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291.
易卜生的诗剧《培尔·金特》是一则关于斯芬克斯因子的不同组合与变化的寓言,展示了理性意志、自由意志和非理性意志之间的伦理冲突.培尔的“白日梦”是其兽性因子的表达与彰显,培尔的“出行”是对伦理责任的逃逸和规避,是其理性意志处于蒙昧状态、非理性意志肆意膨胀的体现;培尔的“归家”是其理性意识得到提升,克服非理性意志,摆脱兽性因子,向人性因子靠拢的选择,最终成为与兽相区别的、伦理的存在.本文紧扣“白日梦”“出行”“归家”三条伦理主线,通过逐一解构伦理选择、伦理身份、伦理意识等若干伦理结,来试图剖析易卜生蕴含在作品深处的道德旨趣:在受到道德指引、遵守道德准则的情况下,人的理性意志就会增强,人性因子得以彰显,人会成为一种伦理的存在;如果缺乏伦理意识,违背道德准则,缺乏道德指引,人的非理性意志就会占据上风,兽性因子就会失控,人就会误入歧途,实施伦理犯罪,引发伦理混乱.  相似文献   
292.
This article delves into the uses of history and examines how the enlisting of Indian soldiers – particularly from Punjab – into the British Indian Army during the First and Second World Wars has been memorialized and remembered in contemporary Britain. This issue has become particularly salient in the light of the politics of the so-called ‘war on terror’ or ‘new imperialism’, which Paul Gilroy and Vron Ware argue has heightened tendencies towards militarism in British society. Using examples from the public sphere – remembrance day events, TV documentaries and army recruitment fairs – as well as interview material, I argue that Britain's Punjabi communities have been organizing in order to weave themselves into the national tapestry by memorializing role played by Punjabis in the First and Second World Wars – iconic to the national fantasy, using this forgotten history to demand recognition from the state and stake a claim for citizenship. In the ‘new imperialism’, however, it is not equally possible for Sikh and Muslim Punjabis to argue for their inclusion on the terms of militarized citizenship, and the various chords within the diaspora seem to be increasingly disharmonious, effacing their composite and shared colonial history.  相似文献   
293.
The third volume of David Garland's trilogy attempts to characterize recent developments in the field of crime control and criminal justice in terms of the emergence of a ‘culture of control’. For these purposes the author claims to use the genealogical method developed by Michel Foucault. This essay argues that Garland's selective reliance on this method amounts to an undoing of the Foucauldian ‘project’ insofar as it re-introduces the objectivity/subjectivity dichotomy which Foucault had tried to subvert throughout his work. This undoing entails profound consequences for the politics of The Culture of Control, which concludes on a reformist proposition that forsakes a form of resistance grounded on the awareness of its own, intrinsic limitations.  相似文献   
294.
正How to Change the World:Tales of Marx and Marxism Author:Eric Hobsbawm Price:RMB 88(hardback)Published by Central CompilationTranslation Press in March 2014,BeijingBRITISH historian Eric Hobsbawrr has become synonymous with serious historiography.But in 2014,he became a hit in China's literary circles.The scholar's sudden popularity began with the publication of the first Chinese edition of How to Change the World.In less than a month,the first run of 3,000 copies was sold out,and a second run was hastily printed.For an academic book priced at RMB 88,the market was unexpectedly eager.Hobsbawm was born in Egypt in 1917.At two years old,he was brought to Vienna and soon to Berlin.In 1933 when Hitler took  相似文献   
295.
This paper argues that the development of the identity of the professional woman writer as a ‘lady novelist’ in the mid-eighteenth century has had a lasting and detrimental impact on the status of women's writing that lingers through to the present, particularly in the critical discourse surrounding chick lit. The first part of this paper discusses the figure of the lady novelist and traces her centrality to criticisms of women's writing from the eighteenth century through to the twenty-first. The second part of this paper then examines the haunting presence of the lady novelist in the metafictional works of seven representative women writers: Jane Austen's Northanger Abbey (1818), Elizabeth Barrett Browning's Aurora Leigh (1856), Louisa May Alcott's Little Women (1868), L. M. Montgomery's Anne of Green Gables (1908), Betty Smith's A Tree Grows in Brooklyn (1943), Fay Weldon's The Life and Loves of a She-Devil (1983), and Candace Bushnell's The Carrie Diaries (2010). By drawing a through-line that connects these texts, I argue for a renewed understanding of the ways in which Western women writers from the eighteenth century to the present are unified by a pervasive anxiety about being a ‘lady novelist’.  相似文献   
296.
This article explores the politics of style in the writing of Maeve Brennan. Brennan's concern with style, subjectivity and power is strikingly visible in her short stories and ‘Talk of the Town’ essays for the New Yorker. While in some of her short stories published in the New Yorker in the 1950s, Brennan seems to offer an extended critique of dandyism, elsewhere in her writing self-fashioning takes on an altogether more positive value and is steeped in the political as well as literary commitments of her work. The article argues that Brennan's interest in the politics of style, both personally and in her writing, is informed by the different strategies she deployed as an Irish woman writer establishing her place amongst a New York literary elite in the mid twentieth century.  相似文献   
297.
编辑学基础理论的研究在不断地深入,取得了丰硕的成果。随着形势的变化和哲学理论研究的深入,研究者的研究也发生了转向,由传统的主—客体二元对立,到主体性的探讨。哲学理论研究成果被积极地引入学术期刊编辑实践中来,并指导编辑工作。在中国新闻出版体制改革背景下,传统的编辑活动模式已经不再适应新的需求,旧的模式必须要做调整。在对西方哲学研究做一番梳理之后,试图运用马克思主义主体间性的理论来指导学术期刊编辑活动的调整。  相似文献   
298.
江保国 《政法学刊》2007,24(6):98-101
国际私法主体性可以在本体论意义、认识论意义和价值论意义等三个层面上进行界说,它不仅包含对中国国际私法理论和实践现状的反思,也隐含了对中国国际私法理论和实践现状理想状态的勾勒,以及对理想与现状之间的紧张关系的疏解。主体性缺位正是造成国际私法在立法期未能取得突破的重要原因之一。  相似文献   
299.
魏晋风度是中国文化史上的一种独特现象。魏晋名士清谈玄理、品评人物、服药饮酒以及日常的言行举止,既展现迷人的风度气派,也蕴涵着深刻的文化意义。  相似文献   
300.
民族国家观念的建构与女性个体国民身份确立之间的关系   总被引:3,自引:0,他引:3  
近代中国的女权运动与民族主义运动是现代性追求的两个侧面。文章首先分析了“天赋人权”观和“民族国家”理念的内在逻辑,论证“天赋人权观”和“民族国家观念”内在地包含着女性个体身份确立的要求,其构建和传播过程为近代女权运动开拓了新的话语空间。其次,分析观念传播和话语建构的过程,分析男性和女性话语的共性和差异性。认为近代女权主义者策略性地使用了男性主流话语和国家主义的女权逻辑,同时,女性通过构建“同为国民,同担责任”的话语和“同担责任”的行动确立了女性的主体身份和彰显了女性的主体性和能动性。  相似文献   
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