台湾日据时期现代文学期刊：对抗与规训的纠葛

在日据时期台湾现代文学的发展过程中,文学期刊为台湾作家提供了发表园地,对台湾文学的发展起到了重要的推动作用。媒体是文学的外围,是文学传播的重要环节,可以将其作为日据时期台湾现代文学的文化背景来解读。在此时期,进步媒体传播民主理念和思想,成为民主启蒙运动的载体。同时也有一些对殖民当局进行协力的文学期刊社团存在。日据时期台湾文学反殖民和追求社会进步的历程,在某种意义上可以说是媒体角力与媒体抗争史。     

构建女性中心的文学批评话语——伊莱恩·肖瓦尔特的“女性批评学”研究

伊莱恩·肖瓦尔特(Elaine Showalter)于20世纪70年代提出的女性批评学是英美女性文学批评的核心理念,对于确立女性中心的文学批评话语、构建英美女性文学史和塑造女性主体身份具有重要的指导意义。本文主要考察女性批评学的理论内涵和述评国内外对该理论的批评研究,试图在当代语境下对女性批评学作出较为全面客观的评价。     

试析文学作品类思想政治教育资源的合理利用

思想政治教育资源的利用与开发是提高思想政治实效性的重要保证。通过阐释思想政治教育资源的含义及其开发利用的重要性,分析了在思想政治教育过程中,文学作品类教育资源利用的几个常见误区,提出通过还原本色、多角度透视解读和挖掘文本中的积极蕴意等方法合理利用文学作品类思想政治教育资源,充分发挥其教育功能,提高利用效率。     

Kalevipoeg: Aspects of Genre and Authorship

F. R. Kreutzwald introduced the Estonian national epic Kalevipoeg (1861) as genuine folklore, overshadowing his own prevalent role in its creation: the problems of genre and authorship persist in the text. Firstly, Kalevipoeg was shaped by the poetics of romantic balladry. This can be proved by its author’s devotion to the ballad; in addition, many a lyro-epic folk song has been integrated into Kalevipoeg. Thus, a ballad-like lyro-dramatical-epical structure bears upon the work which gave rise to a new form: the lyro-epic epic. Secondly, a complex cluster of authorship can be extracted from Kalevipoeg: personal, fictional, intertextual, and discursive authorships.     

毛泽东文艺思想的当代总结——纪念《在延安文艺座谈会上的讲话》发表70周年

毛泽东文艺思想诞生于新民主主义革命过程中。其形成过程较长,成熟的标志是1942年5月《在延安文艺座谈会上的讲话》的发表。《讲话》这部经典著作,在当时和发表后相当长时期内,成为中国共产党制定文艺政策的理论依据,在当今时代仍然对文学艺术的生产具有重要指导意义。建国后毛泽东在文艺政策上的失误,并不证明毛泽东文艺思想已经过时,它的许多基本论点仍然是正确的,但在新的时代要进行认真总结,对之加以改进和完善,以建构起新时代的文艺理论。     

屈原诗歌四大主题的共时格局

在屈原的许多作品中,都反映了"宇宙、神、人、我"历史流程中形成的四大文学主题,它是一种共存状态的整体之美,这是其他文学家所无法比拟的。在中国文学史上,这四大主题同流并进,不可避免地渗透与融合,但总体是以某一种为主其他为辅。而屈原作品汇聚这四大主题在诗史上已成不争的事实。     

定量CT用于测量颅骨力学强度的实验研究

利用尸体颅顶骨标本80例，在用理化方法测定骨中水、盐及有机质成份比例和半静态抗弯、抗压力学实验的基础上，将标本首次进行矿物质含量（密度）的定量CT测定。运用统计学方法对定量CT测定值和骨质的抗弯、抗压强度之间的关系进行了分析。实验结果表明，颅顶骨抗弯强度与颅项骨松质的矿物质含量和颅项骨抗压强度与颅顶骨内板皮质矿物质含量之间存在较好的正相关，其相关系数分别为O．51和O．34（P＜0.01）。     

Kawabata's views of language and the postwar construction of a literary genealogy

Abstract

This paper shows the ways in which, in the immediate post-war period (1945–1951), Kawabata Yasunari (1899–1972) reflected on his earlier, pre-war literary career and re-envisioned his postwar literary trajectory by constructing a new genealogy of the modern novel in Japan, in relationship to the intricate issues of the literary styles of the modern novel, ‘national language’ (kokugo), and the literary tradition. By examining his Shin bunshō tokuhon (New Guide to Literary Language, 1950), which presents Kawabata's past and present views of literary language, I will argue that Kawabata's changing views of language and literary style must be understood in the context of contemporary debates over national language policy and language reform movements. I will show the manner by which Kawabata formulated his views of language in dialogue with his two rival writers: Yokomitsu Riichi (1898–1947) in the prewar period and Tanizaki Junichirō (1886–1965) in the postwar period. As we shall see, the death of his close literary colleague Yokomitsu in 1947 and Tanizaki's unflagging literary exploration during and following the war prompted Kawabata to position himself in a genealogy of modern Japanese literary writers as well as in relationship to the linguistic and literary tradition of Japan.     

The Soviet Reception of Selma Lagerlöf

Abstract

The focus of this paper is Selma Lagerlöf’s literary presence in Soviet Russia. Despite being one of the most translated and published foreign authors in pre-revolutionary times, Lagerlöf made very infrequent appearances on the Soviet literary scene for 40-odd years between 1917 and the end of the 1950s. The process of literary production is examined in this paper in search of an explanation for the changing pattern in the publication of Lagerlöf’s texts. To problematize the process of literary production in the newly established Soviet state, Foucault’s conceptualization of the process of knowledge construction is utilized to describe, understand, and explain the interplay between critical resources, such as linguistic and literary expertise, individual initiative, and the government-controlled publishing enterprise in the Soviet state. I argue that the agency of literary workers remained relevant to the literary process, despite increasing ideological pressure on literary production, and that they paved the way towards the official reintroduction of Lagerlöf to the Russian Soviet readership during the 1950s.     

Fagerholm Goes Oprah: Minor Literature,Global Market,and Gender in Literary Exchange

Abstract

In this article, I study the journey of the Finland-Swedish author Monika Fagerholm’s (b. 1961) novel The American Girl to the pages of O, The Oprah Magazine. This event, here called “Fagerholm goes Oprah”, offers an illustrative example of the global movements of literature today, and of the ongoing negotiation of relations between local and global, the Nordic countries and the USA, minor literature and the global market. The article describes the different phases of the transmission of this novel, studies the means by which a novel from a minor body of literature transgresses its geo-linguistic position and, in this specific case, demonstrates the role of gender. In this way, the novel not only creates fictive, transnational spaces for its female characters and readers, but it also enters and contributes to a network of female agents in widely different geographical and cultural contexts. The event “Fagerholm goes Oprah” is a sign of the ongoing globalization of the literary field, but its reception also reveals the presence of an opposing tendency: the continuing significance of localization in literary exchange. All in all, the novel and its reception illustrate the many strategies used to create a connection between two different cultures, and also display the importance of various cultural currents in the transmission of the novel, such as feminism and Nordic Noir.