Enjoy their symptom: of woman,men and other interesting figures in Greek literary texts

Voela and Tamboukou use Slavoj ?i?ek’s notion of the symptom as a lens through which to look at representations of female figures in Greek literary texts of the early twentieth century by Gregorios Xenopoulos. In mapping the construction of the figure of the modern woman in the matrix of discourses, fantasies and power relations of fin-de-siècle Greece, they draw on psychoanalytic insights, interrupted by Foucauldian interventions. Following Judith Butler’s move of making trouble they attempt to open up a dialogic space between psychoanalytic and Foucauldian approaches to the female subject, contextualized in a specific social, historical and cultural milieu. It is in this context that they discuss, first, how feminine and masculine subjectivities are represented in man’s speech; second, how unintended excesses and interruptions occur in the problematic representation of women; and, third, how madness and ultimately death come to play a significant role in the power relations between the sexes.     

当代中国社会建设实践的基本特征

在中国特色社会主义事业的总体布局中,社会建设有着与经济建设、政治建设和文化建设截然不同的理论和实践特征,主要表现为:突出建设的社会性、强调治理的公共性、关注需求的日常性、关涉布局的综合性。这些在中国特色社会主义建设实践中日益凸显出来的基本特征表征着当代中国社会建设的专业化和自主化发展趋势,也体现了中国经济社会发展的全面性和科学性。     

French Enlightenment: truth and life

This paper considers the relations of truth, life and norm in the work of Georges Canguilhem and Michel Foucault argued that in France it was in the philosophy of science that one finds the clearest formulations of the problems of rationality and the sovereignty of reason. This distintive confrontation can be termed French Modern. For Canguilhem, an ontological and existential pathos arose from the fact that living beings were fated to struggle in the face of circumstances. For Foucault, this ontology became historical and political. For both, the key question was the relationship between life itself and the understanding of life. The paper concludes by reflecting upon some implications of the ways in which the relation between life and lived experience is posed today.     

少数民族传统法文化与西部新农村法治建设

少数民族传统法文化是中华法系的重要组成部分,它具有悠久的历史,而且许多好的传统至今还存活并发挥着重要作用,我们应该诊视、保护、开发和利用。这对西部法治建设、建设社会主义新农村意义极大。     

大学生素质教育要顺应现代企业的发展要求

大学生已逐步成为现代企业的主流和主导者,高等教育是优秀企业文化形成的基础性教育,这就需要高等教育的培养方向向市场需求靠拢。高校要积极寻求有效途径,加强大学生素质教育,以适应现代企业发展的需要。     

农民专业合作社利益联接机制研究

农民专业合作社已被确立为引领农民参与国内外市场竞争的现代农业经营组织。但利益分配问题是合作社不可避免的难题,它关系到合作社的存亡和发展。所以,健全合作社的利益联接机制是规范和发展农民专业合作社的核心。     

盐业合伙契约的历史意义和现代价值——兼论新《合伙企业法》的不足与完善

合伙兼具设立简便、出资灵活、管理便利等诸多优点,是一种古老而又有生命力的人类生产活动的组织方式,各种合伙制度又因历史传统、经济基础等不同而在形式和内容方面呈现出差异性.盐业合伙契约作为我国近现代一种独具民族传统特色的资本组织形式,具有十分丰富的内容和非常鲜明的特点,分析盐业合伙契约并阐释其历史意义和现代价值,对于探讨我国新《合伙企业法》存在的不足,提出完善的思考和建议有着一定的启发作用.     

浅谈公安院校学报工作现代化

公安院校学报工作现代化是市场经济发展的需要,是社会信息化的大势所趋。现代化的管理意识和现代化的编辑理念是实现学报工作现代化的前提条件。现阶段公安院校学报工作的现代化建设,应以构建现代化的信息收集、存贮、应用系统,现代化的编辑、校对、排版系统,现代化的学报工作管理系统,现代化的学报传播系统为基本目标。     

Modern poetry,popular song and their dangerous liaisons

Abstract

In this article, Tsuboi Hideto examines the mutually entwined pursuits of modern poetry and music in interwar Japan, focusing especially on the work of Nakahara Chūya, Kitahara Hakushū, and the People's Poetry group. Cutting across their respective distinctions within the poetry establishment, Tsuboi draws attention to these figures’ shared investment in symphonic, folk and popular music. In so doing, he identifies among them a prevailing concern for curating a poetic voice that might harmonize the conflictual registers of individual and collective expression and thereby attune the work of the poet to that of the ‘people’ more broadly. Meanwhile, the essay traces the currents of modernist and avant-garde thought in Japan and Europe that framed these poets’ engagements with music and sound. Tsuboi then illustrates the varying degrees to which these voices, forged within the cosmopolitan milieu of the Taisho period, bent toward the nationalizing project and later gave way to the chorus of wartime fascism and imperial expansion.     

Rhythms of resurrection: The comebacks of Ruth St. Denis

Ruth St. Denis (1879–1968) had one of the first and longest careers as a professional modern dancer. At age 62, she embarked on a “comeback” that lasted nearly three decades, appearing on stage and screen in the dances that had made her an international star earlier in her career. This essay examines the relationship between her well-known “Orientalism,” her feminism, her spirituality, and her perspective on aging and ageism. In particular, it brings into relief her innovative efforts to redefine dance as a feminist project at the intersection of aging and modern dance history. St. Denis converted “oriental tradition” into a feminist dance praxis, thus, staking a claim for the aging dancer under the banner of feminist politics.