Mapurbe Identity and Admapu in David Aniñir's Poetry

This article proposes a reading of David Aniñir's poetry that examines how he resignifies elements pertaining to admapu or Mapuche norms and practices in the metropolis. Aniñir is an urban Mapuche poet who lives in Santiago, Chile and displays interest in recovering his roots. While he defies preconceptions about indigenous peoples in his poetry, he includes Mapuche culture in his depiction of mapurbe identity. In his writing, Aniñir incorporates Mapuche key concepts and social roles such as yeyipun (prayer), pewma (dreams), werken (messenger), ngenpin (ritual speaker) and machi (spiritual authority and shaman), giving them new meanings within the urban context.     

Who reads Navajo poetry and what are they reading? Exploring the semiotic functions of contemporary written Navajo

This paper analyzes contemporary written Navajo in public signs, newspapers, and poetry. While the number of public space displays of written Navajo has increased in recent years, this has not met with an increase in either Navajo literacy or in the number of Navajo speakers. This paper argues that much written Navajo is read not for semantico-referential content, but either as icons and indexes of Navajo spaces and identity or as icons and indexes of fidelity to an orthographic norm. Contemporary written Navajo poetry is not normally read as poetry but as a success or failure to align with the orthographic norm. This mirrors nothing so much as how many Navajos were taught English literacy in the boarding schools.     

“有许多阵风都要它抵挡”——略论穆旦晚年诗歌创作的精神资源

承受着个人和国家诸多不幸的穆旦,在生命的晚期忽然爆发了一个小小的诗歌创作高潮.这些诗歌凝聚着穆旦作为一个“落难者”的人生体验,是诗人在非常年代里始终保持开放的胸襟和眼光,充分承受优秀世界诗歌资源的沐浴、浇灌和洗礼的结果,也源自于穆旦身边那个小小诗友圈的启发和激励.诗人以此在一个斫杀诗意的时代里为当代诗歌承续了难能可贵的精神和艺术火种.     

文化遭遇与异族想象：唐代文学中的天竺僧形象

与前代相比,唐人有幸生在中外文化大交融的时代,亲历印度佛教文化渗入汉唐文化的历史过程,并对异域观念进行当下性思考,产生一种审视异域的独特文化视野。反映在文本中,那便是唐人文学作品中存留许多关于印度佛教文化魅力及来华天竺僧形象的描写,诸如唐诗、小说等都是考察唐代中外文化交流的珍贵史料。     

论碧山词的艺术风格

王碧山是宋末元初的一位重要词人,他凭借自己的64首词在词史上占有一席不容抹煞的地位,清代词人及词评家对他极其推崇,现代人对他却颇有微词,当代人很少注意他.本文从咏物以托意、词中的意象、词的章法结构、典故的运用等方面考察其沉郁深婉的词风特征及形成,以期揭示出其词作独特的艺术魅力.     

邓汉仪诗史观及其诗学意义

邓汉仪认为诗歌应"追国雅而绍诗史",所以他重视记载时变过程,反映一代兴亡之感,关注民生、民瘼的作品.这既是对传统诗学"诗史"观的继承,又是对国雅本质的回归.邓汉仪还以鲜明的历史意识为诗歌选本张目,借助诗歌总集《诗观》的编纂,以求"成一代之伟观",使选本具有诗歌发展史的意义,这是对诗史观的发展.作为康熙前期诗坛旗手,其诗史观对矫正清初世俗诗风,使诗歌创作回归现实主义传统,起到了积极的作用.     

The Untimely Stevie Smith

Abstract

This essay considers the role of the untimely in the work of Stevie Smith. It explores motifs of belatedness in her reception history, suggesting how her own authorial persona and public presentation encodes this response. It examines the notion of the last-minute in her work, focusing on motifs such as disruption, elongation and delay. It suggests how her revision practice responded to the idea of being ‘too late’, with the moment of publication providing her with further prompts to revise her work. It focuses on final words and endings in her poetry and frames her interest in Christianity through ideas of temporality and form.     

再论玄言诗的定义与分类

玄言诗长期处于被忽视、被否定的尴尬境地,近年这种研究局面有所改观,但对一些基本问题———如定义与分类———的认识仍存在较大分歧。于此提出:玄言诗是魏晋特殊人文环境下作为上层士人体玄慕道的高雅生活之补充和组成部分的、以玄学思想为旨归的文人言志诗;应分为直言玄理类、游仙体道类、山水悟道类。     

Mobility and fusion in the literary field: the maverick poetry of Dolors Miquel

Abstract

With the aim of exploring the correlations between sociological and aesthetic areas, this article examines the mobility of poet Dolors Miquel in the Catalan literary field, where she has occupied positions ranging from the poetics of orality to ruralism, and where her work has been printed in the commercial press as well as underground publications. This paper ties that mobility in with practices of fusion such as the parodical discourse and camp, based on the hypothesis that in literatures affected by subordination, as is the case of Catalan literature, the partial overlapping of the spheres of general and restricted consumption is conducive to the emergence of dual languages. The satire, the revision of tradition, and the purposely “low-cost” tone that characterise Miquel’s poetry can be read as discourses formed by the combination of popularised stagings and elitist knowledge. Although this combination compromises the distinction between select minority and mass public audiences, it offers new answers to a question posed in the Catalan literature from the 1960s on and which continues to apply today: the question as to the space to be occupied by popular literature.     

唐初五十年类书与诗对文学的影响

唐初五十年类书的编纂和诗的创作,对唐初文学被学术同化具有深刻影响。首先,唐初类书不过是词藻堆砌,将词藻当做学术进行研究,其直接的影响是造成文学在研究领域被学术同化。其次,唐初的诗是＂类书式＂的诗,从而造成了文学在创作领域被学术同化的现象。