实用主义与胡适的文学观

长期以来,学界对于胡适文学理论的认识和评价存在某些误区。胡适的文学观,无论是其哲学思想基础,还是其方法论,都来源于他的实用主义哲学。胡适对文学内容并非没有足够的重视,但基于实用主义哲学效果至上的原则,他选择了语言形式作为文学革命的突破口。将胡适斥为形式主义、改良主义,实际上是把胡适文学理论的优长和特色当作缺点来认识。在某种意义上,胡适的文学理论与其说是建构一种文学体系,不如说是为文学革命提供一种切实可行的方案。实用主义使胡适文学理论的缺陷与它的优长显得同样醒目和突出。     

论历史发展的主体性和客观性

主体实践活动的能动性与受动性的统一、合目的性与合规律性的统一、价值尺度与客观尺度的统一、自由与必然的统一是分析和提示社会历史发展的主体性和客观性本质,正确理解社会历史发展过程的钥匙,哲学不能只讲客观性而不讲主体性,也不能只讲主体性不讲客观性。     

The Ethic of Care, Female Subjectivity and Feminist Legal Scholarship

The object of this essay is to explore the central role played by the ‘ethic of care’ in debates within and beyond feminist legal theory. The author claims that the ethic of care has attracted feminist legal scholars in particular, as a means of resolving the theoretical, political and strategic difficulties to which the perceived ‘crisis of subjectivity’ in feminist theory has given rise. She argues that feminist legal scholars are peculiarly placed in relation to this crisis because of their reliance on the social ‘woman’ whose interests are the predominant concern of feminist legal engagement. With the problematisation of subjectivity, the object of feminist legal attention disappears and it is in attempts to deflect the negative political consequences of this that the ethic of care has been invoked, the author argues, unsuccessfully. The essay concludes with suggestions as to how the feminist project in law might proceed in the wake of the crisis of subjectivity and the failure of the ethic of care to resolve it. This revised version was published online in July 2006 with corrections to the Cover Date.     

More than a Woman? Embodiment and Sexual Difference in Medical Law

This article examines law’s representation of embodied female identity in the context of two medical law cases, R. v. Human Fertilisation and Embryology Authority, ex parte Blood andB v. Croydon Health Authority. Through an examination of contemporary critiques of female embodiment, in particular the work of Judith Butler, two discursive strategies are suggested for their potential to reconfigure the sexed subject within legal discourse. Firstly, the act of transgression – the flight from purportedly fixed subject positions – can be read in the case of Bloodand calls into question law’s ability to contain and sustain sexed identity as prediscursive and immutable. Secondly, the exposure of the historical formation of the female subjects of legal discourse, demonstrated through a genealogical reading of B v. Croydon Health Authority, contributes to the feminist theoretical project to destabilise traditional gender categories and enables us to think beyond the category of ‘Woman’. This revised version was published online in July 2006 with corrections to the Cover Date.     

文学作品的四层次结构理论

文学作品的结构层次应该是由语言符号层、意象符号层、意义意蕴层和生命意识层构成的一个有机整体。其中 ,生命意识层是其最深层次。     

30年代文学语言"口语化"运动与童话文体的发展

就1930年代思想潮流整体状况而言,是不利于童话文体的发展的,但当时的文学语言口语化运动却维持着童话的文体独立性,促进了童话文体的修辞建设,并影响着童话文体泛化的发展方向。对1930年代文学语言运动与童话文体的发展关系的揭示,有助于我们更好地理解文学语言变迁对于中国现代文学文体发生发展的决定性作用。     

犯罪指向数额的价值分析

刑法关于犯罪数额的规定较为复杂,不同罪名中数额的具体内涵和表现形式不同,不同种类的数额在定罪量刑上的意义也有所差异。行为人的犯罪指向数额与犯罪实际数额时常发生冲突,事实证明一概将犯罪实际数额作为定罪量刑依据,不免有失公允,有必要对犯罪指向数额的价值予以关注,并恰当应用到司法实践当中,使主客观相统一原则落到实处。     

台湾后现代女性诗歌综论

后现代主义作为一种当代世界性文化美学思潮出现在80年代的台湾涛坛,有其特定的理论基础与社会背景。在涛思方面,台湾后现代女性涛歌的本质特征是"消中心"和"反理性";在涛艺方面,台湾后现代女性诗歌主要采取了边界消失与即兴演出、后设语言与意符游戏、博议拼帖与谐拟手法、形式实验与"零度写作"等多种艺术策略。台湾后现代女性涛歌独特的涛学品格更在于其将后现代主义与女性主义有机融合,对男性权力、秩序和统治进行瓦解性与破坏性书写,重视日常化生活形态的表达。因此,在台湾当代涛歌史上,后现代女性诗歌具有重要的价值和意义。     

现代文学场域下的女性写作--论女作家陈学昭的创作风格及其文坛地位的形成

本文通过现代女作家陈学昭创作风格的形成,探讨女性写作在现代文学史上成长的可能性空间,事实证明,女性写作是在一种被男性文学叙事规约和询唤的美学潮流的引领下进行的,适应并不断复制主流话语,是在文学场域得以生存的条件,除此之外,似乎别无他路。陈学昭的创作只有适应主流叙事的那种被界定为清丽温婉的美学情调得到了认可,而作品里独特的、鲜活的、可以触摸的生命意志被遮蔽掉了。对于一个并不自主的制度化场域来说,文学与新民主主义革命的独特关系,使得陈学昭一类的作家缺少必要的写作空间。     

古代文论诠释主体的境界层次论

在对古代文论的诠释中,诠释主体应该具有不同层次的境界:知识境界、道德境界、心灵境界。它们分别构成意义还原的基石、合理诠释的规范、审美交往的保障;且三种境界融合协作对古代文论进行和谐贯通、生生不息的诠释。诠释主体的诠释境界对古代文论的诠释及当代文论的建构具有重要作用。