陶艺--大众的艺术

陶艺,从古至今,一直在人类的生活中扮演着实用功能与精神功能的双重角色。陶艺与人类关系的密切性说明了它是存在于我们最普通的生活中的一门大众的艺术。陶艺是最接近人性的,因而也是最容易普及的大众艺术。只要你做过,只要你去做,就能体会到这种艺术的巨大魅力。     

浅论工会领导艺术及特点

工会领导者在履行职责过程中,面对工会工作复杂局面,不仅要掌握工会工作方法,还必须掌握相应的领导艺术,以达到事半功倍的突出效果。工会领导艺术具有创造性、灵活性、适度性、随机性、说服性等特点,认识和掌握这些特点,可以使工会领导者在工作实践中,不断提高其领导水平,更好地实现工会领导目标。     

课堂英语教学中的教学语言艺术

课堂英语教学是师生共同进行的教与学的双边活动,其效果如何在很大程度上取决于英语教师的教学语言艺术。英语教学有课堂用语、教师传授新知识的用语等4种。教学时要注意英语课堂教学语言的情感艺术、组织课堂的艺术以及提问艺术、评价学生的艺术和对学生提出要求的艺术。     

Leaders, voters and activists in the elections in Great Britain 2005 and 2010

Discussion of the relationship between parties and the electorate is often based on the notion of partisan constituencies, that parties adopt policy positions that correspond to the average position of the party supporters. In contrast, the Downsian “spatial model” assumes that parties are purely opportunistic and maneuver to gain as many votes as possible. A third, more empirical model, based on the early work of Stokes, assumes that voter choice is based on the evaluation of each of the party leader’s competence or ability to deliver policy success. Such an evaluation can be provided by individual voter overall assessment in terms of the leaders’ character traits.This paper attempts to relate these three classes of models by examining the elections in Great Britain in 2005 and 2010. Using the British Election Study, we construct spatial models of these elections in Great Britain as well as in the three regions of England, Scotland and Wales. The models incorporate the electoral perceptions of character traits. We compare the equilibrium vote maximizing positions with the partisan positions, estimated by taking the mean of each of the parties voters’ preferred positions. We define an equilibrium to be a stable attractor if the vote share at the equilibrium exceeds the share at the partisan position by a significant proportion (determined by the implicit error of the stochastic model). We infer that none of the equilibria are stable attractors, and suggest that the partisan positions are also preferred by the party activists, the key supporters of each party.     

民间文学艺术作品的立法保护

随着社会的发展,我国民间文学艺术作品的保护得到越来越大的重视,拟就内涵、保护中存在的问题及解决的办法予以分析,希望能够为我国民间文学艺术相关制度的出台有所裨益。     

西方公共部门领导力研究述评

自公共部门领导力的概念提出以来,西方公共部门领导力研究经历了从起步到停滞再到繁荣的发展过程。本文通过对比同时期公共部门领导力研究领域与主流领导力研究领域之间的不同发展状况,详细分析了西方公共部门领导力研究的发展脉络及现状,并提出了该领域未来主要的研究方向。     

专业教学中艺术思维训练的重要性

艺术设计专业近些年来发展迅速,正逐步走向成熟完善的阶段.在艺术设计专业教学过程中我们通常会把技法作为主要的教学内容,而忽视了艺术思维的训练.艺术设计专业的最终培养目标是实现专业技能与审美能力的同步提高.那么,艺术思维的开发与训练就成为艺术设计专业教学研究的新方向.     

间接语言与梅洛-庞蒂的艺术观

本文以法国著名哲学家,知觉现象学的创始人莫里斯·梅洛-庞蒂晚年未完成的著作《世界的散文》中专论艺术的一节——＂间接语言＂——为研究对象,通过阅读文本提炼大师梅洛-庞蒂的艺术观。在梅洛-庞蒂的眼里,艺术是实在性的展开,是存在者存在状态的彰显,是对生活世界的知觉显现的瞬间捕捉。对于＂生活世界＂的认识,以及艺术如何＂表达＂生活世界的观点,他迈入了前人从未涉足的领域。     

Managing the People: Art Programs in the American Depression

How do “classical” big art institutions (museums, the ballet, the opera, symphony orchestras) react to phenomena of globalization such as migration flows, the “denationalization” of artistic movements, the enormous growth of the number of artists, the trend of a global cultural branding of cities, etc.? And which cultural policies do governments develop to interfere in the relationship between those art institutions and their changing environments? Those were the central questions I asked while doing research about the position of art institutions in society today. The research concentrated on a very diverse sample of big art institutions in Europe. The research begins with the insights of Actor Network Theory and the political philosophy of Antonio Negri and Michael Hardt and leads to an ideal typical two-dimensional model to classify the possible strategies that such institutions and their responsible governments can use on the local, national and international level.     

The Intellectual and Cultural Dimensions of International Relations: Present Ironies and Future Possibilities

Reported is a study that focused on the Millennial Generation and potential differences in viewing an exhibition in person versus online. The exhibition featured the artwork of Paul-Henri Bourguignon, whose extensive body of work includes a variety of paintings and drawings that employ a wide range of styles. Some viewers traveled to the physical space of a museum gallery, while others viewed reproductions of the same works on the Internet. Informants engaged in reflexive self-interviews using Dervin's Sense-Making Methodology. The authors compare viewers’ responses to works experienced in person versus online and discuss implications.