An Ethical Interpretation of Free Will and Game-Playing in Harold Pinter's The Lover

Harold Pinter's The Lover (1963) arouses reflections on the marital ethics. As the main plot of the play, the game-playing between Richard and Sarah in their house demonstrates literally the social and ethical transformation during 1960s—1970s. By using the artistic technique of role-switching, Pinter intends to decode the fact that Man is an existence of Sphinx factor, composing human and animal factors, which causes the extramarital love. During the erotic game, the couple is controlled by the animal factors, and their free will overcomes the moral obligation within the ethical conflicts. There is no doubt that the essence of game-playing is how to make the ethical choice. At the same time, the negative effects from the extramarital love is also emphasized.     

Reflections on the Thoughts that Revolutionized the World

正How to Change the World:Tales of Marx and Marxism Author:Eric Hobsbawm Price:RMB 88(hardback)Published by Central CompilationTranslation Press in March 2014,BeijingBRITISH historian Eric Hobsbawrr has become synonymous with serious historiography.But in 2014,he became a hit in China's literary circles.The scholar's sudden popularity began with the publication of the first Chinese edition of How to Change the World.In less than a month,the first run of 3,000 copies was sold out,and a second run was hastily printed.For an academic book priced at RMB 88,the market was unexpectedly eager.Hobsbawm was born in Egypt in 1917.At two years old,he was brought to Vienna and soon to Berlin.In 1933 when Hitler took     

Introduction: Kawabata Yasunari in the twenty-first century

Abstract: This introduction argues that there is a need to engage in a fresh re-reading of Kawabata Yasunari. It proposes several possible approaches, including using Kawabata as a model for understanding processes of literary canonization, a rethinking of his reception around the globe during the Cold War period, and a historicization of his work in relation to the various censorship regimes that existed in twentieth-century Japan. It also provides brief summaries of the articles contained in this special issue.     

古代文论诠释主体的境界层次论

在对古代文论的诠释中,诠释主体应该具有不同层次的境界:知识境界、道德境界、心灵境界。它们分别构成意义还原的基石、合理诠释的规范、审美交往的保障;且三种境界融合协作对古代文论进行和谐贯通、生生不息的诠释。诠释主体的诠释境界对古代文论的诠释及当代文论的建构具有重要作用。     

国际私法的主体性建构与国际私法立法——理想和现实之间的紧张与疏解

国际私法主体性可以在本体论意义、认识论意义和价值论意义等三个层面上进行界说,它不仅包含对中国国际私法理论和实践现状的反思,也隐含了对中国国际私法理论和实践现状理想状态的勾勒,以及对理想与现状之间的紧张关系的疏解。主体性缺位正是造成国际私法在立法期未能取得突破的重要原因之一。     

魏晋风度:中国文化史上的独特景观

魏晋风度是中国文化史上的一种独特现象。魏晋名士清谈玄理、品评人物、服药饮酒以及日常的言行举止,既展现迷人的风度气派,也蕴涵着深刻的文化意义。     

民族国家观念的建构与女性个体国民身份确立之间的关系

近代中国的女权运动与民族主义运动是现代性追求的两个侧面。文章首先分析了“天赋人权”观和“民族国家”理念的内在逻辑,论证“天赋人权观”和“民族国家观念”内在地包含着女性个体身份确立的要求,其构建和传播过程为近代女权运动开拓了新的话语空间。其次,分析观念传播和话语建构的过程,分析男性和女性话语的共性和差异性。认为近代女权主义者策略性地使用了男性主流话语和国家主义的女权逻辑,同时,女性通过构建“同为国民,同担责任”的话语和“同担责任”的行动确立了女性的主体身份和彰显了女性的主体性和能动性。     

现代文学场域下的女性写作--论女作家陈学昭的创作风格及其文坛地位的形成

本文通过现代女作家陈学昭创作风格的形成,探讨女性写作在现代文学史上成长的可能性空间,事实证明,女性写作是在一种被男性文学叙事规约和询唤的美学潮流的引领下进行的,适应并不断复制主流话语,是在文学场域得以生存的条件,除此之外,似乎别无他路。陈学昭的创作只有适应主流叙事的那种被界定为清丽温婉的美学情调得到了认可,而作品里独特的、鲜活的、可以触摸的生命意志被遮蔽掉了。对于一个并不自主的制度化场域来说,文学与新民主主义革命的独特关系,使得陈学昭一类的作家缺少必要的写作空间。     

马克思实践主体哲学与人类中心主义

实践性与主体性是马克思哲学的基本特征。实践主体哲学意境中的人类中心主义既坚持人类利益是人行为的出发点和最终归宿,又强调人在处理人类与自然矛盾中的主体性道德责任。     

殷璠文学史观简论

《河岳英灵集》是唐人选唐诗的选本中最为出色的一部。殷在这个集子中不但择选了最能够代表盛唐诗风的诗作,而且表达了盛唐诗坛所认同和追求的诗学原则和审美理想,以及自己对文学史的评断。其中,主要的就是对六朝绮靡浮艳之风的批判,并将此与恢复风雅之道联系起来,以复古定义革新。他同时也肯定了六朝诗人的长处,并对形成了声律风骨兼备的精神风貌的盛唐诗坛做出了肯定的历史评价。