The Outer Limits of Copyright Law – Where Law Meets Philosophy and Culture

This article engages in a cultural critique of copyright law. The point is to explain how and why this body of law is culturally exclusive, notwithstanding the claims made by judges and others that the law is culturally open and inclusive. This involves a discussion of the relationship between philosophy and law, and of how this nexus has been misrepresented by the courts and in recent writings on the subject. Analysis centres on a discussion of Australian case law involving indigenous claims of communal ownership of copyright and the treatment of technology when it comes to attributing authorship.     

20世纪中国政治文学研究思潮的逻辑演进——以鲁迅研究的政治学传统为视角

学术思潮的形成与社会思潮的关注兴奋点密切相关,也与外在社会政治运动的不断促进紧密相连.对学术研究热点的考察和清理不仅能够仔细了解不同观点的阐释角度和立场姿态,也能够从中把握社会思潮的流变过程.鲁迅研究处在中国现代文学研究的核心位置不仅仅是鲁迅本人的文学成就使然,更是因为鲁迅研究所提供的精神资源以及从鲁迅研究所衍生出来的...     

“万物有灵”、“天人合一”与“比德”文学的发生

中华民族具有将自然伦理化的独特文化魅力.原始先民"万物有灵"的自然观到商周时代发展为"天人合一"的自然观,人们认为自然界有着与人的伦理道德同构相通的特性,形成了以自然之物比君子之德的"比德"文化.从文艺发生学来看,只有随着人的主体性的逐步确认,人对自然的审美机制才能逐步形成并完善;而且"比德"文学并不是道德建设直接工具性、借用性、辅助性的文艺手法,而是一种审美活动和艺术创造.     

论明末科举文风的文学效应

明代末年以研讨八股文兼及诗文创作的文社大量兴起,明末文学家大多经过文社的培养而享誉文坛,社团文人成为文坛的主要文人群体.作为备科举考试的社团文人,在社团内接受科举考试训练和八股文创作的学习,同时又从事诗文创作.社团文人的科举思维对他们的诗文创作具有深刻影响,形成明末文坛以六经为根柢的儒者古文.社团文人创作往往借鉴时文法入古文,或者借鉴古文法入时文,使明末文学创作与理论批评具有不同以往的鲜明特色.     

试论文学意义的多层次存在

文学意义问题在西方现代文论中占有非常重要的地位。本文分析了作者意图、作品意图和读者意图等文本意义存在的三个层面,阐述了这三个层面之间的关系,指出文学意义的实现依赖于作者、作品和读者之间的综合作用,对任何一方的忽略或过分强调,都不可能对文学意义有完整的理解。     

完善译文的文学功能乃文学翻译的核心问题——兼论文学翻译的创作本质

文学翻译的过程同时也是创作文学作品的过程.文学翻译的性质决定了文学翻译的核心问题是努力做到全面实现译文的文学功能,即原文文学意境的传达,或者说原作文学效果的再现,译者应当把完善译文的文学功能作为自己的主要目标.因此,创作文学作品是文学翻译的根本任务,而译文则是作者和译者共同写作的结果.     

历史与逻辑统一：文学史研究的伪命题

历史与逻辑统一,出自哲学领域,有其错误与弊端.该命题出于预定式思维方式,实违背辩证法精神.历史与逻辑统一,与历史、文学史研究的特性不合,是文学史研究的一个伪命题.应放弃此类理论幻想,追求文学研究的多样与灵活.     

法的主体性与公共性的分立与契合——对构建法治社会和谐利益秩序的一点思考

法的主体性是指法体现的各主体的利益和意志的不平衡程度,法的公共性是指法体现全社会公共利益的程度,法的主体性与公共性是法的双重属性,它们既是分立的,又是契合的。追求利益秩序的和谐是法治的基本目标,欲实现这一目标,正确处理法的主体性与公共性的关系是其关键。     

论萧红作品对当今文学创作的启示

萧红的作品来源于生活,恰切地表现生活,具有丰厚的内涵;同时,她的作品具有创新性,所以艺术质地优良;她忧国忧民,与人民同呼吸共患难,具有高尚的品格。这些是当今文学创作可借鉴之处。萧红作品对当今文学创作的启示是:恰切地反映客观生活,是文学作品取得成功的主要因素;意识的超前与艺术的创新是文学创作成功的必要因素;好的文品出自好的人品。     

‘A MAD age’: Heibon Punch,student protest,the media and consumer society in Cold War Japan

Abstract

In the 1960s, Heibon Punch became one of the most popular weekly magazines in Japan. It was the first weekly magazine aimed at young men and I examine here a selection of articles from the late 1960s, a period of violent student protests and international uncertainty, to argue that the importance of Heibon Punch can be found in the creation of a commodified urban, male subjectivity. In the pages of Heibon Punch, the counter-cultures that were emerging along with the protest movements taking to the streets of the major cities, became firmly embedded within the ideological state promotion of a consumer culture. The government's explicit connection of national development to domestic consumption after the ANPO protests was tied to American military and economic power, and was simply one more assault on popular sovereignty. In the pages of Heibon Punch, the political nature of the social and economic transformations wrought by high-speed economic growth was effaced by the relentless consumerisation of individual subjectivity. I place the magazine, its editorial stance and mediatisation of subjectivity, within the broader emergence of an urban, middle-class culture of consumption that served to blur the contours of individual male subjectivity, and was, in many ways, a precursor of neo-liberal subjectivities that emerged full-blown both politically and economically in the 1970s and 1980s. By pressing its readers to decide for themselves how to negotiate the identities, ideas, and goods on offer in its pages, Heibon Punch shifted the focus of political subjectivity from the established social and political system to the core of the individual subject.