do not deal with the technology of the digital age, but examine the educational art game as a ‘derived game’, containing the original work of art (as a component of the game), and discuss in depth the issue of the use of works of art, integrated in children's games. The situation in this sphere is murky. In the toy shops there are no games providing enrichment in the understanding of art, and shops in art galleries have only a few games with reproductions of pictures in those galleries. The subject is particularly important in view of the fact that children are not exposed to works of art contributing to their cognitive development and critical perspective, and when they do see works of art, they are usually behind some barrier and not easily accessible. The complex situation created by strict copyright laws deters the planners and producers of games and makes such games expensive. As a result, we as a society, fail to exploit a powerful experiential means to enrich the cultural world of the younger generation. This article examines the possibilities of establishing a right of fair use of reproductions of works of art in children's games.     

想象:真正的艺术——论科林伍德艺术本质观

艺术想象作为艺术理论中最基本的范畴之一 ,历来是美学和艺术理论界的研究热点。从宏观的视角 ,科林伍德分析了在人类活动的大框架下想象活动的特殊性 ,主张艺术是人类特有的一种想象性的创造活动 ,是一种总体活动的想象性经验的情感表现 ,指出想象与真理、虚拟既有联系也具有明显区别。在微观方面 ,他将想象置于感觉、思维、意识、印象、观念及注意等诸多心理因素中进行考察 ,说明了想象在心理结构中的重要地位和作用     

论现代建筑艺术设计中的传统人性回归

在理性与科技日益撕裂与异化人类情感与天性的当今时代,对人性的回归与天禀的呼唤成为现代建筑艺术设计的一种价值与文化诉求,人性的凸现与彰显也成为现代建筑艺术设计思想的内在灵魂。     

试论比喻的异质原则

比喻的本体和喻体必须是本质不同的事物。修辞教学中产生比喻划界上的不同意见，大多源于对“异质原则”的不同理解。本提出辩证地理解比喻的异质原则。即判断本体和喻体是否同类，不可拘泥于简单的自然类属，必须具体分析作设喻时选择的事物属性；本体和喻体的关系，从完全不同类到同类，是渐变的连续过渡，在中间地带很难绝然划分；本体和喻体的自然类属相同时，对本体是否有艺术表现力，可以成为辨识比喻的重要标准。     

大唐雄风:唐镜工艺美术赏析

盛唐之季,经济繁荣,社会安定,人们审美需求很高,尤其妇女,普遍喜爱修饰打扮,因而铜镜盛行。人们不仅注意铜镜的实用价值,而且追求其审美价值。铜镜上的工艺美术,反映了唐人企望吉祥和瑞的生活追求、多样统一的审美理想和精湛的工艺水平。